Category Archives: Europe

by Joel | 15 April 2009 · 6:16 am

No Plebiscites for Germans, 1919

From The War of the World: Twentieth-Century Conflict and the Descent of the West, by Niall Ferguson (Penguin Press, 2006), pp. 160-161:

Applying the principle of self-determination proved far from easy, however, for two reasons. First, … there were more than thirteen million Germans already living east of the borders of the pre-war Reich – perhaps as much as a fifth of the total German-speaking population of Europe. If self-determination were applied rigorously Germany might well end up bigger, which was certainly not the intention of Wilson’s fellow peacemakers. From the outset, then, there had to be inconsistency, if not hypocrisy, in the way Germany was treated: no Anschluss of the rump Austria to the Reich – despite the fact that the post-revolutionary governments in both Berlin and Vienna voted for it – and no vote at all for the 250,000 South Tyroleans, 90 per cent of whom were Germans, on whether they wanted to become Italian, but plebiscites to determine the fate of northern Schleswig (which went to Denmark), eastern Upper Silesia (to Poland) and Eupen-Malmédy (to Belgium). France reclaimed Alsace and Lorraine, lost in 1871, despite the fact that barely one in ten of the population were French-speakers. In all, around 3.5 million German-speakers ceased to be German citizens under the terms of the Versailles Treaty. Equally important, under the terms of the 1919 Treaty of St Germain-en-Laye, more than 3.2 million Germans in Bohemia, southern Moravia and the hastily constituted Austrian province of Sudetenland found themselves reluctant citizens of a new state, Czechoslovakia. There were just under three-quarters of a million Germans in the new Poland, the same number again in the mightily enlarged Romania, half a million in the new South Slav kingdom later known as Yugoslavia and another half million in the rump Hungary left over after the Treaty of Trianon.

The second problem for self-determination was that none of the peacemakers saw it as applying to their own empires – only to the empires they had defeated.

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Filed under Austria, Belgium, democracy, Germany, Hungary, Italy, nationalism, Poland, Romania, Slovakia, U.S., war, Yugoslavia

by Joel | 14 April 2009 · 8:11 pm

Aboard the Yasukuni Maru to London, March 1939

From Orwell’s Diaries (On Board SS. Yasukunimaru (NYK) Crossing Bay of Biscay, 28.3.39):

Yasukuni is 11,950 tons. Do not yet know, but from the vibrations judge that she is a motor-ship. Apart from the bridge, only 3 decks above water-level. Cabins and other appointments pretty good, but certain difficulties in that [the] entire crew and personnel are Japanese and apart from the officers the majority do not speak much English. Second-class fare Casablanca-London £6.10. As the boat normally goes straight to London from Gibraltar & on this occasion went out of her way to deliver a load of tea, fare from Gilbraltar would probably be the same. P. & O. tourist class is £6.10 London-Gibraltar. Food on this ship slightly better than on the P. & O. & service distinctly better, but the stewards here have the advantage that the ship is almost empty. Facilities for drinking not so good, or for deck games, owing to comparatively restricted space.

Do not know what the accomodation° for passengers would be, but presumably at least 500. At present there are only 15 in the second class, about 12 in the third, & evidently not many in the 1st, though I don’t know how many. One or two of the 2nd & 3rd classes are Danes or other Scandinavians, one or two Dutch, the rest English, including some private soldiers who got on at Gibraltar. It appears that for its whole voyage the ship has been as empty as this. Since the Chino-Japanese war English people from the far east will not travel on the Japanese boats. All the P. & O. boast said to be crowded out in consequence.

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Filed under China, Europe, Japan, war

by Joel | 13 April 2009 · 9:37 pm

Commissar Trotsky’s Military Tactics

From The War of the World: Twentieth-Century Conflict and the Descent of the West, by Niall Ferguson (Penguin Press, 2006), pp. 145-148:

Between May and June [1918], the Czechs swept eastwards, capturing Novo-Nikolaevsk, Penza, Syzran, Tomsk, Omsk, Samara and finally Vladivostok. Meanwhile, Russia’s former allies sent expeditionary forces, whose primary aim was to keep Russia in the war. The British landed troops at Archangel and Murmansk, as well as at Vladivostok; the French sent men to Odessa, the Americans to Vladivostok. The Allies also supplied the White armies with weapons and other supplies. The Japanese seized the opportunity to march across the Amur River from Manchuria. Meanwhile, the cities that were supposed to be the headquarters of the Revolution emptied as factories closed and supplies of food and fuel dried up. When Denikin called on all the White forces to converge on Moscow in July 1918, it seemed more than likely that the Bolshevik regime would be overthrown.

On August 6, 1918, White forces in combination with the renegade Czech Legion captured Kazan. The Bolshevik 5th Army was haemorrhaging deserters. Ufa had fallen; so too had Simbirsk, Lenin’s own birthplace. Another step back along the Volga would bring the forces of counter-revolution to the gates of Nizhny-Novgorod, opening the road to Moscow. Having resigned his post as Commissar for Foreign Affairs in favour of Military Affairs, Trotsky now had the daunting task of stiffening the Red Army’s resolve. He was, as we have seen, by training a journalist not a general. Yet the goatee-bearded intellectual with his pince-nez had seen enough of war in the Balkans and on the Western Front to know that without discipline an army was doomed. It was Trotsky who insisted on the need for conscription, realizing that volunteers would not suffice. It was Trotsky who brought in the former Tsarist NCOs and officers – many of them hitherto languishing in jail – whose experience was to be vital in taking on the Whites.

Trotsky had two advantages. Firstly, the Bolsheviks controlled the central railway hubs, from which he could deploy forces at speed. Indeed, it was from his own specially designed armoured railway carriage that he himself directed operations, travelling some 100,000 miles in the course of the war. Secondly, though the Bolsheviks lacked experience of war, they did have experience of terrorism; like the Serbian nationalists, they too had employed assassination as a tactic in the pre-war years. It was to terror, in the name of martial law, that Trotsky now turned.

When he arrived at Kazan, the first thing he did was to uncouple the engine from his train; a signal to his troops that he had no intention of retreating. He then brought twenty-seven deserters to nearby Syvashsk, on the banks of the Volga, and had them shot. The only way to ensure that Red Army recruits did not desert or run away, Trotsky had concluded, was to mount machine-guns in their rear and shoot any who failed to advance against the enemy. This was the choice he offered: possible death in the front or certain death in the rear. ‘We must put an end once and for all’, he sneered with a characteristically caustic turn of phrase, ‘to the papist-Quaker babble about the sanctity of human life.’ Units that refused to fight were to be decimated. It was a turning point in the Russian civil war – and an ominous sign of how the Bolsheviks would behave if they won it. In the bitter fighting for the bridge over the Volga at Kazan, Trotsky’s tactics made that outcome significantly more likely. The bridge was saved, and on September 10 the city itself was retaken. Two days later Simbirsk also fell to the Reds. The White advance faltered as they found themselves challenged not only by a rapidly growing Red Army, but also by recalcitrant Ukrainians and Chechens to their rear. The Czechs were weary of fighting; the Legion disintegrated as it was driven back to Samara and then beyond the Urals…. By the end of November Denikin had lost Voronezh and Kastornoe.

The end of the war on the Western Front was well timed for the Bolsheviks. It undermined the legitimacy of the foreign powers’ intervention, especially as they now had left-wing outbreaks of their own to deal with. Only the Japanese showed any inclination to maintain an armed presence on Russian soil, and they were content to stake out new territorial claims in the Far East and leave the rest of Russia to its fate.

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Filed under Britain, Czechia, France, Japan, Slovakia, U.S., USSR, war

by Joel | 13 April 2009 · 6:27 pm

Novelties of Turning States into Nations

From The War of the World: Twentieth-Century Conflict and the Descent of the West, by Niall Ferguson (Penguin Press, 2006), pp. 74-77:

Nation states were a comparative novelty in European history. Much of the continent in 1900 was still dominated by the long-established and ethnically mixed empires of the Habsburgs, Romanovs and Osmanli. The United Kingdom of Great Britain and Ireland was another such entity. Some smaller countries were also ethnically heterogeneous: Belgium and Switzerland, for example. And there were numerous petty principalities and grand duchies, like Luxembourg or Lichtenstein, that had no distinct national identity of their own, yet resisted absorption into bigger political units. These patchwork political structures made practical sense at a time when mass migration was increasing rather than reducing ethnic intermingling. Yet in the eyes of political nationalists, they deserved to be consigned to the past; the future should belong to homogeneous nation states. France, which had nurtured in the Swiss political philosopher Jean-Jacques Rousseau the prophet of popular sovereignty, also provided a kind of model for nation-building. A republic forged and re-forged in repeated revolutions and wars, France by 1900 seemed to have subsumed all its old regional identities in a single ‘idea of France’. Auvergnais, Bretons and Gascons alike all considered themselves to be Frenchmen, having been put through the same standardized schooling and military training.

Nationalism at first had seemed to pose a threat to Europe’s monarchies. In the 1860s, however, the kingdoms of Piedmont and Prussia had created new nation states by combining the national principle with their own instincts for self-preservation and self-aggrandizement. The results – the kingdom of Italy and the German Reich – were no doubt very far from being perfect nation states. To Sicilians, the Piedmontese were as foreign as if they had been Frenchmen; the true unification of Italy came after the triumphs of Cavour and Garibaldi, with what were in effect small wars of colonization waged against the peoples of the south. Many Germans, meanwhile, lived outside the borders of Bismarck’s new Reich; what historians called his wars of unification had in fact excluded German-speaking Austrians from a Prussian-dominated Kleindeutschland. Nevertheless, an imperfect nation state was, in the eyes of most nationalists, preferable to no nation state at all. In the late nineteenth century other peoples sought to follow the Italian and German example. Some – notably the Irish and the Poles, to say nothing of Bengalis and other Indians – saw nationhood as an alternative to subjugation by unsympathetic empires. A few, like the Czechs, were content to pursue greater autonomy within an existing imperial structure, keeping hold of the Habsburg nurse for fear of meeting something worse. The situation of the Serbs was different. At the Congress of Berlin (1878), along with the Montenegrins, they had recovered their independence from Ottoman rule. By 1900 their ambitions were to follow the Piedmontese and Prussian examples by expanding in the name of South Slav (Yugoslav) national unity. But how were they to achieve this? One obvious possibility was through war, the Italian and German method. But the odds against Serbia were steep. It was one thing to win a war against the crumbling Ottoman Empire (as happened when Serbia joined forces with Montenegro, Bulgaria and Greece in 1912) or against rival Balkan states (when the confederates quarrelled over the spoils of victory the following year). It was an altogether bigger challenge to take on Austria-Hungary, which was not only a more formidable military opponent, but also happened to be the principal market for Serbia’s exports.

The Balkan Wars had revealed both the strengths and the limits of Balkan nationalism. Its strength lay in its ferocity. Its weakness was its disunity .The violence of the fighting much impressed the young Trotsky, who witnessed it as a correspondent for the newspaper Kievskaia mysl. Even the peace that followed the Balkan Wars was cruel, in a novel manner that would become a recurrent feature of the twentieth century. It no longer sufficed, in the eyes of nationalists, to acquire foreign territory. Now it was peoples as well as borders that had to move. Sometimes these movements were spontaneous. Muslims fled in the direction of Salonika as the Greeks, Serbs and Bulgarians advanced in 1912; Bulgarians fled Macedonia to escape from invading Greek troops in 1913; Greeks chose to leave the Macedonian districts ceded to Bulgaria and Serbia by the Treaty of Bucharest. Sometimes populations were deliberately expelled, as the Greeks were from Western Thrace in 1913 and from parts of Eastern Thrace and Anatolia in 1914. In the wake of the Turkish defeat, there was an agreed population exchange: 48,570 Turks moved one way and 46,764 Bulgarians the other across the new Turkish-Bulgarian border. Such exchanges were designed to transform regions of ethnically mixed settlement into the homogeneous societies that so appealed to the nationalist imagination. The effects on some regions were dramatic. Between 1912 and 1915, the Greek population of (Greek) Macedonia increased by around a third; the Muslim and Bulgarian population declined by 26 and 13 per cent respectively. The Greek population of Western Thrace fell by 80 per cent; the Muslim population of Eastern Thrace rose by a third. The implications were distinctly ominous for the many multi-ethnic communities elsewhere in Europe.

The alternative to outright war was to create a new South Slav state through terrorism. In the wake of the annexation of Bosnia, a rash of new organizations sprang up, pledged to resisting Austrian imperialism in the Balkans and to liberate Bosnia by fair means or foul….

The Black Hand’s leader was Colonel Dragutin Dimitrijevic, nicknamed ‘Apis’ (Bee), one of seven officers in the Serbian army who were among its founders. It was Dimitrijevic who trained three young terrorists for what was from the outset intended to be a suicide mission: to murder the heir to the Austro-Hungarian throne when he visited Sarajevo. The assassins – Nedjilko Cabrinovic, Trifko Grabez and Gavrilo Princip – were sent across the border with four Browning M 1910 revolvers, six bombs and cyanide tablets. As if to entice them, the Archduke chose to visit Sarajevo on the anniversary of the fourteenth-century Battle of Kosovo – the holiest day in the calendar of Serbian nationalism, St Vitus’ Day (Vidovdan).

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by Joel | 26 March 2009 · 4:51 pm

Wordcatcher Tales: Kara-e/Kōmō-e Mekiki

I came across a few interesting terms, two of them new to me, while browsing through a beautiful and fascinating book: Japan Envisions the West: 16th–19th Century Japanese Art from Kobe City Museum edited by Yukiko Shirahara (Seattle Art Museum, 2007).

唐絵目利き kara-e mekiki ‘Chinese art inspectors’ – When Japan was keeping the outside world at arm’s length during the Tokugawa era, the Shogun employed inspectors to appraise, catalog, and often copy samples of all goods coming from China and the West, perhaps as much to make sure the Shogun got the best goods as to keep harmful influences out. The characters that make up mekiki are 目 me ‘eye’ and 利 ki(ki) ‘efficacy, expertise’. But the latter also occurs in other contexts: ri ‘advantage, profit’; ki(ku) ‘to take effect, operate’; ki(kasu) ‘to use (one’s head), exert (influence)’; ki(keru) ‘be influential’; and ki(kaseru) ‘to season’.

唐絵 kara-e ‘Chinese painting’ – Kara is written with the character for the Tang dynasty, otherwise read tō (< Tang), as in 唐画 tōga ‘Chinese painting’, a synonym of kara-e. However, 唐 means not just ‘Tang’ or even ‘Chinese’, but ‘foreign’, especially when pronounced kara- in native Japanese compounds, as in 唐行き karayuki ‘going abroad’ (lit. ‘Tang-going’), 唐草 karakusa ‘arabesque’ (lit. ‘Tang grass=flowing style’), and 唐黍 karakibi/tōmorokoshi ‘maize, Indian corn’ (lit. ‘Tang millet/sorghum’).

Compare the wal- (cognate with Welsh) on English walnut (once ‘foreign nut’); or the 胡 hu (once ‘barbarian’) on Chinese 胡桃 hutao ‘walnut’ (‘foreign peach’) or 胡椒 hujiao ‘black pepper’ (‘foreign pepper’ vs. 辣椒 lajiao ‘hot pepper’), or 胡麻 huma ‘sesame’ (‘foreign hemp’).

紅毛絵 kōmō-e ‘Dutch painting’ – By Tokugawa times, the Japanese had to deal with a new kind of foreigner very different from the Asians lumped together as kara. The character abbreviation for the Dutch is 蘭 ran (lit. ‘orchid’), short for Oranda ‘Holland’, as in 蘭学 Rangaku, ‘Dutch learning’, but by extension ‘Western learning’ more generally. So Western-style paintings can be called 蘭画 ranga, just as Chinese-style paintings can be called 唐画 tōga. But this book refers to the more specifically Dutch-style paintings from Nagasaki as 紅毛絵 kōmō-e ‘Red Hair painting’—a term I found especially engaging, as a former redhead myself (now mostly white), married to another former redhead (now more brunette with strands of gray), and the parent of a red-haired daughter.

By the way, Katsumori Noriko, whose chapter on “The Influence of Ransho [‘Western books’] on Western-style Painting” compares Japanese paintings copied from originals in European books imported through Nagasaki, starts by correcting the conventional history that Dutch-language books were banned between 1630 (the beginning of sakoku) and 1720 (during the reign of Yoshimune). She says (p. 99):

In fact, these policies applied only to Chinese translations of Western books. Books in Dutch, presented as gifts from foreign visitors, had been preserved over the decades in the shogunal library but were largely disregarded. When the bibliophile shogun Yoshimune opened his library in 1720, Japanese scholars had the opportunity to reencounter and study ransho firsthand.

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Filed under art, China, Japan, language, Netherlands, publishing

by Joel | 24 March 2009 · 9:06 pm

Kakania or Russia as “Versuchsstation des Weltuntergangs”

From The War of the World: Twentieth-Century Conflict and the Descent of the West, by Niall Ferguson (Penguin Press, 2006), pp. 13-15:

Czechs in particular chafed at their second-class status in Bohemia, and were able to give more forthright political expression to their grievances after the introduction of universal male suffrage in 1907. But schemes for some kind of Habsburg federalism never got off the ground. The alternative of Germanization was not an option for the fragile linguistic patchwork that was Austria; the most that could be achieved was to maintain German as the language of command for the army, though with results lampooned hilariously by the Czech writer Jaroslav Hašek in The Good Soldier Švejk. By contrast, the sustained Hungarian campaign to ‘Magyarize’ their kingdom’s non-Hungarians, who accounted for nearly half the population, merely inflamed nationalist sentiment. If the trend of the age had been towards multi-culturalism, then Vienna would have been the envy of the world; from psychoanalysis to the Secession, its cultural scene at the turn of the century was a wonderful advertisement for the benefits of ethnic cross-fertilization. But if the trend of the age was towards the homogeneous nation state, the future prospects of the Dual Monarchy were bleak indeed. When the satirist Karl Kraus called Austria-Hungary a ‘laboratory of world destruction’ (Versuchsstation des Weltuntergangs), he had in mind precisely the mounting tension between a multi-tiered polity – summed up by Kraus as an ‘aristodemoplutobarokratischen Mischmasch’ – and a multi-ethnic society. This I was what Musil was getting at when he described Austria-Hungary as ‘nothing but a particularly clear-cut case of the modern world’: for ‘in that country … every human being’s dislike of every other human being’s attempts to get on … [had] crystallized earlier’. Reverence for the aged Emperor Francis Joseph was not enough to hold this delicate edifice together. It might even end up blowing it apart.

If Austria-Hungary was stable but weak, Russia was strong but unstable. ‘There’s an invisible thread, like a spider’s web, and it comes right out of his Imperial Majesty Alexander the Third’s heart. And there’s another which goes through all the ministers, through His Exellency the Governor and down through the ranks until it reaches me and even the lowest soldier,’ the policeman Nikiforych explained to the young Maxim Gorky. ‘Everything is linked and bound together by this thread … with its invisible power.’ As centralized as Austria-Hungary was decentralized, Russia seemed equal to the task of maintaining military parity with the West European powers. Moreover, Russia exercised the option of ‘Russification’, aggressively imposing the Russian language on the other ethnic minorities in its vast imperium. This was an ambitious strategy given the numerical predominance of non-Russians, who accounted for around 56 per cent of the total population of the empire. It was Russia’s economy that nevertheless seemed to pose the biggest challenge to the Tsar and his ministers. Despite the abolition of serfdom in the 1860s, the country’s agricultural system remained communal in its organization – closer, it might be said, to India than to Prussia. But the bid to build up a new class of thrifty peasant proprietors – sometimes known as kulaks, after their supposedly tight fists – achieved only limited success. From a narrowly economic perspective, the strategy of financing industrialization by boosting agricultural production and exports was a success. Between 1870 and 1913 the Russian economy grew at an average annual rate of around 2.4 per cent, faster than the British, French and Italian and only a little behind the German (2.8 per cent). Between 1898 and 1913, pig iron production more than doubled, raw cotton consumption rose by 80 per cent and the railway network grew by more than 50 per cent. Militarily, too, state-led industrialization seemed to be working; Russia was more than matching the expenditures of the other European empires on their armies and navies. Small wonder the German Chancellor Theobald von Bethmann Hollweg worried that ‘Russia’s growing claims and enormous power to advance in a few years, will simply be impossible to fend off’. Nevertheless, the prioritization of grain exports (to service Russia’s rapidly growing external debt) and rapid population growth limited the material benefits felt by ordinary Russians, four-fifths of whom lived in the countryside. The hope that they would gain land as well as freedom aroused among peasants by the abolition of serfdom had been disappointed. Though living standards were almost certainly rising (if the revenues from excise duties are any guide), this was no cure for a pervasive sense of grievance, as any student of the French ancien regime could have explained. A disgruntled peasantry, a sclerotic aristocracy, a radicalized but impotent intelligentsia and a capital city with a large and volatile populace: these were precisely the combustible ingredients the historian Alexis de Tocqueville had identified in 1780s France. A Russian revolution of rising expectations was in the making – a revolution Nikiforych vainly warned Gorky to keep out of.

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Filed under Austria, Bohemia, Hungary, nationalism, Russia, war

by Joel | 12 March 2009 · 9:14 pm

The Failed Soviet Invasion of Romania, Spring 1944

From Red Storm over the Balkans: The Failed Soviet Invasion of Romania, Spring 1944, by David M. Glantz (U. Press of Kansas, 2007), pp. 372-378 (reviewed here and here):

Strategic Implications

Every officially sanctioned Soviet and, more recently, Russian history of the Soviet-German War published since war’s end categorically asserts that, immediately after the Red Army completed its successful winter campaign in the Ukraine during mid-April 1944, Stalin ordered his Stavka and General Staff to begin preparations to conduct a series of successive strategic offensives through Belorussia and Poland during the summer of 1944, which, from a military and political perspective, were designed to hasten the destruction of the Wehrmacht and Hitler’s Third Reich in the shortest possible time by exploiting the most direct route into the heart of Germany. Only after completing these more important offensives, these sources argue, did Stalin finally unleash the Red Army on an invasion of Romania and the Balkan region. According to this strategic paradigm, when the Red Army actually implemented the Stavka’s plan, it began its offensive into Belorussia in late June, its offensive into southern Poland in mid-July, and its offensive into Romania in late August.

Furthermore, these same histories argue that, just as the Balkan region was a secondary strategic objective for Stalin during the Red Army’s summer-fall campaign of 1944, it remained of secondary importance when the Red Army conducted its offensives during the winter campaign of 1945. Therefore, just as the Red Army invaded Romania in late August 1944, but only after its offensives in Belorussia and eastern Poland succeeded, likewise, during its winter campaign of 1945, the Red Army captured Budapest and western Hungary and invaded Austria in February and March 1945, but only after its offensive through Poland to the Oder River succeeded.

However, the “discovery” of the Red Army’s attempt to invade Romania in mid-April and May 1944 casts serious doubts on this prevailing strategic paradigm. In short, the precise timing, immense scale, complex nature, and obvious objectives of the Red Army’s offensive into Romania during April and May 1944 now clearly indicate that Stalin and his Stavka were paying considerable attention to strategic imperatives other than those described in this prevailing strategic paradigm. Simply stated, vital military, economic, and political factors prompted Stalin to order his Red Army to mount a major offensive of immense potential strategic significance into Romania between mid-April and late May 1944….

In addition to these purely military considerations, there were also strategically vital economic and political motives for Stalin and his Stavka to mount an invasion of Romania during April and May 1944. Economically, for example, as von Senger pointed out, if successful, a full-fledged Red Army invasion of Romania could deprive the Axis of its vital oilfields in Romania, thereby seriously degrading Germany’s ability to continue the war. More important still from a political standpoint, a successful invasion of Romania would likely topple the pro-German Romanian government and drive Romania from the war, and perhaps even force Bulgaria to abandon its looser ties with Hitler’s Germany. In fact, the loss of a significant portion of Romania to the Red Army would shake if not shatter the Axis’ defenses throughout the entire Balkans, inject a sizeable Red Army presence in the region, and end all hopes by Stalin’s “Big Three” counterparts, Roosevelt and Churchill, that they could halt the spread of Soviet influence into the Balkan region.

In short, since Stalin’s Western Allies were already planning Operation Overlord to land their forces on the coast of France, the Red Army’s entry into Romania would end, once and for all, Stalin’s anxiety over his Allies establishing a “second front” in the Balkans. Ever the realist, Stalin judged that the potential political gains associated with the Red Army’s advance into Romania during April and May 1944 more than outweighed any associated military risks. Nor was it coincidental that, after his spring 1944 venture failed and the Red Army’s summer offensives to the north succeeded, Stalin unleashed the Red Army forces on a new invasion deeper into Romania and the Balkans during August 1944.

Furthermore, although it will be the subject of a future book, it is now quite clear that Stalin continued to pursue a similar “Balkan strategy” during the winter of 1945 after his Allies assured him at the Yalta Conference in early February that Berlin would be his for the taking. As a result, within hours after receiving these assurances, Stalin abruptly halted the Red Army’s advance on Berlin along the Oder River, only 30 miles from Berlin, and instead shifted its main axis of advance—first, into western Hungary and, later, into the depths of Austria—for essentially the same political reasons that had motivated him to invade Romania during April, May, and August 1944. Just as Stalin had altered his strategy for a drive on Berlin by attempting to invade Romania in April and May 1944 only to resume his advance along the Berlin axis in June, a year later the Red Army began its final drive on Berlin on 16 April 1945, the day after Vienna fell. Therefore, the Red Anny’s failed offensive into Romania during April and May 1944 is remarkably consistent with Stalin’s strategic behavior during 1945.

Lesson Learned

Regardless of Stalin’s motives for authorizing the offensive into Romania, for a variety of reasons, the Red Army’s first Iasi-Kishinev offensive ended as a spectacular failure. After failing to overcome Axis defenses from the march during mid-April, Konev’s 2nd Ukrainian Front was equally unsuccessful in its better-prepared offensive aginst Axis forces defending in the Tirgu-Frumos and Iasi regions in May. During the same period, although Malinovsky’s 3rd Ukrainian Front was able to seize some bridgeheads across the Dnestr River in early April, its twin efforts to expand those bridgeheads later in the month achieved little more. Complicating the Stavka’s strategic plans, while Konev and Malinovsky were organizing a third effort to capture Iasi and Kishinev during mid-May, for the first time since late 1942, counterattacking German forces actually managed to inflict serious defeats on major Red Army forces defending bridgeheads across a major river….

The defending German forces had also been fighting for as prolonged a period as their Red Army counterparts and had suffered many serious and costly defeats and heavy losses in men and equipment. Furthermore, when Konev’s and Malinovsky’s forces invaded Romania, in many sectors they faced green and poorly motivated and equipped Romanian troops. Despite this fact, fighting with a determination born of desperation, the Axis forces were able to hold firmly to most of their defenses in April and early May and, thereafter, mount successful counterstrokes of their own during early May and early June.

Difficult spring weather conditions and the adverse effect of the heavy rains and flooding on the terrain also certainly exacerbated the already significant logistical problems the two fronts were experiencing as they operated at the end of their overextended lines of communications characterized by a rickety patchwork logistical network that was just being constructed. First, the two Ukrainian fronts were conducting offensive operations in a region whose hilly, broken, and often lightly wooded terrain differed substantially from the rolling grass-covered flatlands of the Ukraine to which their troops were long accustomed.

Second, for the first time in the war, the two fronts were attempting to conduct offensive operations after warmer weather melted the icy surface they had exploited to conduct mobile military operations in previous winters. Predictably, the rasputitsa proved as formidable an obstacle to the two fronts’ advancing forces as the Germans’ resistance and, in some cases, even more formidable.

Third, compounding the problems cited above, pursuant to orders, as they conducted their fighting withdrawal, the Germans systematically destroyed everything of value both for destruction’s sake and to create obstacles to the Red Army’s forward movement. They blew up railroads, beds, tracks, and culverts alike; they cratered roads and demolished dams; and they destroyed every building or installation regardless of military value. In short, they left a vast wasteland for the Red Army to traverse in their wake.

As a result, whether attacking or defending, in addition to experiencing customary shortages of food, which made soldierly foraging an essential art, and the normal effects of prolonged combat attrition, virtually every formation and unit within the 2nd and 3rd Ukrainian Fronts suffered significant losses in weaponry and heavy equipment and experienced severe ammunition and fuel shortages. For example, archival documents indicate that, prior to its offensive along the Tirgu Frumos axis on 2 May, the 2nd Ukrainian Front’s 2nd Tank Army was supplied with between two and five combat loads of ammunition and two to two and one-half refills of gasoline and diesel fuel, which was not excessively low to conduct such an operation. However, it would be disingenuous to offer these realities as excuses for Konev’s and Malinovsky’ offensive failures, since, as was always the case, the two front commanders, as well as their subordinate officers and soldiers alike, frequently relied on sheer ingenuity or “native wit” to resolve their logistical dilemmas.

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by Joel | 26 February 2009 · 9:00 pm

Opera Boxes, Salons, and Bedrooms, 1700s

From The Opera Companion, by George Martin (John Murray, 1961), pp. 133-134:

In Italy in the eighteenth century the center of operatic activity shifted from Venice to Naples, where a school of outstanding composers arose specializing in two styles: “opera seria” and “opera buffa.” “Opera seria” was on a grand scale with historical or mythological themes; it was a close cousin to the Viennese Baroque opera except that the music was of greater importance and the scenery of less. The aria, generally sung by a castrato, was the crux of every scene, and over the years it became extremely stylized, so that for any situation there was a certain type of aria that was appropriate. The singer was expected to embellish the aria with extemporaneous runs, trills and flourishes, and this—more than the drama, scenery or composed music—was what excited the audience. Thus the composer wrote a vehicle for a particular singer rather than searching his soul in nineteenth-century romantic style to produce an immortal masterpiece. Grout, in A Short History of Opera, reports that forty leading composers in the eighteenth century wrote fifty operas each: Verdi wrote twenty six, Wagner thirteen, and Puccini twelve. There was no repertory as today. The audience wanted new music each year, although it was perfectly willing to have the same librettos used over and over; for example, Mozart’s was the seventh setting of Metastasio’s La Clemenza di Tito. The scores of the operas were almost never published and, in any event, were extremely sketchy. Only the favorite arias might be published and, as there was no copyright, the composer was far less interested in preserving his old work for posterity than in receiving a commission for a new one, which he could complete in four to six weeks.

One result of this approach to opera, so different from today’s, was that no one really listened much; opera was still a social rather than a musical event. A Frenchman, De Brosses, writing in 1740 described what went on at Rome: “The ladies hold, as it were, at homes in their boxes, where those spectators who are of their acquaintance come to call on them. I have told you that everyone must rent a box. As they are playing at four theatres this winter, we have combined to hire four boxes, at a price of twenty sequins each for the four; and once there I can make myself perfectly at home. We quiz the house to pick out our acquaintance, and if we will, we exchange visits. The taste they have here for the play and for music is demonstrated far more by their presence than by the attention they pay. Once the first scenes are past, during which the silence is but relative, even in the pit, it becomes ill-bred to listen save in the most interesting passages. The principal boxes are handsomely furnished and lighted with chandeliers. Sometimes there is play, more often talk, seated in a complete circle as is their custom, and not as in France, where the ladies add to the show by placing themselves in a row in the front of each box; so you will see that in spite of the splendour of the house and the decoration of each box, the total effect is much less fine than with us.”

Besides visiting in the opera, the Romans also played cards and chess. In Milan the diversion was faro. Florence offered hot suppers served in the boxes. At Turin each box had a room off it with a fireplace and all the conveniences for refreshments and cards. At Venice the boxes could be closed off from the theater by a shutter.

All travelers reported that the gabble and noise were deafening except during two or three favorite arias which, greeted with wild applause, were repeated. One visitor, Lalande, estimated that the typical Milanese spent a quarter of his life at the opera. It is not surprising then that the archduke’s box in Milan had attached to it not only a private sitting room but also a bedroom.

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by Joel | 14 February 2009 · 3:05 pm

Changing Court Costumes under Meiji

From “Cultural Change in Nineteenth-Century Japan,” by Marius B. Jansen, in Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, ed. by Ellen P. Conant (U. Hawai‘i Press, 2006), pp. 40-41:

The need for practicality and efficiency affected cultural policy in many ways. The early Meiji years saw the court trying to do business in the garments of antiquity. Albert Craig writes that “when the government structure was first promulgated, officials rushed out to secondhand bookstores to buy copies of the commentaries on the Taiho code (702) so they would know what the new office titles meant.” Many adopted Heian-period names, and “[e]ven the clothing worn by the councilors at certain court ceremonies was dictated by the new ethos. High-ranking samurai officials were required to dress as nobles; and all, including nobles, were required to wear swords. On one occasion the Saga samurai Eto Shinpei, late for a ceremony, dashed into the court uncapped by an eboshi—a small, black, silly-looking hat that perches forward on the head. A noble asked him, ‘Where is your hat?’ Eto retorted, ‘Where are your swords?’ Both hastened out for the proper accouterments.”

But the work of modernization could not be carried out at a costume party. In 1870 the Daigaku Nanko, ancestor of the Imperial University of Tokyo, still ruled out Western clothing, but that same year the imperial court appointed a Western-clothing specialist to its staff. By 1874 Kido Takayoshi, hero of the Restoration and powerfully influential government minister, was agonizing in his diary over the pain caused by “my shoes.” A year later Mori Arinori (1848-1888), natty in a Western suit, was bantering with the Qing statesman Li Hungzhang. Did he not find it unpleasant to wear such foreign clothes? Li asked solicitously. Had not Mori’s ancestors preferred Chinese costume? Yes, answered Mori, but he was doing as his ancestors had done by choosing the better garb. And, he went on, had Li’s ancestors worn Manchu robes like those his host had on? No, was the reluctant answer, they had not.

Before long the Meiji emperor’s Western military uniform was made court dress, and things moved so rapidly that at a birthday ball in 1885, itself remarkable, only two of the ladies did not appear in Western dress. Westerners usually thought this regrettable. In 1887 Herr von Mohl, a specialist in Western protocol hired for the court, suggested going back to Japanese dress for formal occasions but found that “Count Ito let me know that in Japan the costume question was a political issue in which the imperial household advisors had no voice; he requested that the matter should be viewed as settled and not to waste further time in discussing what is, in fact, a fait accompli.”

By the time the Meiji constitution was promulgated in 1889, Tokyo newspapers reported that Western-style tailors were being swamped with business by prefectural officials who had come crowding into the capital. Eboshi had given way to top hats, which alternated with bowlers in the uneasy combination of dress and footwear that is recorded in many Meiji photographs.

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by Joel | 13 February 2009 · 6:32 pm

Modernizing Music under Meiji

Gagaku gained increased prominence, but at the cost of stultification. By the end of the Tokugawa period it was associated primarily with the imperial court; professionals performed at court and the larger Shinto shrines. In 1871 a Gagaku Bureau was established within the Imperial Household Office (later Imperial Household Ministry), and thereafter its representatives served on all commissions charged with musical policy. Gagaku practice became archaized and codified in the process of defining as a “tradition” what must at one time have been considerably more varied. Nagauta, which had deep roots in popular culture, flourished. It gradually became more independent from the kabuki theater, developing a concert format and spread into commoner homes as an amateur skill. Instrumental music was freed from special restrictions. Koto had been a special art reserved for blind performers, while shakuhachi had been associated with Fuke Buddhism, which was banned in 1871. Both skills became middle-class accomplishments. Satsuma and Choshu biwa music, previously considered provincial, now acquired a popularity corollary to the political dominance of those southwestern domains in the new regime. Small wonder that former Tokugawa retainers often sneered at their Meiji successors as imo (potato) zamurai.

Western music had made its entry in Bakumatsu times, sometimes under unlikely circumstances. The captain’s clerk aboard Commodore Perry’s Saratoga wrote that Japanese guests who were treated to a band concert in 1854 courteously asked to hear the first number again, but proved to mean the tuning-up period, whose sounds they found more interesting than the marches that followed. Satsuma samurai were sufficiently impressed by the martial strains that came to shore from the British band celebrating the bombardment that had just burned Kagoshima in 1863 to want to introduce Western military music into their own forces. An English bandmaster of the marine battalion guarding the Yokohama legation was asked to instruct thirty Satsuma militiamen, and in 1871 these formed the core of the new navy band, its English bandmaster’s salary shared by the navy and the Gagaku Bureau. In 1877 the Englishman Fenton was replaced by a German, Franz Eckert. The harmonization and orchestration of “Kimi ga yo,” which came to function as the new national anthem, was the product of the combined efforts of these bandmasters.

Military songs and marches quickly became popular. “Oh My Prince!” (Miyasan! Miyasan!) was ascribed to the armies that marched against the shogun’s capital. Words could be changed to fit new themes and occasions. “Battōtai” (The Drawn Sword Unit), composed in 1885 by a French instructor about the Satsuma Rebellion, became “The Sinking of the Normanton” in 1887 for the disaster off Kii in which all the Japanese, and no foreigners, were lost, and emerged again as the “Rappa-bushi” of the Russo-Japanese War. Still other songs adapted the melodies of Stephen Collins Foster to a Japanese mode, as with “Tobe Tobe Tonbi Sora” (Fly, Kite, Fly, High in the Sky!), whose tune turns out to be a version of “Way Down upon the Sewanee River.”

Appropriately enough, some of the last strains of late-Edo chant and song were suppressed with the people’s rights movement, which adapted them to political uses. Dainamaito bushi, satirical pieces designed to be explosive, were composed, sung, and sold by street-singer activists deploring official arrogance and government tyranny in the 1880s. The victories of the state in domestic politics and foreign wars, however, speeded the production of a new and less divisive national culture, homogenized by mass education and literacy, which emerged by the end of the century.