From Storyteller: The Life of Robert Louis Stevenson, by Leo Damrosch (Yale University Press, 2025), Kindle pp. 82-84:
Louis picked up much of his Lallans from a shepherd named John Todd, known as “Lang John” for his height, with whom he would tramp for hours in the hills while the sheep were grazing. “My friend the shepherd,” he said later, “speaks broad Scotch of the broadest, and often enough employs words that I do not understand myself.” Louis recalled Todd in an essay entitled “Pastoral”: “He laughed not very often, and when he did, with a sudden, loud haw-haw, hearty but somehow joyless, like an echo from a rock. His face was permanently set and coloured; ruddy and stiff with weathering; more like a picture than a face.”
But it was Todd’s eloquence that captivated Louis. “He spoke in the richest dialect of Scotch I ever heard, and this vocabulary he would handle like a master. I might count him with the best talkers, only that talking Scotch and talking English seem incomparable acts. He touched on nothing, at least, but he adorned it; when he narrated, the scene was before you.” Many of Louis’s original readers would have recognized a famous phrase that Samuel Johnson composed in Latin for his friend Oliver Goldsmith, Nihil tetegit quod non ornavit: “He touched nothing that he did not adorn.” The allusion is a beautiful tribute to the old shepherd, ranking his skill in language on a level with a writer of great distinction.
It was Todd, Louis said, who taught him to appreciate the spirit of the hills.
He it was that made it live for me, as the artist can make all things live. It was through him the simple strategy of massing sheep upon a snowy evening, with its attendant scampering of earnest, shaggy aides-de-camp, was an affair that I never wearied of seeing, and that I never weary of recalling to mind: the shadow of the night darkening on the hills, inscrutable black blots of snow shower moving here and there like night already come, huddles of yellow sheep and dartings of black dogs upon the snow, a bitter air that took you by the throat, unearthly harpings of the wind along the moors; and for centerpiece to all these features and influences, John winding up the brae [slope], keeping his captain’s eye upon all sides, and breaking, ever and again, into a spasm of bellowing that seemed to make the evening bleaker. It is thus that I still see him in my mind’s eye, perched on a hump of the declivity not far from Halkerside, his staff in airy flourish, his great voice taking hold upon the hills and echoing terror to the lowlands; I, meanwhile, standing somewhat back, until the fit should be over, and, with a pinch of snuff, my friend relapse into his easy, even conversation.
Though the shepherd’s casual talk might be “easy,” it was direct and to the point. In another essay Louis contrasted it with the conversational style in England, where “the contact of mind with mind [is] evaded as with terror. A Scottish peasant will talk more liberally out of his own experience. He will not put you by with conversational counters and small jests; he will give you the best of himself, like one interested in life and man’s chief end.”
Swanston people remembered that Todd used to say of Louis, “He is an awfu’ laddie for speirin’ questions about a’ thing, an’ whenever you turn your back, awa’ he gangs an’ writes it a’ doon.” A “speirin” questioner is prying and inquisitive. Years later some old-timers told a visitor the same thing. “Stevenson would dae naething but lie aboot the dykes. He wouldna wark. He was aye rinnin’ aboot wi’ lang Todd, amang the hills, getting him to tell a’ the stories he kent.” “Lang Todd” prompts one to wonder if John passed his nickname on to Long John Silver in Treasure Island.
Far Outliers 