Category Archives: Baltics

European Nationalist Revolts in 1905

This week’s edition of Culture.pl contains an article by Zachary Mazur written in 2022 that heralds his new book entitled To Kill a Spy: Everyday Nationalism and Political Violence in Fin-de-Siecle Europe from Amsterdam University Press’s CEU Press imprint later in 2026. Here are excerpts from most of the text of the article, without illustrations.

For decades, the Revolution of 1905 has been tucked away in history books as a mere ‘dress rehearsal’ for the Soviet rise in 1917. But for the Poles, Jews, Lithuanians and Ukrainians living under the Tsarist yoke, 1905 wasn’t a rehearsal for someone else’s drama – it was their own leading role. It was the moment the modern mass nation was born, an epoch-making explosion of culture and defiance that shattered imperial censorship and provided a blueprint for the independent states that would follow.

The catalyst: a war of hubris & machine guns

On the eve of the revolution, the Russian Empire was engaged in an embarrassing war with Imperial Japan. The two powers fought over control of northeast China (Manchuria) and the Korean peninsula. The Japanese, from the European perspective, were an upstart Asiatic power that had only recently emerged from isolation and the variable dark ages of feudalism. Fuelled by an unapologetic anti-Asian racism, most people expected that the tsar’s Russia would destroy the Japanese army in a matter of weeks when the war began.

Instead, Russian troops faced continuous setbacks. Japanese commanders used trenches and machine guns – new technologies of the day – to break the will of their opponents. On the seas, Japan’s gunships destroyed the Russian Pacific fleet, leading to an epic journey for the Baltic fleet around the horn of Africa, 18,000 nautical miles.

After the nearly 8-month ocean voyage, Russia’s sailors again faced a thrashing in May 1905. With two fleets destroyed and numerous losses on land, Russia admitted defeat in the summer. US President Theodore Roosevelt invited the sides to negotiate peace in New Hampshire at an American naval base and the Treaty of Portsmouth ended the Russo-Japanese War in September 1905.

On the home front, the people of the Russian Empire took the brunt of the war effort. Among the newly formed urban working classes, a concomitant economic slowdown put severe pressure on the people as they faced unemployment and hunger. Already in 1904, there were anti-war protests in Warsaw and in a few other cities around the Russian-controlled partition of the Polish lands.

The true beginning of the revolution, however, came when Russian subjects led by a charismatic young Orthodox priest tried to petition the tsar in January 1905. A crowd of calm marchers solemnly moved toward the Winter Palace in St. Petersburg, and despite the fact that the tsar was not even there, the guards panicked and opened fire on the people. The resulting mayhem and death became the rallying cry for radicals all over the empire. The tsar had tried to cultivate an image of a benevolent father figure, but after ‘Bloody Sunday’, even his most fervent supporters were disillusioned.

A hotbed of revolt: strikes & the October Manifesto

For the next two years following the events of January 1905, protests and strikes broke out all over the Russian Empire. The Polish part of the empire, that included the large cities Warsaw, Łódź, Radom, Kielce, Piotrków and Białystok, was the most industrialised region. As a result, it was poised to be a hotbed for revolutionary activity. Organisers went to work gathering support for strikes, and confrontations with police often turned violent. In Łódź, a huge centre for textile manufacturing, workers fought pitched battles on the streets with barricades and makeshift weapons.

General strikes, where whole industries stopped work, and especially striking railroad workers, forced the hand of the tsar. Finally, he had to give up some concessions to the protestors. In October, the tsar issued a decree that allowed for limited democratic freedoms of press and assembly and the formation of a parliamentary assembly, called the Duma. Though many of the protestors felt that this did not go far enough and continued their fight for further privileges, the so-called October Manifesto created an outpouring of publications, theatre and cultural life that the Russian Empire had never seen before.

Prior to this moment, censorship had been stifling, strictly regulating the languages in which books could be published or theatre performed. Lithuanian, Yiddish and Ukrainian had been banned for decades. While the suppression of the Ukrainian language continued – seen as a threat to the Russian ‘heartland’ in a policy of identity erasure that remains tragically relevant today – Lithuanian, Yiddish and other suppressed languages finally began to gain legal recognition within the empire.

The linguistic renaissance: breaking the imperial silence

Lithuanians gained the right to publish newspapers in the Latin alphabet as early as the spring of 1904, but the popular press exploded thanks to the Revolution of 1905. The proliferation of daily newspapers, such as the Vilniaus žinios (Vilnius News) signalled the beginning of a mass Lithuanian culture. The first great national assembly of Lithuanians took place in Vilnius, with 200 delegates, between 4 to 5 December 1905. All sections of society – from Belarus, East Prussia (where many Lithuania speakers lived as well) – took part.

They ended by demanding political autonomy for Lithuania, and to have their own provincial parliament with boundaries defined on ethnographic terms. Lithuanian scientific and artistic associations grew at the time, establishing the cultural arms of the Lithuanian national movement. These became vital just a few years later for the establishment of the independent Lithuanian state after World War I.

Yiddish too experienced a renaissance (or naissance) based on new-found freedoms in cities with large Jewish populations, such as Warsaw, Łódź and Vilnius. The tsarist authorities lifted bans on Yiddish printing and theatre in 1905, allowing for the creation of art and literature in a vernacular that practically all Jews used on a daily basis. Finally distinctly Jewish art could move to the public stage and reach audiences that had never experienced such forms of culture. The demand was clearly there, since four new theatres popped up in Warsaw almost immediately after the ban was lifted. In Mokotów, there was Bagatela, Elizeum on Karowa Street, Jardin d’Hiver on Chmielna and Muranower on Bonifraterska, all performing exclusively in Yiddish. Sholem Aleichem’s play Scattered and Dispersed saw its debut at this time (directed by Mark Arnshteyn). Yiddish dailies also appeared, and their content shows the popularity of theatre at the time. Jardin d’Hiver was playing two shows per day, with the exception of Shabbat. In 1908, the dedicated journal Teater Velt (Theatre World) appeared. All this newfound energy for Yiddish culture caused a modernisation of the language and uniformity that did not exist before among the Jews of the Russian Empire. This emergence also allowed for literary theatre to grow. On top of that, American actors with new plays written in New York came over and were the most commercially successful pieces.

Shadows of the revolution: the Pimps’ Pogrom

In the midst of the social upheaval and suffering, people looked for scapegoats to blame leading to one of the most bizarre episodes of the revolution: the Pimps’ Pogrom. In the working class Warsaw neighbourhood of Wola (today the site of skyscrapers, giving it the nickname ‘Hong Kong’), a seedy underworld of pimps, prostitutes and the men who frequented these establishments operated with the approbation of the local police.

In the Russian Empire, the sex trade was officially regulated, requiring both brothels and individual prostitutes to register with the police. Pimps supported the Tsarist status quo rather than the revolutionaries, as they could turn a profit under the state’s protection. Consequently, the sex trade was seen as an extension of the Russian regime and its police – the same officers who beat protesters and fired into crowds. The violence, however chaotic, was a strike against the very infrastructure of Russian control.

A song from that time:

Oj, lumpy to szpiedzy, [Oh the pimps are spies]
Prowokatorzy; [Provocateurs]
Chodzą na ‘giełde’, podsłuchują [They go to the market, eavesdropping]
potem donoszą na policje [then they tell the police]

It’s unclear what exactly sparked the riots against the brothels, but at the end of May 1905, a series of events led workers to destroy dozens of brothels, leaving at least 15 people dead. They moved from one house to the next, destroying furniture, smashing mirrors, tearing up clothes and bedding.

In one bordello, the sex workers put up a fight. A prostitute grabbed a copper pipe and hit a rioter over the head with it. In response, someone stabbed her with a knife and she died on the spot. In another brothel, the pimps fled, leaving the girls alone. Frightened for their safety, they hid under beds and in closets. The rioters pulled them out and beat them. The women yelled hysterically, called them names and cried: ‘What do you want from us? What did we ever do to you?’

Although a majority of the pimps and prostitutes were Jewish, both Polish and Jewish workers gathered on the streets to exact vengeance. In this way, it was very different from anti-Jewish pogroms, many of which took place in the context of the revolution. Some historians see this event as a moral crusade, while others claim that the association of the pimps with the Russian police was the strongest motivator. There were also witnesses who claimed that competing pimps were the most virulent rioters, so some plain old business competition was at play too.

These events brought attention to problems with prostitution in the Polish lands, sparking some difficult public discussions about issues that were normally left undisturbed. It also inspired several poems, such as Leo Belmont’s Po Pogromie (After the Pogrom) and novels, mostly published in Yiddish.

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NATO’s Bucharest Summit, 2008

From The Russo-Ukraine War: The Return of History, by Serhii Plokhy (W. W. Norton, 2023), Kindle pp. 87-89:

As NATO leaders arrived for the Bucharest summit on April 2, 2008, Russia’s vocal protests against membership for Ukraine and Georgia were on their minds. Putin came to the Romanian capital in person to take part in the meeting of the Russia-NATO summit and warn the members of the alliance against extending invitations to the two post-Soviet republics. “The emergence of a powerful military bloc at our borders will be seen as a direct threat to Russian security,” Putin told President Bush. Bush was not particularly impressed. Before going to Bucharest he made a stopover in Kyiv, where he told the Ukrainians: “Your nation has made a bold decision, and the United States strongly supports your request.”

But key European members of NATO, France and Germany in particular, blocked the decision advocated by the United States and supported by the new East European members of the alliance to grant Ukraine and Georgia a Membership Action Plan. “We agreed today that these countries will become members of NATO,” read the declaration before making it clear that no accession would take place any time soon. The MAP was promised but not given on the basis that the two potential applicants still had to meet some specific criteria in order to qualify. “[W]e will now begin a period of intensive engagement with both at a high political level to address the questions still outstanding pertaining to their MAP applications.”

The matter was postponed and would not return to the NATO agenda at the next summit or the one after that. Everyone knew that the decision to deny MAP to the two post-Soviet republics was a concession to their former master, Russia. Otherwise it was impossible to explain why the Bucharest summit invited Croatia and Albania to join NATO. For the two countries now perceived as threats by Russia, NATO’s non-decision on their membership was the worst possible outcome of the summit: their applications had been postponed indefinitely, leaving them with no protection from the alliance that they had publicly stated they wanted to join. While Russia would not dare to attack NATO, it could easily attack its aspirants, and it did so.

On August 8, 2008, a few months after the Bucharest summit, Russia launched a war on Georgia, ostensibly in defense of the Georgian enclave of South Ossetia, which had seceded from Georgia in the early 1990s. The Russian attack allegedly came as a response to the actions of the Georgian army, which had been ordered into South Ossetia, but there was no doubt that the war was directly linked to the outcome of the Bucharest summit. Russia had established official relations with South Ossetia and Abkhazia, the two Georgian provinces that it was now “defending,” almost immediately after Putin’s return from the Bucharest summit. The Georgians fought back under the leadership of President Mikheil Saakashvili, who had been educated in Ukraine and the United States, but the Russian army, larger and superior to Georgia’s, moved deep into the country and threatened to occupy its capital, Tbilisi.

On August 12, Yushchenko, together with the leaders of Poland and the three Baltic states, flew to Tbilisi to show support for Saakashvili and his country. That day the Russian advance was stopped by means of a ceasefire negotiated by President Nicolas Sarkozy of France. Russian troops eventually left a good part of the occupied territory but stayed in Abkhazia and South Ossetia, ostensibly protecting the independence of the two provinces from Georgia and perpetuating its territorial division. That undermined Georgia’s chances of ever joining NATO, as the alliance was reluctant to accept any state with unresolved territorial issues. The Russian war on Georgia became the first instance of its initiating a major war beyond its borders. It sent a clear signal to the West that Russia was prepared to use military force to stop any expansion of the alliance. It also demonstrated to other post-Soviet republics that NATO would not come to their rescue in case of Russian attack.

The decision of the Bucharest NATO summit, coupled with the outcome of the Russo-Georgian War, dealt a devastating blow to Ukrainian aspirations to join the alliance. The changing of the guard in Washington and the inauguration of Barack Obama as president in January 2009 led to a thorough revision of all elements of US foreign policy and an attempted “reset” of US-Russia relations. In January 2010 Viktor Yushchenko, defeated in the first round of that year’s presidential elections, left office to make way for Putin’s old favorite, Viktor Yanukovych. The new president promptly dropped NATO membership from the Ukrainian foreign-policy agenda and signed a deal that was devastating for Ukrainian security because it extended the presence of the Russian Black Sea Fleet in Sevastopol until 2042.

The Bucharest summit put Ukraine in the most vulnerable position that it had experienced since declaring independence. Without nuclear weapons and NATO membership, Ukraine found itself at the mercy of Russia, which saw the ambiguous offer of membership extended to Ukraine by the Bucharest summit as a threat to its own security. Ukraine was a lone warrior on open ground pursued by hostile forces, running to take shelter in a secure fortress, only to find its gates closing because of disagreements among its defenders.

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Ukraine’s Magna Carta?

From The Gates of Europe: A History of Ukraine, by Serhii Plokhy (Basic Books, 2017), Kindle pp. 161-164:

WHATEVER THE LEGAL and ideological underpinnings of the Pereiaslav agreement, the tsar honored Buturlin’s promise and gave the Cossacks what the Polish king had never agreed to: recognition of Cossack statehood, a Cossack register of 60,000, and privileged status for the Cossack estate. He also recognized the liberties enjoyed by other social strata under the Polish kings.

First and foremost, however, the agreement laid the foundations for a military alliance. It established no western boundary for the Cossacks’ territory—they could go as far as their sabers would take them. The Muscovite and Cossack armies entered the war against the commonwealth on their separate fronts: the Cossacks, assisted by a Muscovite corps, led the offensive in Ukraine, within the boundaries of the Kingdom of Poland; the Muscovite troops launched an offensive near Smolensk and moved west through Belarus and then into Lithuania, north of the Lublin border between the grand duchy and the kingdom. The joint offensive of Muscovite and Cossack troops brought unexpected results. Whereas in 1654 the Polish and Lithuanian troops, assisted by the Crimean khan, had managed to resist the offensive from the east, in the summer and fall of 1655 the Polish-Lithuanian counteroffensive collapsed: the Cossacks once again besieged Lviv, and Muscovite troops entered Vilnius, the capital of the grand duchy.

This was the beginning of the era known in Polish history as the Deluge. Not only did the Muscovite and Cossack armies move deep into the commonwealth, but in July 1655 the Swedes launched an offensive of their own across the Baltic Sea. By October, both Warsaw and the ancient Polish capital of Cracow were in Swedish hands. Alarmed by the prospect of a complete Polish collapse and a dramatic expansion of Sweden, which now claimed the parts of the Grand Duchy of Lithuania conquered by Muscovite troops, in the fall of 1656 Muscovite diplomats concluded an agreement with the commonwealth in Vilnius that put an end to Polish-Muscovite hostilities. Khmelnytsky and the Cossack officials were enraged at being denied access to the negotiations. The separate peace with Poland was leaving the Cossacks one on one with their traditional enemy. As far as they were concerned, the tsar was reneging on his main obligation under the Pereiaslav agreement—the military protection of his subjects.

Bohdan Khmelnytsky ignored the Muscovite-Polish deal and sent his army to help an ally of Sweden, the Protestant ruler of Transylvania, fight the Poles. Now, even the military alliance between the tsar and the Cossacks came into question. Khmelnytsky had been looking for new allies since Sweden’s entry into the war with Poland. The Swedes seemed determined to destroy the commonwealth, which Khmelnytsky also wanted. Negotiations to conclude a Ukrainian-Swedish agreement that would put an end to the commonwealth and guarantee the inclusion not only of Ukraine but also parts of what is now Belarus in the Cossack state gained new impetus from what the hetman regarded as the tsar’s betrayal of Ukraine.

Khmelnytsky, however, did not live to see the conclusion of this new international alliance. He died in August 1657, leaving the state he had created and the Cossacks he had led at a crossroads. Although Khmelnytsky believed that his alliance with the tsar had already run its course, he formally abided by the deal he had made in Pereiaslav. Events there became an important part of the old hetman’s large and contradictory legacy. Cossack chroniclers of the eighteenth century celebrated him very much in the same vein as the professors and students of the Kyivan College had done on his entrance into Kyiv in December 1648. They extolled him as the father of the nation, the liberator of his people from the Polish yoke, and the hetman who had negotiated the best possible arrangement with the tsar: they considered the Articles of Bohdan Khmelnytsky, approved by the tsar after Pereiaslav, a Magna Carta of Ukrainian liberties in the Russian Empire.

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Royals vs. Nobles, 1500s

From The Gates of Europe: A History of Ukraine, by Serhii Plokhy (Basic Books, 2017), Kindle pp. 107-109:

ALL OVER EUROPE, the sixteenth century was marked by the strengthening of royal authority, centralization of the state, and regularization of political and social practices. The other side of the coin was increasing aristocratic opposition to the growth of royal power, which in the Polish-Lithuanian case came from the aristocratic houses of the grand duchy, many of them deeply rooted in the princely tradition of Kyivan Rus’ and GaliciaVolhynia. But in the mid-sixteenth century, elite opposition to increasing royal power diminished in response to the growing external threat to the grand duchy, which it could meet only with the help of Poland. The threat came from the east, where in the course of the fifteenth century a major new power had been rising: the Grand Duchy of Muscovy.

In 1476 Grand Prince Ivan III, the first Muscovite ruler to call himself tsar, declared the independence of his realm from the Horde and refused to pay tribute to the khans. He also launched a campaign of “gathering the Rus’ lands,” taking Novgorod, Tver, and Viatka and laying claim to other Rus’ lands outside the former Mongol realm, including those of today’s Ukraine. In the last decades of the fifteenth century, the newly created Tsardom of Muscovy and the Grand Duchy of Lithuania entered into a prolonged conflict over the heritage of Kyivan Rus’. Muscovy was on the offensive, and by the early sixteenth century the grand dukes had to recognize the tsar’s rule over two of their former territories, Smolensk and Chernihiv. It was the first time that Muscovy had established its rule over part of what is now Ukraine.

The westward advance of Muscovy, stopped by the grand dukes at the beginning of the sixteenth century, resumed in the second half. In 1558, Ivan the Terrible, the decisive and charismatic but also erratic, brutal, and ultimately self-destructive tsar of Muscovy, attacked Livonia, a polity bordering on the grand duchy that included parts of what are now Latvia and Estonia, starting the Livonian War (1558–1583), which would last for a quarter century and involve Sweden, Denmark, Lithuania, and eventually Poland. In 1563, Muscovite troops crossed the borders of the grand duchy, taking the city of Polatsk and raiding Vitsebsk (Vitebsk), Shkloŭ (Shklov), and Orsha (all in present-day Belarus). This defeat mobilized support for the grand duchy’s union with Poland among the lesser Lithuanian nobility.

In December 1568 Sigismund Augustus, who was both king of Poland and grand duke of Lithuania, convened two Diets in the city of Lublin—one for the kingdom, the other for the grand duchy—in the hope that their representatives would hammer out conditions for the new union. The negotiations began on a positive note, as the two sides agreed to the joint election of the king, a common Diet, or parliament, and broad autonomy for the grand duchy, but the magnates would not return the royal lands in their possession—the principal demand of the Polish nobility. The Lithuanian delegates packed their bags, assembled their retinues of noble clients, and left. This move backfired. Unexpectedly for the departing Lithuanians, the Diet of the Kingdom of Poland began to issue decrees, with the king’s blessing, transferring one province of the grand duchy after another to the jurisdiction of the Kingdom of Poland.

The Lithuanian magnates who had feared losing their provinces to Muscovy were now losing them to Poland instead. To stop a hostile takeover by their powerful Polish partner, the Lithuanians returned to Lublin to sign an agreement dictated by the Polish delegates. They were too late. In March 1569, the Podlachia palatinate on the Ukrainian-Belarusian-Polish ethnic border went to Poland. Volhynia followed in May, and on June 6, one day before the resumption of the Polish-Lithuanian talks, the Kyivan and Podolian lands were transferred to Poland as well. The Lithuanian aristocrats could only accept the new reality—they stood to lose even more if they continued to resist the union. In his magisterial depiction of the Lublin Diet, Jan Matejko, a famous nineteenth-century Polish artist, portrayed the chief opponent of the union, Mikalojus Radvilas, on his knees but with his sword drawn in front of the king.

The Union of Lublin created a new Polish-Lithuanian state with a single ruler, to be elected by the nobility of the whole realm, and a single Diet. It extended the freedoms of the Polish nobility to their counterparts in the Grand Duchy of Lithuania, which maintained its own offices, treasury, judicial system, and army. The new state, called the Commonwealth of Both Nations—Polish and Lithuanian—was a quasi-federal polity dominated by the geographically expanded and politically strengthened Kingdom of Poland. The kingdom incorporated the Ukrainian palatinates not as a group but one by one, with no guarantees but those pertaining to the use of the Ruthenian (Middle Ukrainian) language in the courts and administration and the protection of the rights of the Orthodox Church.

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Rus’ Elites Lose to Poland-Lithuania

From The Gates of Europe: A History of Ukraine, by Serhii Plokhy (Basic Books, 2017), Kindle pp. 105-107:

FROM THE VIEWPOINT of the Rus’ elites of the Grand Duchy of Lithuania, the unions with the Kingdom of Poland had caused nothing but trouble. The immediate outcome of the Union of Kreva was the loss of Rus’ influence on the grand prince, who not only moved out of the duchy but also became a Catholic, setting a precedent for his brothers, some of whom were Orthodox. The Orthodox hierarchs’ hope of establishing Byzantine rather than Latin Christianity in the last pagan realm in Europe were dashed.

But the real challenge to Rus’ political status came in 1413, when the Union of Horodło, which historiography treats as a dynastic union, enhanced the Union of Kreva, a personal union between the Kingdom of Poland and the Grand Duchy of Lithuania. Concluded between Jogaila, now king of Poland, and his cousin Vytautas, the grand duke of Lithuania, the new agreement extended many of the rights and privileges of the Polish nobility, including the right to unconditional ownership of land, to the Lithuanian nobility. Close to fifty Polish noble families offered to share their coats of arms with the same number of families from the grand duchy. But there was a catch: only Lithuanian Catholic families were invited to the party. The new rights and privileges were not accorded to the Orthodox elite. This was the first instance of discrimination against the Rus’ elites at the state level. Denied the new privileges, the Orthodox aristocrats were thus barred from holding high office in the central administration of the grand duchy. To add insult to injury, the Union of Horodło came on the heels of the curbing of Rus’ autonomy by one of the authors of the new union, Grand Duke Vytautas, who replaced the prince of Volhynia and rulers of some other lands with his own appointees.

An opportunity for the Rus’ elites to express their unhappiness with this encroachment on their status came soon after Vytautas’s death in 1430. In the succession struggle for the Lithuanian throne, which deteriorated into a civil war, the Rus’ nobles, led by the Volhynian boyars, supported their own candidate, Prince Švitrigaila. His rival, Prince Žygimantas, responded in 1434 by extending the rights and privileges guaranteed by the Union of Horodło to the Orthodox elites of the grand duchy, turning the tide of war in his favor. Although the Rus’ princes and nobles of Volhynia and the Kyiv Land remained suspicious of the intentions of Žygimantas, their support for Švitrigaila declined, allowing the grand duchy to return to a state of relative peace. With religion eliminated as a source of grievance among the Rus’ elites, the Lithuanian court had more room to maneuver in its continuing efforts to restrict the autonomy of the Rus’ lands and principalities.

In 1470, the grand duke and king of Poland, Casimir IV, abolished the last vestige of the princely era: the principality of Kyiv itself. Ten years later, the Kyivan princes conspired to kill Casimir and install one of their candidates, but their plot failed, leading to the arrest of the ringleaders and forcing the other conspirators to flee the grand duchy. With their departure came an end to the last hopes of restoring the way of life associated with the princely traditions of Kyivan Rus’. By the turn of the sixteenth century, not only Ukraine’s political map but also its institutional, social, and cultural landscape showed few traces of the period two centuries earlier when Galicia-Volhynia had striven to throw off Mongol suzerainty and become a fully independent actor in the region. While Rus’ law and language remained well established, they began to lose their previous dominance. These essentials of Rus’ culture could no longer compete with latinizing influences and the Polish language, which took pride of place in the grand duchy after the Union of Kreva.

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Grains of Poland

During the heyday of the Hanseatic League, Poland was the granary of Europe, and its diet remains very rich in grains. Hardly any of its many breads contain just one grain, and one of its many brands of yogurt calls itself 7zbóż ‘7cereals’. Here are the cereal grains listed in its jogurt z brzoskwinią, gruszką i ziarnami zbóż ‘yogurt with peach, pear and cereal grains’ variety: jęczmień, pszenica, żyto, owies, gryka, ryz, pszenica arkisz, otręby pszenne ‘barley, wheat, rye, oat, buckwheat, rice, spelt wheat, wheat bran’.

Speaking of food labels, here is the breakdown of wartość odżywcza 100 g productu ‘nutritional value in 100 g of product’:
Wartość energetyczna ‘energy value’ 96 kcal
Tłuszcz 
‘fat’ 2,5 g
w tym kwasy nasycone ‘incl. saturated fatty acids’ 1,8 g
Węglowodany
‘carbohydrates’ 14,7 g
w tym cukry ‘incl. sugar’ 13,5 g
Błonnik
‘fiber’ 0,6 g
Białko
‘protein’ 2,6 g
Sól
‘salt’ 0,07 g

Multiply by 3 for the 300 g tub of yogurt!

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Escaping Russia to Riga, 1921

From Kosciuszko, We Are Here!: American Pilots of the Kosciuszko Squadron in Defense of Poland, 1919-1921, by Janusz Cisek (McFarland, 2025), Kindle Loc. 2673ff.

The last prison that Cooper was in was Vladykino. Here with two Polish officers he decided to escape. This time he succeeded. In a way he was forced to escape by his Polish counterparts. In his report filed after reaching Warsaw, he wrote that the two Polish prisoners managed to brake into the prison office in order to forge a few documents for the escape. At this point there was no return. Cooper was very well aware that not only the two direct perpetrators might be shot dead on the spot. He, after all, was considered to be a dangerous anti-revolutionary and enemy of the people. The escape must have happened at the beginning of March, 1921.

Since Cooper himself did not know Russian, he pretended to be mute, and on the long march from Moscow to the Latvian border, Lt. Stanisław Sokołowski and Corporal Stanisław Zalewski facilitated everything for him. They marched in the direction of Wielkie Łuki with Latvia as their general destination, which was then, as through the entire inter-war period, the most efficient crossing point between the workers’ paradise and the outside world. It was through this very border that Boris Savinkov, the famous terrorist, returned to Russia, lured by the mirage of the great anti–Bolshevik conspiracy. Food was obtained by exchanging the clothes they had received in the Amcross packages. The escapees brushed with arrest several times. They were, after all, moving across completely unknown territory with neither a compass nor a map. Cooper recalled that he spent one night up to his neck in water. In any case in an expedition covering over 800 kilometers, the sympathy, or at least indifference, of the local population had to play a crucial role. The last five days of the route to the border was on foot through mud and swamps. At the last minute, a smuggler they had engaged tried to betray the escapees by refusing to lead them across the border. Only threatened with death did he decide to fulfill his part of the contract. The border was crossed at 2:00 A.M. on April 23, 1921. “We came to ‘Amcross’ in rags and without shoes, hungry and completely fatigued,” as Cooper wrote in his first dispatch from Riga.

The shoes were payment for the smuggler who had led them across the border. Cooper would not have been himself if he had not immediately expressed his gratitude to Amcross and brought attention to the need for better care of the American prisoners still held by the Bolsheviks. He wrote about this a few weeks later, to Hoover among others, including a few practical hints. He brought attention to the still existing legal avenues of action by Western charitable organizations in Russia, he stressed the attitude of the two Polish officers and the local population. As an eyewitness, he was also a credible source of information about the conditions prevailing under the communist rule in Russia: “Cooper, a prisoner in Russia, states that Russia is full of propaganda against United States, France and Great Britain; people are told that these countries are responsible for all trouble in Russia. German influence is strong and popular.” In another report he confirmed the level of control by the new regime. “Absolute control of Bolsheviks, either they will stay in control or anarchy.” This experience of the nature of the communist system, gained through direct contact with the iron hand of terror, remained with Cooper throughout his life. He became an unrelenting opponent of the system, and he intended to write a book about his experiences. However he never fully realized his intention. The only fragments were included in his book Things Men Die For. It is worth mentioning here the durability of the anti–American propaganda, whose influence is present even in contemporary academic works. Simonenko, already mentioned in these pages, states in an article about the Kościuszko Squadron that after the signing of the Polish-Bolshevik peace in Riga, Cooper was most ordinarily released from prison and arrived to Poland without any problems. He does not say, however, why he had to overcome the boundless Russian territory in rags and on foot, nor why he crossed the border illegally.

Meanwhile, the Polish authorities and the squadron airmen awaited the miraculous rescue of their comrade. His journey from Riga to Warsaw began on April 29, his train reached the capital on May 3, the day celebrated by Poles as Constitution Day. As a witness to the event recalled, “he received a great ovation.” It so happened that this was the first time that Constitution Day had been celebrated without a major war being waged, although the borders had not yet been officially recognized by the Conference of Ambassadors. It is true that in Silesia the third uprising had broken out against the Germans, but Poland was not officially involved in that conflict. Help was provided to the insurgents unofficially using paramilitary organizations such as the Polish Military Organization. Thus, the 3rd of May in 1921 was celebrated solemnly and in an atmosphere of peace, as the new constitution was declared in March and a peace treaty was signed with Russia.

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Wielka Emigracja po 1831

From Poland: The First Thousand Years, by Patrice M. Dabrowski (Cornell University Press, 2014), Kindle pp. 454-458:

Not all Poles stayed around to see how matters would develop after 1831. Already during the insurrection, some insurrectionists abandoned the Kingdom of Poland and made their way to the west. After the November Insurrection, a mass exodus of Poles ensued to France, Belgium, and Britain. There were so many Poles in western Europe that this came to be called the Great Emigration (Wielka Emigracja). The term wielka can mean large—which it was. Somewhere in the vicinity of ten thousand Poles became political émigrés in Paris and elsewhere. But wielka also means great. It was a great generation, comprised of the leading Polish intellectual lights as well as dedicated cadres of insurrectionists. Among those former were the great Romantic poets—the so-called Bards: Adam Mickiewicz, Juliusz Słowacki, and Zygmunt Krasiński. Mickiewicz, incidentally, had managed to escape from Russia to the west right before the November Insurrection.

Also in emigration was a young composer from Warsaw, Fryderyk (French: Frédéric) Chopin. Son of a Polonized emigrant from France, Fryderyk was in Vienna when the insurrection broke out and made the reverse journey. The young Chopin, whose musical genius would (among other things) popularize Polish dances such as the polonaise, the mazurka, and the krakowiak, channeled his anguished reaction to the loss of the November Insurrection into his famous, and moving, Revolutionary Étude.

Only in emigration did Polish Romanticism—in literature even more than in music—develop to its full potential. Polish literature of this period is interesting not only for its intrinsic value but for what it represented to Polish society in that period. When politics failed (as they clearly did in 1830–1831), poetry took its place. Poland went from being led by generals wielding sabers to generals wielding pens.

These newfangled generals led a cultural campaign. Their task was to produce a vibrant literary culture that would unite all the lands of the former Commonwealth as well as enrich the Polish spirit. Here the Polish Romantics were influenced by thinkers like Herder, famous for his conception of the Volksgeist, which can be translated as the spirit of the people or nation or as national character. In this vision, the people or nation was viewed increasingly as the common man.

This proved to be one of the most important periods of Polish literature, if not the most important (which surely could be argued). And Adam Mickiewicz—the young poet introduced earlier—is the most famous of the Polish Romantic poets. Indeed, he is the most famous literary figure in all of Polish history. Thus it is interesting to consider the opening line of his most famous work, the epic poem Pan Tadeusz. Expressing the longing of the émigré for the country he has left behind, it begins with the invocation, “Lithuania! My fatherland!” Writing in Polish, this poet who hailed from the territory of today’s Belarus, considered Lithuania his homeland. This suggests that this quintessentially Polish poet reflected ideas of Poland and Polishness that were hardly straightforward—ideas more redolent of the former Sarmatian, Commonwealth realm. Polish and provincial culture (brought to life in the Lithuanian landscape) were one in this depiction of a soon-to-be-lost Sarmatian idyll in its encounter with the transformations of the Napoleonic era. Indeed, it is a Polish peculiarity that national self-definitions were often forged at its margins—in the borderland realm increasingly referred to in the nineteenth century as the Kresy.

Paris proved a seedbed for all kinds of ideas about Poland’s past, present, and future. The émigrés were obsessed with “the Polish question,” a question not limited to the regaining of national sovereignty. Lacking independent statehood, Poles had to answer some other crucial questions as well. They increasingly had to choose, consciously, to be Poles, as this was no longer a choice of state identification. But what, then, was Polishness? How was one to define Poland, or who was a Pole? How to justify being—let alone becoming—Polish, in a world of imperial dominance?

Again, the poet spoke. Or, rather, wrote—although it should be added that Mickiewicz also spent the period from 1840 to 1844 lecturing on Slavic literature at the Collège de France, his lectures often electrifying his audience. Consider his Books of the Polish Nation and the Polish Pilgrimage. Mickiewicz believed that the Poles had a mission of universal significance. In his messianic vision, Poland was the Christ of Nations, suffering for the rest of the world. “But on the third day,” he wrote in true biblical style, “the soul shall return to the body, and the Nations shall arise and free all the peoples of Europe from slavery.” Mickiewicz also saw a special role for his nation in the Slavic world. The future of Europe lay with the Slavs—and the Poles, not the Russians, were Slavdom’s natural leaders, who would fight against the perceived evils of civilization.

Despite his liberal use of biblical phrasing, Mickiewicz’s Roman Catholicism was hardly orthodox. The Pole was conflicted in his relationship to the See of Peter. He, like many others, was outraged that the Vicar of Christ should side with the partitioning empires and condemn the Polish insurrection. Furthermore, Mickiewicz fell under the spell of Andrzej Towiański, a leader of a mystical cult; this experience did little to strengthen his connection to the Roman Catholic Church of his day.

Mickiewicz and the Romantics focused their attention, in exile, on the Polish nation, seeking to determine what in the Polish past was significant, and whether the nation had a historical mission. Theirs was an ideal vision of the nation, focusing more on the body politic—the potential masses of Poles—than on any future territorial incarnation. The Poland of the Romantics was one of the mind. They believed that their nation did have a mission, which was to bring universal freedom to Europe. In this mission lay all hope for Poland. Only if Poles fought for universal freedom could they be considered worthy of regaining independent statehood. Their national stance, thus, was an active and engaged one. The purpose of Polish Romantic literature, furthermore, was to embolden and inspire the nation as well as strengthen national consciousness, without which there could be no gains. In an age when generals wielding sabers had failed, the Romantics saw themselves as generals wielding pens.

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Reconstructing Rothenburg

From The Stories Old Towns Tell: A Journey through Cities at the Heart of Europe, by Marek Kohn (Yale U. Press, 2023), Kindle pp. 150-153, 162-163:

By establishing its place on the tourist map of Europe, Rothenburg ob der Tauber connected itself to an international network through which it built up a stock of admiration and affection. Although that was an intangible kind of capital, it turned out to be the saving of the enterprise. If John McCloy’s mother had not been one of the many foreigners who visited Rothenburg before the darkness closed over Europe in the 1930s, and took spell-casting pictures home with them, the whole of the town might have suffered the same fate that the American bombers visited on four-tenths of it.

One of the artists inspired by images of Rothenburg ob der Tauber was Adolf Hitler, who had initially hoped to pursue a career as a painter. On a visit there in 1934, a few weeks after adopting the title of Führer, he recalled how he had seen many pictures of Rothenburg in his youth, and had greatly enjoyed drawing the town himself. A few years later, he made funds available for the preservation of the town walls, stretches of which were in danger of collapse. His affection for Rothenburg was shared by the Nazi movement in general, for whom the ‘Germanest’ (‘deutscheste’) of towns became something of a pilgrimage destination.

The feeling was mutual. Rothenburgers took to Nazism even before the party took power. At the election in July 1932, when the Nazis became the party with the most seats in the Reichstag with 37 per cent of the national vote, they took 60 per cent of the vote in Rothenburg. After Hitler became Chancellor the following year, Rothenburgers flocked to join his National Socialist German Workers’ Party. Two-thirds of the town’s population became members. Unlike Würzburg, whose Catholic traditions and associated political sympathies dampened enthusiasm for the radical new National Socialist movement, Rothenburg was a small Protestant town in a relatively poor part of Germany. In that respect it fitted the profile of Nazi-supporting localities, but it was more than merely typical. Rothenburg had a very special place in the landscape of the Third Reich.

That place was inscribed principally through the activities of the Kraft durch Freude (Strength through Joy) organisation, which strove to instil National Socialist values in the German people through recreation and exercise. Kraft durch Freude – KdF for short – offered ideological tourist excursions to the town it described as ‘an everlasting witness to the glorious German history of the Middle Ages, a shining monument to German community in olden times’. Rothenburg became a theatre in which Nazi illusionists conjured the spectacle of an ideal folk community magically preserved within its walls, where modern Germans would believe they were ‘seeing a fairy tale of a long-gone golden age resurrected’, as the Nazi party newspaper put it. Among the steps that the town took to enhance the magic was the institution of a Christmas market, without which the fairy tale would not have been complete.

As well as providing affordable domestic holidays for Germans of modest means, KdF made a point of reaching out to members of the ‘Volk’ on the edge of the Reich or beyond its borders. The first contingents came from lands in the west. Under the peace settlements that followed the First World War, the Saar region had been placed under the control of the League of Nations. In 1935, voters in the territory opted to be reunified with Germany, by a majority of over 90 per cent. KdF transported Saarlanders to Rothenburg, where the organisation encouraged them to recharge their feelings of national pride and community. It also brought people from the Rhineland region, which was barred to military forces under international treaties. Hitler sent his troops into it the following year, to huge national acclaim.

From the opposite direction, a thousand Austrians came on a ceremonial day trip after their country was incorporated into the Reich in 1938, marching into the town from the railway station to be greeted by ranks of Nazis chanting ‘Sieg Heil’. They departed in the same fashion after seeing the town’s quintessentially Germanic sights, completing an occasion hailed by the local newspaper as the ‘deepest expression of connection between people of the same tribe and same blood’. Germans from the Sudetenland made a similar procession after the Reich seized the region from Czechoslovakia later that year.

The Reich’s revanchist ambitions further east were implicit in the organisation of visits from Danzig and the Memel territory. Danzig had been designated a Free City, kept separate from both Germany and Poland under the protection of the League of Nations, because it found itself in the corridor through Baltic Prussia that gave Poland access to the sea. Memelland was a strip of eastern Prussia that Germany had been obliged to give up under the Versailles Treaty in 1919; Hitler strong-armed the Lithuanian government into returning it in 1939. The symbolism of the trips was clear enough: the Reich had brought its people to the ideal German home town, and soon enough they would be living in the homeland as well, once its borders were extended to embrace them.

Rothenburg also offered the Nazi regime a means to project soft power abroad, in the form of the Shepherd Dancers, a group founded in 1911 to revive a local tradition on the basis of a historical claim dating back to 1517. They danced at the Albert Hall in London, and paraded through Hyde Park bearing the Third Reich’s swastika flag. Back home, they performed in the market square for crowds on excursions from the huge Nazi rallies in Nuremberg, less than two hours away by train. Although there was no question of imposing the standard Nazi urban ensemble – a grand avenue, a vast assembly space, a massive Party building – as Hubert Gross had planned to do in Würzburg, there was no need. Rothenburg was homely, but on a scale that tended to the monumental. Its houses’ proportions spoke of burgher prosperity; its main streets were straight and wide enough for marching columns. And if there was no space for the Nazi cohorts within the walls, they could always camp beneath them. The location was popular with the Hitler Youth, which at one point massed 1,400 of its members, drawn from more than 27 countries, in a tent city along the base of the town’s fortified perimeter.

One of  [the town’s former Nazi mayor, Friedrich] Schmidt’s initiatives as a councillor was an attempt to revive the Christmas market, which had lapsed since its inception during his term as mayor in the 1930s. He was assisted in the bid by Ernst Unbehauen, the artist who had made the antisemitic ‘warning’ plaques that had been installed at the town’s gates….

A person would not have to be a fascist or an ultranationalist to agree with Unbehauen that brash modern advertisements should be kept off Rothenburg’s streets. Conservation societies in historic towns all over Europe would sympathise with his view and applaud his efforts. But in Rothenburg ob der Tauber, denying the twentieth century had a subtext that went beyond Unbehauen’s personal record as a Nazi and an antisemitic propagandist. A town that looked as though the twentieth century had not happened offered an enticing illusion to Germans who wanted to pretend that the century’s fourth and fifth decades had not taken place. Joshua Hagen, the American historian who has examined Rothenburg’s career as ‘the most German of towns’, observes that ‘in the 1950s and beyond it came to represent opportunities for relatively untroubled engagement with Germany’s past’. People could follow the town’s history as far as the twentieth century ‘and then fast-forward to 1950, because as the tourist guides will tell you, nothing happened. It was asleep, timeless, and nothing ever changed.’

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Changing Faces of Lublin’s Old Town

From The Stories Old Towns Tell: A Journey through Cities at the Heart of Europe, by Marek Kohn (Yale U. Press, 2023), Kindle pp. 220-223:

Lublin has a long history as a site for key moments in the formation of Polish states. A congress of nobles welcomed Grand Duke Jogaila of Lithuania there in 1386, as he made his way to his royal wedding in Kraków, and proclaimed him King Władysław II Jagiełło of Poland. Jogaila returned the favour by granting a range of privileges that enabled Lublin to develop as a centre of trade between the two countries he and Jadwiga had united through their marriage. The treaty of union that inaugurated the Polish-Lithuanian Republic was signed at Lublin’s castle in 1569.

By that time, the urban kernel later known as the Old Town was taking shape on the high ground opposite, as a sturdy cluster of churches and townhouses arranged around a market square and an axis running from the Grodzka Gate on the eastern side to the western Kraków Gate. With an area of ten hectares, the walled town was the same size as its Warsaw counterpart. Meanwhile the space between the castle and the town was beginning to fill with buildings, as the Jewish quarter developed on the inferior land known as Podzamcze, meaning ‘under the castle’. Jews had been prohibited from settling within the city walls in 1535, after Christian merchants objected to the competition they introduced.

By the end of the sixteenth century, the district below the castle boasted one of the most important Hebrew printing houses in the country, and provided the base for the principal Jewish authority in Poland. Around the turn of the nineteenth century it became a major centre of Hasidic Judaism, after the legendary spiritual leader Yaakov Yitzhak haLevi Horowitz took up residence on Podzamcze’s main street. He was known as the Seer of Lublin, because of his reputed ability to see into the future and across the world, and he bestowed a magical aura on the Jewish Town that remained as his posthumous legacy after his death there in 1815.

As the century went on, however, many of Lublin’s Jews were drawn to modernity instead of mysticism. Their local horizons were opened up in 1862, when they gained full citizenship and the city abolished restrictions on where they were permitted to live. ‘Through Brama Grodzka, by which they had waited for so many years, they entered Lublin again,’ wrote the historian Meir Balaban, ‘renting and buying properties for shops and homes, first on Grodzka Street and later also on the Market Square.’ The poorer incomers gradually found niches throughout almost the whole of the Old Town, which had fallen into decline after being abandoned by its wealthier residents. Those who could afford it made instead for the up and coming streets around the city’s spacious central avenue. They resembled their Christian neighbours in their dress and lifestyle, while the old Jewish quarter became even more of a world apart.

That world disappeared from the face of the earth during the Second World War. After the German invaders took control of Lublin in 1939, they ejected Jews from the townhouses around the central avenue, forcing them back to the old Jewish quarter. The Jews of the Old Town were sent there in April 1941, after the occupiers turned the former Jewish Town into a ghetto, which they liquidated a year later. Some 26,000 Jews from the Lublin region were killed at the Bełżec extermination camp, almost all of them upon arrival. Others were sent to a secondary ghetto on the outskirts of the city, Majdan Tatarski, and eventually to the nearby Majdanek camp. The Lublin extermination ended with Aktion Erntefest, Operation Harvest Festival, in November 1943. Over two days, SS squads and German police shot 42,000 Jews at Majdanek and two other camps in the region. At the outbreak of the war, some 43,000 Jews had been living in the city, out of a total population of around 120,000. Almost none of them were left alive by the war’s end.

Little was left of the Jewish Town either. The Germans razed much of it to the ground, as they did in Warsaw’s Jewish district. There, the destruction had begun as a tactic used by the occupiers in their efforts to suppress the Ghetto Uprising. In Lublin, the Germans had already emptied the houses, which they condemned on the grounds of the buildings’ poor construction standards and states of repair. Their underlying purpose was to erase the remains of Jewish presence, which in that locality dated back four hundred years.

The main street disappeared altogether, and with it the form that the Jewish settlement had found in Lublin’s topography. It had previously run along the base of the slope below the castle, its buildings jostling for space and concealing the lie of the land. Tumbledown shacks and solid edifices alike were gone, as was the warren of alleys into which Alfred Döblin had ventured. One unintended consequence was to give the Red Army a clear field of fire in front of the castle for its artillery when it fought its way into Lublin in July 1944.

Three days after the Soviet forces captured the city, the new authorities installed the provisional body that became known as the Lublin Committee, and which formed the germ of the regime that eventually became the Polish People’s Republic. This was the third key moment in Lublin’s history as a site of state formation, initiating a drive to build socialism on Soviet lines that was led by a man with local roots. Bolesław Bierut was born near Lublin and went to school in the city. His early work experience there included a job as a bricklayer’s assistant, and his presence was felt in the reconstruction of Lublin when he headed the country during its Stalinist period.

The site with the most obvious potential for symbolically loaded redevelopment was the barren plain, overlooked by the castle and the Old Town, that now lay where the main street of the Jewish district had previously been. A quadrant had been spared on the far side, where the tenement houses were in relatively good condition, and housed ethnic Poles who had been displaced by the creation of the Majdan Tartaski ghetto. Apart from that, the area formerly occupied by the Jewish Town was emptier than it had been since the Middle Ages.

For nearly ten years, the authorities’ efforts were concentrated up above, within the castle, and were devoted not to reconstruction but to the suppression of armed resistance. The castle had itself been rebuilt in the 1820s after a long twilight of ruin, its rectangular mass clad in a stern neo-Gothic facade appropriate to its function as a prison. Having served to incarcerate anti-czarist insurgents in the nineteenth century, communists between the wars and resistance fighters during the German occupation, it now held anti-communist partisans, many of whom had previously been anti-Nazi partisans. More than 30,000 prisoners were confined there during the new regime’s first decade in power. Death sentences were carried out in the cellar of a building that stood by the castle’s arched front entrance.

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