Four Notable Slaves and Two Generals

While visiting ancestral haunts and a few more famous historic sites in Southampton County, Virginia, in April, we pulled the car over in front of the Rebecca Vaughan house in Courtland and I got out to take a photo of it. Soon I heard a lady’s voice behind me asking, “What do you think?”

She turned out to be the head of the Southampton County Historical Society, which runs a museum in another historic site I had photographed near what used to be called Jerusalem Courthouse, when the county seat had been called Jerusalem. Perhaps she had followed us from there, because she followed us into Heritage Lane, where the Vaughan house sits, and back out when we stopped to take a photo.

The house is still being restored and was placed on the National Register of Historic Places because it was the last house in which anyone had been killed during the Southampton Insurrection of 1831, more commonly known as Nat Turner’s Rebellion. (I read William Styron’s novel The Confessions of Nat Turner not long after it first appeared in 1967, the year I moved in with my uncle in Southampton County after finishing high school—in fact most of my childhood—in Japan.)

We two history buffs had a long and enthusiastic conversation that might have gone on even longer if it hadn’t been getting close to supper time. She named four famous slaves born in Southampton County.

1. Nat Turner (1800-1831), who led the slave rebellion in 1831.

2. Dred Scott (1795-1858), who left the County not long after his birth and died shortly after the landmark Dred Scott Decision in 1857.

3. Anthony Gardiner (1820-1885), whose family emigrated to Liberia in 1831, and who went on to become Liberia’s 1st attorney general (1848-1865), 7th vice president (1872-1876), and 9th president (1878-1883).

4. John Brown (c. 1810-1876), who escaped to England in 1850, where he dictated his life story to the president of the British and Foreign Anti-Slavery Society, which published it under the title, Slave Life in Georgia: A Narrative of the Life, Sufferings, and Escape of John Brown, a Fugitive Slave, Now in England (1855). (Harriet Beecher Stowe’s Uncle Tom’s Cabin had appeared in 1852.)

I hadn’t heard of the last two men, but I had heard of the two Civil War generals she next told me about.

General George H. Thomas (1816-1870) born in Newsom’s Depot, Southampton County, acquired several epithets from his leadership during the Civil War: “Rock of Chickamauga,” “Sledge of Nashville,” and “Slow Trot Thomas.” Until very late in the War, the Union troops never crossed the Blackwater River to invade Southampton County, and my interlocutor suggested that Gen. Thomas may have had something to do with that. (I doubt it, for two reasons: he commanded the Army of the Cumberland in the Western Theater; and Gen. Ulysses Grant held him in low esteem.)

General William Mahone (1826-1895) once lived in Mahone’s Tavern, just across from Jerusalem Courthouse. Trained as a civil engineer at Virginia Military Institute (class of 1847), he was hired to build the railroad between Norfolk and Petersburg. (His wife, Otelia Butler of Smithfield, is credited with naming several of the stations.) During the War, he distinguished himself at the Battle of the Crater during the Siege of Petersburg. He had worked as a teacher before becoming a railroad executive, and after the War joined the biracial Readjuster Party. He was a strong proponent of education for freedmen and free blacks and helped found Virginia Normal and Collegiate Institute in 1882 (now Virginia State University), the first fully state-supported four-year institution of higher learning for black Americans in the United States.

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Some Loanwords in Indonesian/Malay: A

From: Loan-Words in Indonesian and Malay, ed. by Russell Jones (KITLV Press, 2007), ignoring the far too numerous loans from Arabic, Dutch, and English.

Chinese

aci (Amoy) elder sister
ahsiu (Amoy) dried, salted duck
a i (Amoy) aunt (addressing younger than speaker’s mother)
akew (Hakka) term of address for boy (‘little dog’)
amah (Amoy) female servant
amho (Amoy) secret sign, password
amoi (Chiangchiu) younger sister; girl
ampai (Amoy) detective
angciu (Amoy) red wine
angco (Amoy) dried Chinese dates (Z. jujuba)
ancoa (Amoy) how can that be?
anghun (Amoy) shredded tobacco
angkak (Amoy) grains of red sticky rice (O. glutinosa)
angki (Amoy) persimmon (D. kaki)
angkin (Amoy) waist belt
angkong (Amoy) grandfather
angkong (Amoy) ricksha
anglo (Amoy) heating stove
anglung (Amoy) pavilion
angpai (Amoy) card game employing 56 cards
angpau (Amoy) present given at Chinese new year
angsio (Amoy) braise in soy sauce
angso (Amoy) red bamboo shoot
apa (Amoy) dad, father
apak (Hakka) old man, ‘uncle’ (lit. father’s elder brother)
apék (Amoy) old man, ‘uncle’ (lit. father’s elder brother)
apiun (Amoy) opium
asuk (Hakka) ‘uncle’, father’s younger brother

Hindi

abaimana anal and urethral orifices (with regard to ablution)
acita fine rice
anggerka gown
antari inner
arwa saw-edged knife
aruda rue (bot.)
ayah Indian nurse

Japanese

anata you
arigato thank you
aza hamlet

Persian

acar pickles
adas fennel
aftab sun
agar in order to
agha nobleman
ahli versed in; member of
aiwan hall
ajaibkhanah museum
akhtaj vassal
almas diamond
anggur grape
anjir fig
arzak beautiful gem
asa mint
asabat nerve
asmani heavenly
atisnyak fiery, glowing
azad faultless

Portuguese

alabangka lever
alketip carpet
alpayaté tailor
alpérés ensign, sublieutenant
andor (obs.) a litter on which images of saints were borne
antero whole
aria lower away (naut.)
arku bow (of a kite)
aria, aris-aris bolt rope, shrouds (naut.)
arkus arches (triumphal, with festoons)
armada armada, squadron, naval fleet
asar roast; barbecue

Sanskrit

acara program, agenda
adi beginning, first, best, superior
adibusana haute couture
adicita ideology
adidaya superpower
adikarya masterpiece
adimarga boulevard
adipati governor
adipura cleanest (etc.) city (chosen annually)
adiraja royal by descent
adiratna jewel, beautiful woman
adisiswa best student
adiwangsa of high nobility
adiwarna glowing with colour
agama religion
agamiwan religious person
ahimsa non-violence
aksara letter
amerta immortal
amerta nectar
amra mango
ancala mountain
anda musk gland
Andoman Hanuman
anduwan foot chain
anéka all kinds of
anékawarna multi-coloured
anggota member
angka number, figure
angkara insolence, cruel
angkasa sky
angkasawan astronaut; broadcaster
angkasawati astronaut; broadcaster (fem.)
angkus elephant-goad
angsa goose
aniaya violation
anjangkarya working visit
antakusuma cloth made from several pieces
antar- inter-
antara (in) between
antarabangsa international
antariksa sky
antariksawan astronaut
antariksawati astronaut (fem.)
antamuka interface (of computer)
antarnegara international
anugerah (royal) favour
anumerta posthumous
apsari nymph
arca image; computer icon
aria a high title
arti meaning
Arya Aryan race
aryaduta ambassador
asmara love
asmaraloka world of love
asrama hostel
asta cubit
asta eight
astagina eightfold
astaka octagonal bench
astakona octagon
astana palace
asusila immoral
atau or
atma(n) soul

Tamil

acaram wedding ring
acu mould, model
andai possibility
anéka various, diverse
anékaragam various kinds
apam rice flour cake
awa- free from
awanama anonymous
awatara incarnation
awawarna blanched, decolorized

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The Postwar Quonset Era

From: Quonset Hut: Metal Living for a Modern Age, ed. by Julie Decker and Chris Chiei (Princeton Architectural Press, 2005), pp. 84-87, 93-94:

The Quonset form [called kamaboko-gata in Japanese] rippled throughout postwar visual culture. It no longer needed explaining; it had become an icon unto itself. On television shows like Gomer Pyle, USMC, the action played out on a stage set dominated by the horizontal lines and half-circle forms of the Quonset. The Marx Toy Company, creator of the Yo-Yo, released a yellow “Construction Office” Quonset toy. Sherwin Williams, playing to the evolving market, developed, in conjunction with Stran-Steel, a special paint called Quon-Kote, whose can was festooned with rows of Quonsets. “Quon-Kote dresses up your Quonset, gives it a trim, well-kept look that is an important business asset.” One can even find a lasting example of the Quonset influence, oddly enough, in an engineering textbook, where the Quonset was pictured with a halo of arrows and numbers. The typical exercise posited the situation thus: “You are to design Quonset huts for a military base in the Mideast. The design windspeed is 100 ft/s.” Problem-solving questions included, “What is the net drag force acting on the Quonset hut?”

The Quonset seemed ubiquitous in any sector of public life; indeed, it even played a part as ideal fallout shelters in proving-grounds tests and elsewhere (e.g., in Palm Beach, Florida, a buried Quonset-type structure served as a temporary shelter for the vacation home of President Kennedy) as postwar peace and optimism were quickly overshadowed by the threat of atomic war. Indeed, Quonsetlike structures, designed by entrepreneurs like Nebraska’s Walt Behlen, were even submitted to test atomic explosions at the proving grounds in Nevada. Civil defense officials were intrigued by the domelike profile for the same reasons as engineers—the way the wind, or the force of an atomic blast, moved across its surface.

On college campuses, where enrollment had soared as returning veterans took advantage of the GI Bill, Quonsets mushroomed as temporary classrooms and student housing. “It was a lifesaver for all of us because housing prices in New Haven were out of sight,” one veteran told Yankee Magazine. “We had to wait three semesters to get a Quonset hut.” In Kalamazoo, Indiana, the Quonset community was referred to as a “genteel slum”—one veteran remembered the walls being so thin he could hear his neighbor asking for bread. Another Quonset resident recalled the instant neighborly bonhomie that seemed to arrive with the huts. “We enjoyed our neighbors, had people to dinner and sherry parties, and a lot of drop-in visitors from the campus and from the neighboring college where I was still teaching … We tackled the insufficiencies with enthusiasm.” Bernard Malamud was said to have written a number of his short stories in a Quonset at Oregon State University in 1948. The writer Lewis Lapham’s recollections of a job interview with the Central Intelligence Agency a year out of college involved a Quonset: “The interview took place in one of the Quonset huts near the Lincoln Memorial that had served as the Agency’s temporary headquarters during World War II. The military design of a building hastily assembled for an urgent purpose imparted an air of understated glory, an effect consciously reflected in the studied carelessness of the young men asking the questions.” …

In 1948, a young political neophyte named Gerald Ford set up his congressional campaign headquarters in a Quonset (emblazoned with his portrait) in Grand Rapids, Michigan. … Foreshadowing Bill Gates’ garage founding of Microsoft, engineer William Bradford Shockley, in 1955, set up his fledgling and pioneering semiconductor company—the creative spark that ignited what would become Silicon Valley—in a Quonset in California, near Palo Alto. In 1947, a food company salesman named Jeno Paulucci opened his novel business—what would become the Chinese food giant Chun-King—in a Quonset near Duluth, Minnesota. Great Lakes actively pitched such uses. “You’re in business Faster and for Less money with a Quonset.”

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Wordcatcher Tales: Kitchi Gammi, Nahgahchiwanong Adaawewigamig

While visiting family in Minneapolis over Spring Break, we made a long day trip up to Duluth and back. One of the architects (Oliver G. Traphagen) who designed many of Duluth’s finest buildings during its boom years in the 1880s and 1890s came to booming Honolulu in 1898, where he designed many more notable buildings, including both heavy stone (Richardsonian Romanesque) buildings and the graceful Moana Hotel, the first hotel on Waikiki Beach. The last Honolulu building Traphagen designed before he moved to Alameda, California, in 1907 (to help rebuild after the 1906 San Francisco earthquake) was the Punahou School president’s home.

Kitchi Gammi – Another far more famous architect who left his mark on Duluth and Honolulu, as well as San Diego, New York City, and many other cities, was Bertram Goodhue. In Duluth, he designed the Kitchi Gammi Club (1912) and the nearby Hartley Building (1914) on E. Superior Street along the lake shore.

The club name, Kitchi Gammi (15,700 ghits), of course, comes from the Chippewa/Ojibwe name for Lake Superior, gichigami (13,300 ghits) ‘large lake’, which Henry Wadsworth Longfellow spelled Gitche Gumee (98,300 ghits) and translated ‘Big-Sea-Water’ in “The Song of Hiawatha” (1855). Gordon Lightfoot used Longfellow’s spelling in the lyrics to “The Wreck of the Edmund Fitzgerald” (1976).

The name Hiawatha comes from a legendary Iroquois hero, and the name of his lover Minnehaha means ‘waterfall’ in Dakota, a Siouan language. Neither name is from Ojibwe, or even the Algonquian language family. The minne- that occurs in so many Minnesota place names comes from the Dakota root for ‘water’, mní-, which has the same shape in the closely related Lakota language farther west, according to the New Lakota Dictionary Online. The Rum River, which empties into the Mississippi just above Minneapolis, also gets its name from a mistranslation of the Dakota name for Spirit/Mystic River (Wakpa waḳaŋ lit. ‘River spirit’; cf. Waḳaŋ Taŋka ‘Great Spirit’).

Nahgahchiwanong Adaawewigamig – On the way back from Duluth, we detoured through Cloquet, Minnesota, to see the R. W. Lindholm Service Station designed by Frank Lloyd Wright in 1958 and now on the National Register of Historic Places. Then we stopped for a snack at Carmen’s Restaurant just across the street from a convenience store and gas station emblazoned with the words Nahgahchiwanong Adaawewigamig and the logo of the Fond du Lac Reservation.

I asked a young man who worked there whether he spoke Chippewa/Ojibwe. He said he spoke some, and translated the name for me as “where the water ends”—the same meaning the Voyageurs rendered into Fond du Lac in French. The Chippewa/Ojibwe name for Fond du Lac is now spelled Nagaajiwanaang, and adaawewigamig just means ‘store, shop’. Ojibwe speakers tend to create neologisms rather than borrow directly from French or English. By the way, the Chippewa/Ojibwe name for the St. Louis River, which empties into Lake Superior at Fond du Lac, is called gichigami-ziibi ‘Great-lake River’, the same ziibi that shows up in the various names for stretches of the Mississippi River, including gichi-ziibi and misi-ziibi in Ojibwe, both of which can translate into ‘Great/Big River’.

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Lankov on the Soviet-run Popular Revolution in NK

The Sino-NK blog (“Northeast Asia with a China-North Korea Focus”) has an interesting column with the provocative title, A False Dichotomy: Professor Andrei Lankov on a Popular Revolution Imposed from Without. Here’s Prof. Lankov’s conclusion.

The Soviet involvement with the new regime in Pyongyang was considerable. Soviet control far exceeded America’s rather moderate influence in the South. However, the vast majority of Koreans did not know this. One cannot help but wonder, then: had the extent of Soviet control been fully known in the late 1940s, would such a revelation have had a decisive impact on popular attitudes towards Pyongyang’s regime? It is, after all, difficult to imagine that in 1946 North Korean farmers would have rejected free land had they known that this land had been bestowed upon them by the secretive Soviet viceroy and not by this young, plump guerrilla field commander named Kim Il-sung.

It seems that Korean historians are caught in a false dichotomy when they argue about whether the 1945-50 period was a time of foreign occupation or popular revolution. In fact, it was both. Irrespective of the Soviet advisors, who discreetly but firmly controlled developments, the major ideas resonated well with the majority of North Korean people and provided the language of the revolution. The Kim Il-sung regime of the late 1940s might have been a dependent or even a puppet one, but this does not necessarily mean that it was unpopular. Of course, its popularity was to a large extent based on naive expectations and illusions, but it was quite real nonetheless.

via The Marmot’s Hole

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Tohoku Japanese in Gone With the Wind

From: Mie Hiramoto. 2009. Slaves speak pseudo-Toohoku-ben: the representation of minorities in the Japanese translation of Gone with the Wind. Journal of Sociolinguistics 13(2): 249–263.

This study provides linguistic evidence that the use – and non-use – of Standard Japanese (SJ) in literary translation indexes social marginality in two societies (Japan and Southern American), and is based on socio-economic distribution rather than actual linguistic distribution. The main focus of this study is the investigation of the intertextuality and the transduction of the speech of the minority characters (namely, male and female slaves and poor whites) in the Japanese translation of Gone with the Wind (GWTW). While it is certain that the minority characters’ use of non-Standard Japanese – which strongly resembles the stigmatized Toohoku dialect, or Toohoku-ben (TB) – is a translation of the original non-Standard English (SE), the assignment to them of something resembling a particular regional Japanese dialect reinforces linguistic inferiorization of the slaves and poor whites, as well as TB speakers. The use of this pseudo-dialect is an important element in the linguistic representation of marginal characters and likewise underscores the salient marginality of TB in Japanese language ideology.

Two examples follow.

Sukaaretto-joosama, arigatoogozeemasu-da.
Sore wa, washi nimo wakatte-iru-da.

Yes’m [Miss Scarlett], thankee kinely, Ma’m.
Ah knows it …
NOTES: Polite verb ending gozaimasu pronounced as gozeemasu and followed by plain copula da. Washi ‘I, me’ is not commonly used by females in SJ (although it is in some regional dialects). Miss Scarlett uses the feminine form atashi.

Sungari (shingari) no hoosha desuda, Sukaaretto-joosama.
Zutto ushiro no hoodesudayo.

Back wid de las’ cannon, Miss Scarlett.
Back dar!
NOTES: TB “zuuzuu-ben” fails to distinguish su and shi so susu ‘ash’ and shishi ‘lion’ are homophones, and shingari ‘rear guard’ sounds like sungari. Polite copula desu followed by plain copula dayo.

The author wrote her dissertation on Japanese regional dialects spoken by immigrants to Hawai‘i, where Tohoku dialect features were stigmatized and Chugoku dialect features became the local standard among immigrants. Immigrants from Tohoku, esp. Fukushima, were far outnumbered by those from Chugoku, esp. Hiroshima.

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First Romanian Orthodox Church in Africa

Orthodox priest and blogger Khanya recently filed a firsthand report (with photos) on the founding of the First Romanian Orthodox Church in Africa. In the distant background of the first photo you can see the recently built Midrand Nizamiye Mosque, the first Turkish mosque in South Africa and “the largest religious complex in the southern hemisphere.”

Here’s a bit of the text of his report (with a few typos corrected).

Archbishop Damaskinos of Johannesburg and Pretoria and Bishop Petronius of Zalău in the Sălaj County of Romania laid the foundation stone of St Andrew’s Romanian Orthodox Church in Midrand, Gauteng. It is the first Romanian Orthodox Church in Africa.

In 2001 Father Mihai (Mircea) Corpodean came to be a priest for the Romanian community, but since they had no church of their own, and the Churchy of St Nicholas in Brixton had just lost its priest, the bishop at that time, Metropolitan Seraphim, asked Fr Mihai to become parish priest at St Nicholas. St Nicholas was started as a multiethic parish, and welcomed the Romanian community, and we still use some Romanian in services there.

It took the Romanian community quite a long time to find a suitable piece of land, and in 2008 Fr Mihai moved to New Zealand, and Fr Razvan Tatu came to replace him, and began holding Romanian service at St George’s Hotel near Oilfantsfontein.

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Americanizing Buddhist Worship in Hawai‘i

The website of the Nichiren Mission of Hawaii has a three long pages devoted to its history. Part 3 (of 3) recounts the changes after the end of World War II. Here are some excerpts I found interesting about adapting Japanese Buddhism to American Christian worship practices.

Chronologically speaking, the second half of the 100 year history of the Nichiren Mission of Hawaii begins with the 50th Anniversary celebration of the birth of Nichiren Buddhism in Hawaii. It is more practical, however, to draw a line in 1946, when Bishop Mochizuki returned from the relocation camp on the mainland U.S.A. and re-opened the Mission. The year marked the end of the Japanese-style and the beginning of the American-style Nichiren Mission of Hawaii. The impact of the war made the change inevitable.

The Japanese living in Hawaii and their descendants who had never been forced to choose between Japan and America, were forced to do so by the Pacific War. Most of them, quite naturally, chose to be Americans. The psychological change caused various changes in the Japanese American society such as the disappearance of Japanese kimono from the group pictures of temple events. Cut off from the roots in Japan, even Japanese Buddhist ministers changed—from sectarian to interdenominational in outlook. English began to replace Japanese in family conversation. Culturally, they have become Americans rather than Japanese.

On the other hand, as the constitutional freedom of religion and assembly was restored to Japanese Americans after the war, many of them flocked to the Buddhist temples and Shinto shrines, reacting to the religious suppression during the war years.

In the mind of those who flocked to the Buddhist temple, however, there was a subtle change. They felt like seeking refuge in Japanese Buddhism while refuting things Japanese. As a result, they were drawn by the un-Japanese Americanized Buddhism.

A positive effect of the Pacific War on Japanese Buddhism in Hawaii was the consolidation of inter-denominational friendship among Buddhist priests. Almost all Japanese Buddhist priests in Hawaii were sent to relocation camps on the mainland U.S.A. Living together as virtual prisoners in the confinement of these camps for several years required them to stand together. The solidarity among them resulted in the establishment of the Hawaii Buddhist Council to work together actively in the postwar years….

Activities of the temples were Americanizing in many ways: songs in praise of the Buddha were sung at Sunday School; sermons were given in English; and the Young Buddhist Association (YBA) was organized. On Sundays, services were performed in both English and Japanese. Prior to the war, Sunday services were held weekly but only a few members participated in them with most members preferring to visit the temple only for traditional services, such as ohigan and obon. However, as the temple activities became Americanized, members who visit the temple every Sunday increased and it became customary for everything to be carried out on Sundays. Also, under the auspices of the Hawaii Buddhist Council, joint services of the member temples became established as annual events.

Priestly costume also changed. Except for formal services such as ohigan and obon priests at that time wore a robe and stole over a white shirt, black tie and trousers in black. Today this habit has been abandoned except for the priests of the True Pure Land School.

Even the entertainment after special services became international from Japanese. A famous Korean dancer, Ms. Halla Pai Huhm, who became a temple member during Bishop Mochizuki’s tenure, performed traditional Korean dances with her disciples after the annual services for ohigan and obon.

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Wordcatcher Tales: xoc, anagogy

From: Breaking the Maya Code, rev. ed., by Michael D. Coe (Thames & Hudson, 1999), p. 141 (third edition now available on Kindle):

Here were three glyphs … that the leading anti-phoneticist of his day [Eric Thompson] was reading in the Yucatec Maya tongue. That begins to sound subversive! Even further, back in 1944 he had shown that the pair of fish fins, or at times a pair of fishes, which flanked the Month-patron head in the great glyph which always introduces an Initial Series date on a Classic monument, is a rebus sign: the fish is a shark, xoc in Maya (Tom Jones has recently proved that xoc is the origin of the English word “shark”). And xoc also means “to count” in Maya.

These decipherments were all major advances, but Thompson failed to follow them up. Why? The answer is that Thompson was a captive of that same mindset that had led in the first century before Christ to the absurd interpretations of Egyptian hieroglyphs by Diodorus Siculus, to the equally absurd fourth-century AD Neoplatonist nonsense of Horapollon, and to the sixteenth-century fantasies of Athanasius Kircher. Eric had ignored the lesson of Champollion.

In a chapter entitled “Glances Backward and a Look Ahead,” Thompson sums up his views on Maya hieroglyphic writing. “The glyphs are anagogical,” he says. Now Webster defines anagogy as the “interpretation of a word, passage, or text (as of Scripture or poetry) that finds beyond the literal, allegorical, and moral senses a fourth and ultimate spiritual and mystical sense.”

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Cavaliers vs. Roundheads in the American Colonies

From Empires of the Atlantic World: Britain and Spain in America 1492-1830, by John H. Elliott (Yale U. Press, 2006), Kindle Loc. 2651-71:

The English Civil War and the king’s execution in 1649 raised, not only for Massachusetts but for all the colonies, major questions about the exact nature of their relationship with the mother country. Not only did the Civil War sharply reduce the inflow of capital and immigrants to the colonies, but it also created fundamental problems of allegiance, and posed questions about the exact location of imperial authority that would hover over the Anglo-American relationship until the coming of independence. No comparable challenge would confront the Spanish empire in America until the Napoleonic invasion brought about the collapse of royal authority in Spain in 1808. The transition from Habsburgs to Bourbons in 1700, which brought conflict to the peninsula, provoked only a few passing tremors in the American viceroyalties.

For the colonies, as for the British Isles themselves, the outbreak of the Civil War brought divided loyalties. Virginia remained faithful to the king and the Anglican establishment; Maryland briefly overthrew its government in favour of parliament, and descended between 1645 and 1647 into a period of turbulence graphically known as `the plundering time’; and many New England settlers went home in the 1640s to help establish the New Jerusalem in the mother country and join the parliamentary cause. But the absorption of the English in their own affairs during the 1640s gave the colonies even more scope than they had previously enjoyed to go their own way. Governor Winthrop of Massachusetts made the most of the opportunity to press on with the creation of new settlements and to form a Confederation of the United Colonies of New England for mutual defence. The colonies could not, however, count on being indefinitely left to their own devices. As early as 1643 the Long Parliament set up a committee under the chairmanship of the Earl of Warwick to keep an oversight over colonial affairs.

This committee, although interventionist in the West Indies in response to the activities of the royalists, and supportive of Roger Williams’s attempts to secure an independent charter for Rhode Island, was generally respectful of legitimate authority in the colonies. But its activities raised troubling questions about whether the ultimate power in colonial affairs lay with king or parliament. As early as 1621 Sir George Calvert had claimed that the king’s American possessions were his by right and were therefore not subject to the laws of parliament. This question of the ultimate location of authority became acute after the execution of the king, since several of the colonies – Virginia, Maryland, Antigua, Barbados and Bermuda – proclaimed Charles II as the new monarch on his father’s death. Parliament responded to these unwelcome colonial assertions of loyalty to the Stuarts by passing in 1650 an Act declaring that the colonies, having been `planted at the Cost, and settled by the People, and by Authority of this Nation’, were subject to the laws of the nation in parliament.

When this Act was followed in the succeeding year by the Navigation Act, it must have seemed to the colonies that the Commonwealth represented at least as grave a threat as monarchy to their cherished rights. Parliament’s bark, however, proved fiercer than its bite, and Cromwell turned out to be reluctant to interfere in colonial politics. The colonies therefore reached the Restoration of 1660 relatively unscathed. If anything, they emerged with enhanced confidence in their ability to manage their own affairs as a result of the uncertainties of the Interregnum and the impact of those uncertainties on the authority of royal and proprietary governors.

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