Category Archives: literature

by | 8 October 2023 · 10:18 am

An Austrian Immigrant’s Hard Luck

From My Ántonia, by Willa Cather (Houghton Mifflin, 1924), Book I, Chapter IX:

Fuchs had been a cowboy, a stage-driver, a bar-tender, a miner; had wandered all over that great Western country and done hard work everywhere, though, as grandmother said, he had nothing to show for it. Jake was duller than Otto. He could scarcely read, wrote even his name with difficulty, and he had a violent temper which sometimes made him behave like a crazy man—tore him all to pieces and actually made him ill. But he was so soft-hearted that any one could impose upon him. If he, as he said, “forgot himself” and swore before grandmother, he went about depressed and shamefaced all day. They were both of them jovial about the cold in winter and the heat in summer, always ready to work overtime and to meet emergencies. It was a matter of pride with them not to spare themselves. Yet they were the sort of men who never get on, somehow, or do anything but work hard for a dollar or two a day.

On those bitter, starlit nights, as we sat around the old stove that fed us and warmed us and kept us cheerful, we could hear the coyotes howling down by the corrals, and their hungry, wintry cry used to remind the boys of wonderful animal stories; about gray wolves and bears in the Rockies, wildcats and panthers in the Virginia mountains. Sometimes Fuchs could be persuaded to talk about the outlaws and desperate characters he had known. I remember one funny story about himself that made grandmother, who was working her bread on the bread-board, laugh until she wiped her eyes with her bare arm, her hands being floury. It was like this:—

When Otto left Austria to come to America, he was asked by one of his relatives to look after a woman who was crossing on the same boat, to join her husband in Chicago. The woman started off with two children, but it was clear that her family might grow larger on the journey. Fuchs said he “got on fine with the kids,” and liked the mother, though she played a sorry trick on him. In mid-ocean she proceeded to have not one baby, but three! This event made Fuchs the object of undeserved notoriety, since he was traveling with her. The steerage stewardess was indignant with him, the doctor regarded him with suspicion. The first-cabin passengers, who made up a purse for the woman, took an embarrassing interest in Otto, and often inquired of him about his charge. When the triplets were taken ashore at New York, he had, as he said, “to carry some of them.” The trip to Chicago was even worse than the ocean voyage. On the train it was very difficult to get milk for the babies and to keep their bottles clean. The mother did her best, but no woman, out of her natural resources, could feed three babies. The husband, in Chicago, was working in a furniture factory for modest wages, and when he met his family at the station he was rather crushed by the size of it. He, too, seemed to consider Fuchs in some fashion to blame. “I was sure glad,” Otto concluded, “that he did n’t take his hard feeling out on that poor woman; but he had a sullen eye for me, all right! Now, did you ever hear of a young feller’s having such hard luck, Mrs. Burden?”

Grandmother told him she was sure the Lord had remembered these things to his credit, and had helped him out of many a scrape when he did n’t realize that he was being protected by Providence.

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by | 6 October 2023 · 4:15 pm

Two Social Exiles Emigrate

From My Ántonia, by Willa Cather (Houghton Mifflin, 1924), Book I, Chapter VIII:

When Pavel and Peter were young men, living at home in Russia, they were asked to be groomsmen for a friend who was to marry the belle of another village. It was in the dead of winter and the groom’s party went over to the wedding in sledges. Peter and Pavel drove in the groom’s sledge, and six sledges followed with all his relatives and friends.

After the ceremony at the church, the party went to a dinner given by the parents of the bride. The dinner lasted all afternoon; then it became a supper and continued far into the night. There was much dancing and drinking. At midnight the parents of the bride said good-bye to her and blessed her. The groom took her up in his arms and carried her out to his sledge and tucked her under the blankets. He sprang in beside her, and Pavel and Peter (our Pavel and Peter!) took the front seat. Pavel drove. The party set out with singing and the jingle of sleigh-bells, the groom’s sledge going first. All the drivers were more or less the worse for merry-making, and the groom was absorbed in his bride.

The wolves were bad that winter, and every one knew it, yet when they heard the first wolf-cry, the drivers were not much alarmed. They had too much good food and drink inside them. The first howls were taken up and echoed and with quickening repetitions. The wolves were coming together. There was no moon, but the starlight was clear on the snow. A black drove came up over the hill behind the wedding party. The wolves ran like streaks of shadow; they looked no bigger than dogs, but there were hundreds of them.

Something happened to the hindmost sledge: the driver lost control,—he was probably very drunk,—the horses left the road, the sledge was caught in a clump of trees, and overturned. The occupants rolled out over the snow, and the fleetest of the wolves sprang upon them. The shrieks that followed made everybody sober. The drivers stood up and lashed their horses. The groom had the best team and his sledge was lightest—all the others carried from six to a dozen people.

Another driver lost control. The screams of the horses were more terrible to hear than the cries of the men and women. Nothing seemed to check the wolves. It was hard to tell what was happening in the rear; the people who were falling behind shrieked as piteously as those who were already lost. The little bride hid her face on the groom’s shoulder and sobbed. Pavel sat still and watched his horses. The road was clear and white, and the groom’s three blacks went like the wind. It was only necessary to be calm and to guide them carefully.

At length, as they breasted a long hill, Peter rose cautiously and looked back. “There are only three sledges left,” he whispered.

“And the wolves?” Pavel asked.

“Enough! Enough for all of us.”

Pavel reached the brow of the hill, but only two sledges followed him down the other side. In that moment on the hilltop, they saw behind them a whirling black group on the snow. Presently the groom screamed. He saw his father’s sledge overturned, with his mother and sisters. He sprang up as if he meant to jump, but the girl shrieked and held him back. It was even then too late. The black ground-shadows were already crowding over the heap in the road, and one horse ran out across the fields, his harness hanging to him, wolves at his heels. But the groom’s movement had given Pavel an idea.

They were within a few miles of their village now. The only sledge left out of six was not very far behind them, and Pavel’s middle horse was failing. Beside a frozen pond something happened to the other sledge; Peter saw it plainly. Three big wolves got abreast of the horses, and the horses went crazy. They tried to jump over each other, got tangled up in the harness, and overturned the sledge.

When the shrieking behind them died away, Pavel realized that he was alone upon the familiar road. “They still come?” he asked Peter.

“Yes.”

“How many?”

“Twenty, thirty—enough.”

Now his middle horse was being almost dragged by the other two. Pavel gave Peter the reins and stepped carefully into the back of the sledge. He called to the groom that they must lighten—and pointed to the bride. The young man cursed him and held her tighter. Pavel tried to drag her away. In the struggle, the groom rose. Pavel knocked him over the side of the sledge and threw the girl after him. He said he never remembered exactly how he did it, or what happened afterward. Peter, crouching in the front seat, saw nothing. The first thing either of them noticed was a new sound that broke into the clear air, louder than they had ever heard it before—the bell of the monastery of their own village, ringing for early prayers.

Pavel and Peter drove into the village alone, and they had been alone ever since. They were run out of their village. Pavel’s own mother would not look at him. They went away to strange towns, but when people learned where they came from, they were always asked if they knew the two men who had fed the bride to the wolves. Wherever they went, the story followed them. It took them five years to save money enough to come to America. They worked in Chicago, Des Moines, Fort Wayne, but they were always unfortunate. When Pavel’s health grew so bad, they decided to try farming.

Pavel died a few days after he unburdened his mind to Mr. Shimerda, and was buried in the Norwegian graveyard. Peter sold off everything, and left the country—went to be cook in a railway construction camp where gangs of Russians were employed.

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by | 5 October 2023 · 12:58 pm

English–Czech First Encounter

From My Ántonia, by Willa Cather (Houghton Mifflin, 1924), pp. 28-30:

While Krajiek was translating for Mr. Shimerda, Ántonia came up to me and held out her hand coaxingly. In a moment we were running up the steep drawside together, Yulka trotting after us.

When we reached the level and could see the gold tree-tops, I pointed toward them, and Ántonia laughed and squeezed my hand as if to tell me how glad she was I had come. We raced off toward Squaw Creek and did not stop until the ground itself stopped—fell away before us so abruptly that the next step would have been out into the tree-tops. We stood panting on the edge of the ravine, looking down at the trees and bushes that grew below us. The wind was so strong that I had to hold my hat on, and the girls skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say.

“Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?”

We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently.

“Oh,” I exclaimed, “blue; blue sky.”

She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I didn’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved.

While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!” She sprang up like a hare. “Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders.

We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!”

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by | 17 October 2022 · 3:02 pm

Paddy Offends Willie, 1957

From Patrick Leigh Fermor: An Adventure, by Artemis Cooper (New York Review Books, 2013), Kindle loc. 5015ff.

Ann [Fleming] had been invited to stay at the Villa Mauresque on Cap Ferrat by Somerset Maugham, then in his eighties and living in retirement with his partner, Alan Searle. On her arrival she found a letter from Paddy, urging her to arrange an invitation. Paddy was duly invited to lunch, and arrived (according to Ann) with ‘five cabin trunks’ (according to Paddy, all he had was one zippered holdall), ‘parcels of books and the manuscript of his unfinished work on Greece strapped in a bursting attaché case’. Paddy made himself very agreeable at lunch. He and Maugham exchanged memories of the King’s School, Canterbury, and Maugham asked him to stay on for a few days. All went well until dinner that night.

Maugham had lived with a pronounced stammer since childhood. In his novel Of Human Bondage, which deals with the misery of his schooldays, the stammer is turned into a limp. Paddy knew the book and had been hearing the stammer all day, but neither sufficed to stop him from putting his foot in it. The first jokey reference to stuttering passed without comment, but the second was more serious. Maugham had just staggered through a sentence to the effect that all the gardeners had taken the day off because it was the Feast of the Assumption. At this point, Paddy recalled being in the Louvre in front of a painting of the event, with his friend Robin Fedden (who also had trouble getting his words out): ‘and Robin turned to me and said “Th-th-that’s what I c-c-call an un-w-w-warrantable assumption.” There was a moment’s silence – the time needed for biting one’s tongue out.’

The evening was wrecked. When the other guests left, Maugham turned to Paddy and said, ‘G-goodbye, you will have left by the time I am up in the morning.’ After their host had retired, Ann described Paddy breaking the silence with a cry of anguish, as he slammed his whisky glass on the table ‘where it broke to pieces and showered a valuable carpet with blood and splinters’. Ann helped Paddy pack the following morning, and as he picked up his bag and walked to the door, Paddy heard ‘a sound like an ogre’s sneeze’. The monogrammed linen sheet had caught in the zip, leaving a great tear a yard long.

Ann Fleming and Diana Cooper, who was staying nearby, persuaded Maugham to have Paddy back to lunch to make up. ‘It was really a gasbag’s penance and I, having learnt the hard way, vouchsafed no more than a few syllables.’ Maugham was perfectly polite, but he had had enough of Paddy. He was later heard to describe him as ‘that middle-class gigolo for upper-class women’.

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by | 14 October 2022 · 4:20 am

Brits in Athens, 1946

From Patrick Leigh Fermor: An Adventure, by Artemis Cooper (New York Review Books, 2013), Kindle loc. 3465ff.

Although the Germans had blown up the docks and harbours of Piraeus before their retreat, Athens had not been too badly damaged during the war. Far more severely affected were the Athenians, who had lived in a state of semi-starvation since 1941. One of the results was that almost everyone kept chickens, even those living in apartment blocks in the city centre. The crowing of cocks, added to the cries of street vendors, blaring radios and the metallic cacophony of antique trams, was enough to convince Osbert Lancaster that Athens was one of the noisiest capitals in Europe. In 1946 the Acropolis still dominated every prospect, for most people lived in modest two-storey houses. In the poorer parts of town, below Mount Hymettus, the walls were covered with Communist slogans in red.

Paddy’s immediate superior was the unfailingly affable Rex Warner, a Greek scholar who was considered one of the most promising novelists of his generation. Maurice Cardiff remembered them both. ‘At a midnight contest in a taverna, given quite difficult rhymes, he and Paddy produced passable sonnets in minutes, but Rex’s was the more perfect and metrically correct.’ As Director of the Institute Warner was answerable to Steven Runciman, whom Paddy had met in Sofia in 1934 and who was now the British Council’s Representative. Tall, fastidious and a brilliant linguist, Runciman was then working on the History of the Crusades which made his name; but his chief recreation was collecting scandals and stories. ‘Royal gossip is very good,’ he once said, ‘and political gossip is even better; but my dear, nothing beats Vatican gossip.’

They all worked in the same building in Ermou Street, and Runciman had vivid memories of Paddy. ‘He looked very good in an office,’ said Runciman, ‘but none of us could think of anything to do with him.’ Cardiff recalled that Paddy was not at work very often and when he was he seemed to be throwing a party, sitting with his feet on the desk and entertaining a stream of Cretan visitors. The Cretan economy had been almost destroyed by the occupation, and there was very little work. Paddy found menial jobs for both Manoli Paterakis and George Psychoundakis in the Institute; they and others often spent the night on the floor of his room at the Grande Bretagne, and later, in the flat he was lent in Kolonaki. His office was always blue with cigarette smoke, and the sound of loud talk, Cretan songs and rollicking laughter echoed down the passage.

This did not make him popular. ‘There was a very insensitive side to Paddy,’ said Cardiff. ‘He was very bumptious, a bit of a know-all, and his enthusiasm and noisiness could be rather wearing.’ Steven Runciman, too, had his reservations about Paddy. Cardiff said that this was because he resented the fact that Paddy knew more Greek royals than he did; but Runciman also saw how Paddy disturbed the peace of the office. ‘All the girls were in love with him,’ he said. ‘He used to borrow money from them – and I have to tell you, they weren’t always paid back. There were occasions when I had to sort out Paddy’s little irregularities myself . . .’

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by | 3 October 2022 · 6:19 am

Converting Classical to Demotic Greek

From The Broken Road: From the Iron Gates to Mount Athos, by Patrick Leigh Fermor (Journey Across Europe Book 3, NYRB Classics, 2014), Kindle pp. 261-262:

As we sat by the brazier before going to bed, I tried out the few bits of Homer I knew by heart on my host and hostess, and a couple of bits of Sappho. I suppose it was rather like a Greek, in an incomprehensible accent, hopefully murmuring passages of Sir Gawain and the Green Knight in Middle English to an old fisher couple in a Penzance cottage. Even so, the verses seemed to have a sort of talismanic value to their ears, and caused pleasure rather than the nonplussed tedium its English equivalent might have evoked in Cornwall. I struck luckier with Fauriel’s Greek folksongs, in the collection of Nadejda’s grandfather. They knew several of them, and my hostess Kyria Eleni – an alert old woman with wide-open blue eyes, dressed and elaborately kerchiefed in black – even sang a few lines here and there in a quavery voice. Once I had got the hang of the modern pronunciation of the vowels and diphthongs, with the fact that all hard breathings had evaporated and that all the accents merely indicated where the stress of a word fell, I saw that reading it aloud, though halting at first, would soon become plain sailing. I could also break down the construction of the sentences; even, now and then, and in spite of the deep demotic, the ghost of an inkling of their drift. Old newspapers hinted their meanings a stage more easily, as through a glass darkly, but with a battered missal I found on a shelf, it was almost face to face. All this was full of promise for the coming months; for, Constantinople once reached, I was planning a private invasion of Greece. But, infuriatingly, we were still confined in conversation to my halting and scarcely existent Bulgarian.

This dabbling with the mysteries of Greek caused many a sigh. They had never been to Greece, and now (unlike me) never would. They seemed glad to have a guest once more. I felt that my being English played a part in their kind welcome. At all events, when I tried to offer some money before setting off next day for Burgas, they both started back in horror as though the coins were red hot. I slept on the divan, under the twinkling ikon lamp. There was a silver-covered ikon of the Virgin (I was beginning to notice these things) and another of SS Constantine and Helen, holding up the True Cross between them; also two faded marriage wreaths intertwined in a glass case, carefully kept from their wedding day in the later decades of the last century.

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by | 2 October 2022 · 6:04 am

Byzantine Proustians of Bucharest, 1934

From The Broken Road: From the Iron Gates to Mount Athos, by Patrick Leigh Fermor (Journey Across Europe Book 3, NYRB Classics, 2014), Kindle pp. 184-188:

Historians have been united in execrating the Phanariots. They have inherited the opprobrium that used to load the word ‘Byzantine’ with suggestions of flexibility, deviousness, lack of scruple, greed and tyranny. But there are signs that the Phanariots, too, are gradually being reassessed. It may be argued that their greed and corruption were laced by zeal for the Orthodox faith and that their share in the foreign affairs of the Ottomans, which the later sultans largely and most unwisely entrusted to them, was dictated as much, or almost as much, by anxiety for the Christian cause as it was by private ambition. It is possible that without their flexibility and genius for compromise, the principalities would have sunk into total subjection to the Ottoman yoke: that all the old national institutions, instead of degeneration, would have been obliterated completely, as they had been in the rest of south-eastern Europe. In nearly every family there was a prince with virtues to offset, in some measure, the vices of his kinsmen. Since the end of their long regime, many of their descendants have been prominent and devoted figures in Rumanian life, both in conservation and reform. But whatever their drawbacks may have been, in the period of their great ascendancy, the eighteenth century, in one thing they were pre-eminent: they were the only civilized people in south-eastern Europe. The Phanar itself was the last surviving fragment of lost Byzantium, and the courts of Bucharest and Jassy the last, faint, scarcely audible echo of the empire’s death rattle.

It was not only on their wealth but on their knowledge of languages and their wider European horizons, in a world of fanatic barbarism, that their oligarchy was based. From the first, when they became Grand Dragomans of the Porte, they were friends of literature and art; the first Rumanian bible was translated by the orders of Sherban Cantacuzene of Wallachia, and with all his faults, a figure as polished as Alexander Mavrocordato, Byron’s and Shelley’s friend and a leader in the Greek revolt, could have sprung from no other East European soil. They studied in Venice, Padua, Vienna, Paris and St Petersburg and it was mainly due to their civilized and cosmopolitan influence that Western ideas penetrated Rumania. The influence of French ideas, and the total linguistic hegemony of France among the elite, may have gone too far; there were certainly regrettable social side effects; but it did bring a vivifying blast of the Western world, a sort of belated renaissance, into the stifling isolation of the Middle Ages which Rumania was only just sloughing off.

All these different influences, it occurred to me later on (for I knew little or nothing of such matters then), had evolved into a society which was a mixture of late Byzantium and Proustian France. The architectural mood of Bucharest, after it had arisen from its oriental beginnings, was an amalgam of Second Empire and the fin-de-siècle, with a dash of early twentieth-century opulence. The modern buildings were irrelevant postscripts. A strong whiff of the earlier period hung unmistakeably in the social air: a climate which had also been subtly modified, during the last few generations, by a stern army of English nannies and governesses. But it left the bedrock of French influence among the boyars undisturbed, the result of a hundred years of study in the lycées of France and the Sorbonne, and of inhabiting Paris as an alternative capital.

…

The same life, in miniature, thrived in Bucharest; the most convincing relic of it was the plush, the brass and the chandeliers of Capșa’s restaurant. I could never tire of hearing tales of this not yet wholly evaporated epoch. Although it is the last period in history I would have liked to inhabit, there is an absorbing attraction about the robust, undoubting vulgarity and glitter which held Europe in its grip for these decades. The duels, too, which had played a large part in Rumanian, as well as the rest of European life, outside England – and, to a much lesser extent, still did – exercised a morbid, Dumas-bred fascination. Frequently fatal, they were fought with pistols or rapiers which made encounters with sabres in Austria and Hungary – where only slashing was allowed, but no lunging – sound much more innocuous. It was all frantically alien.

What distinguished these people then, and later, from the rest of pleasure-loving aristocratic Europe was their anti-philistinism: a fastidious passion for erudition for its own sake, for literature, painting, music, sculpture and the movement of ideas, that turned their houses into the haunts of Academicians. (Rather like France, again, Rumania has always been a country where a few women, through their brilliance, wit, beauty or hospitality, have played a more important role than in other countries.) The devotion to writing, in particular, went far beyond literary dilettantism and emerged, in many cases, in works of great distinction. Not alas, in Rumanian, a chauvinist might sigh. But at least these extra-territorial exploits released them from the wheel of patriotic nationalism, to which the poetic and literary genius of resurgent nations is indissolubly bound. Paris after all is no mean arena in which to shine. No wonder that Proust should have been so deeply intrigued by Rumanians in Paris and sought them out as friends.

…

I have gone on rather a long time about this because it was so different to anything I had come across in similar circumstances in the Danubian capitals further upstream. In Hungary the candlelit talk at the end of dinner would be more inclined to concern shooting or horses, a serious weighing of the comparative merits of bootmakers and saddlers in London or long discussions about mediatization, morganatic marriages, primogenitive quarterings, Hoffähigkeit, the exact degree of cousinage between the Festitich and Fürstenberg families and how many yokes of land the Esterházys owned. So it might, mutatis mutandis, in Bucharest, but not for long.

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by | 14 June 2022 · 6:37 am

How Aberdeen SD Became “Hub City”

From Clara’s Journal and the Story of Two Pandemics, by Vickie Oddino (Dobson St., 2021), pp. 97-98:

When the Milwaukee [RR] was surveying its line through Brown County in 1880, conventional wisdom held that the line would be routed through Columbia, which was the county seat. Columbia’s town fathers, feeling that they were in a strong negotiating position, refused to provide the Milwaukee with land for a right of way and a depot free of charge. C. H. Prior, then chief surveyor of the Milwaukee, resurveyed the main line to bypass Columbia and then platted a rival town (on a tract of land owned by his wife) some 12 miles from Columbia. This site became the City of Aberdeen, which was designated as a railroad division point, became the junction for several Milwaukee lines, and eventually became the third largest city in the state. Columbia stagnated and lost the county seat to Aberdeen several years later.

One of Aberdeen’s claims to fame is that L. Frank Baum, the author of The Wizard of Oz, lived there from 1888-1891 with his wife and two sons (the couple would have two more sons while in South Dakota). While there, he opened a gift shop, Baum’s Bazaar, and when it closed after two years, he purchased the weekly newspaper the Dakota Pioneer and changed its name to Saturday Pioneer. Believe it or not, this paper was one of Aberdeen’s seven weekly papers and two dailies at the time.

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by | 1 February 2022 · 11:24 am

Japanese Pessimism after 1905

From Emperor of Japan: Meiji and His World, 1852–1912, by Donald Keene (Columbia U. Press, 2005), Kindle p. 646:

The naturalist movement in literature, a literature of disillusion, developed immediately after the Russo-Japanese War. A typical example of naturalist fiction, Tayama Katai’s story “Ippeisotsu” (One Soldier), based in part on his experiences as a war correspondent in China, was considered to be so antimilitaristic that for years it could be printed only with passages excised. The generation that grew to maturity during the years after the Russo-Japanese War seemed to be alienated. This alienation often began with shock at the wartime casualties and disappointment over the results of the war but later took such forms as socialism in politics. This in turn caused the older generation to express gloom over the loss by the young of their traditions. Yamazaki Masakazu characterized the times as “the morose era.”

Oka Yoshitake wrote of the same period, “Some youths were swallowed up by scepticism and despair in the course of their search for meaning in life. In fact, that tendency had showed signs of emerging even before the Russo-Japanese war, but it became much more apparent following the cessation of hostilities.”

One might suppose that victory in the war and the admiration voiced abroad would have made the Japanese self-confident, if not proud, but critics of the time worried about the “anxious pessimism” that had become fashionable among young men and women. This pessimism, ironically, may have contributed to the extraordinary flourishing of literature during the ten years after the conclusion of the Russo-Japanese War.

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by | 16 December 2021 · 6:00 am

Meiji and The Mikado

From Emperor of Japan: Meiji and His World, 1852–1912, by Donald Keene (Columbia U. Press, 2005), Kindle p. 136:

Three days after [British envoy Sir Harry] Parkes and [junior interpreter A. B.] Mitford were presented to the emperor, the first clash occurred between the imperial forces advancing on Edo and the Shinsengumi, a band of some 200 men under the command of Kondō Isami (1834–1868). The imperial forces under Itagaki Taisuke were victorious. Perhaps the most memorable thing about the march of the imperial troops to Edo was the song they sang, “Tokoton’yare,” composed by Shinagawa Yajirō (1843–1900) during the battles at Toba and Fushimi. This song spread not only throughout Japan but also to England, where the music and part of the Japanese words were incorporated into the operetta The Mikado, composed in 1885: Miyasama, miyasama, ouma no mae no, pira pira suru no wa nan jai na, tokoton’yare ton’yarena. Arya chōteki seibatsu seyo to no nishiki no mihata ja shiranka, tokoton’yare ton’yare na.

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