Category Archives: Mediterranean

When the Stars and Stripes Scooped L’Humanité in Algeria

On May 8, 1945, the day the [World War II] armistice was signed, Muslim Algerians paraded in most of the cities of Algeria, with banners bearing the slogan “Down with fascism and colonialism.” In Sétif, the police fired on Algerian demonstrators, who countered by attacking police officers and Europeans. It was the beginning of a spontaneous uprising, supported by the PPA [Algerian People’s Party] militants of Constantinois. In the rural areas, peasants revolted in La Fayette, Chevreuil, Kherrata, and Oued Marsa. Among the Europeans, 103 were listed as killed and 110 wounded. On May 10, the authorities organized a true “war of reprisals”–to borrow the Algerian historian Mahfoud Kaddache’s expression–which turned into a massacre. Shootings and summary executions among the civilian population continued for several days under the direction of General Duval. Villages were bombed by the air force, and the navy fired on the coast. The French general Tubert spoke of 15,000 killed among the Muslim population. Algerian nationalists put forward the figure of 45,000 dead.

SOURCE: Algeria, 1830-2000: A Short History, by Benjamin Stora (Cornell U. Press, 2001), pp. 21-22

The French Communist newspaper L’Humanité, obsessed with purging Vichyites in North Africa, and yet to develop its anti-colonialist stance, readily accepted the possibility that the [Sétif] affair was the work of Hitlerian elements: “Energetic action was taken in North Africa against Fifth Column criminals.” American and British correspondents also accepted the official account. “Rumours of food riots are confirmed in Paris by the Cabinet,” said the New York Times. “At Sétif what was described by the Governor General as ‘Hitlerian elements’ attacked the population while it was celebrating VE day. Troops were used.” Reynolds News even provided details: “Several people were killed when armed bands of Arabs, led by a violently anti-French party known as Manifesto marched down from the mountains on the Town of Setif and fired on the crowd.” Only the Christian Science Monitor’s correspondent Egon Karkeline questioned the official version. “Despite the veil of censorship with which the French government has surrounded the recent riots in Algiers,” he wrote, “it is manifest that these disturbances had a serious character.”

Then, more than a month after the French attack, the United States Army newspaper Stars and Stripes blew the whole story wide open. The Rome edition of the paper, quoting sources in Casablanca, gave a reasonably accurate account of what had occurred, hedging only with “the true picture of events and their cause was obscure.” The Stars and Stripes version was picked up and reprinted in the New York Times, the Manchester Guardian, the London Daily Telegraph, and many other newspapers. This sent Ch.-Andre Julien of the Socialist official daily, Le Populaire, after the story, and on June 28 he wrote the first account in France to give anything like the true picture of what had happened: “Senegalese and Legionnaires were allowed to massacre at will around Sétif. Their path could be followed by trails of fire. In the Jijelti region, where there had been no disorders, other Senegalese murdered and burned at leisure. Planes scattered bombs on Arab tent camps. The military gave the number of victims as between six and eight thousand.” This report brought revised figures from the Ministry of the Interior. The “more than 100” casualties now became 1,200, and it was officially admitted that 50,000 Arabs had taken part in the events of May 8.

All this time there had been an eye-witness account of the first trouble in Sétif. Pierre Dubard of Le Figaro had watched the demonstration and had seen the police violence, but he was unable to get his story past the censor until July 7, two months after the event. When it finally appeared, it confirmed not only Le Populaire’s story, but also most of what had appeared in Stars and Stripes. French official sources were completely discredited, the danger of accepting government statements at face value was amply illustrated, and the manner in which each newspaper’s political line had influenced its version of the Sétif attack had been clearly shown.

SOURCE: The First Casualty: The War Correspondent as Hero and Myth-maker from the Crimea to Kosovo, by Phillip Knightley, with an introduction by John Pilger (Johns Hopkins U. Press, 2000; first published in 1975), pp. 393-394

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Algeria: Recycling Terms from the Last War

Beginning in Algeria in July 1993 there were forests burning once again in the Aurès, Algiers was still living under a curfew, terrorist attacks attributed to Islamists were striking police officers and intellectuals, and hundreds of “suspects” remained in detention, sometimes without trial. The Algerian press had begun to mention the “sweep operations,” and the French press added reports from “the underground.” “Terrorism” and “torture” made their reappearance in the vocabulary of all the triumphant communiques, announcing, on the one hand, the “eradication” of the “last armed groups,” and, on the other, “the imminent victory of the Muslim people.” A strange sensation has developed that this is a remake of the war of independence [1954-62]: an impression of déjà vu or “déja entendu.”

Forty years later, the vocabulary is unifying, consolidating the two eras, making them look alike. Has the country, then, entered a second–and identical–Algerian war?

Nothing is less certain. In the first place, in history, formal analogies have but little pertinence if they confine themselves to highlighting the similarity between certain forms, in this case the resurgence of terrible forms of violence. And, in the second place, the Algeria of the 1990s has only a very distant relation to that of 1962.

The country today is highly urbanized; the rural areas no longer play the same role; more than 60 percent of the population is under thirty; and the rate of schooling is very high. The differences could be multiplied, with, at the center, the end of the colonial system, the massive departure of pieds noirs [French colonists], and the political operation of an independent state. It may therefore seem absurd to assert that the same scenario is being repeated. Yet the protagonists in the confrontation–the followers of the ISF [Islamic Salvation Front], the “democrats,” the army–have intentionally adopted the terms inherited from the past of the Algerian War. And that is what is truly of interest–Islamists speaking of “the valorous mujahideen,” wanting to hunt down “the new pieds noirs” who have appropriated the revolution; “democrats” calling the ISF militants “harkis“ [Muslim colonial auxiliaries] who want to crush the Algerian nation. Some circles within the regime have launched campaigns against the “secular assimilationists,” as during the time of the colonial system, when a lost identity had to be reestablished. And all the camps mention a shadowy “party of France” (Hizb França) supposedly destabilizing Algeria.

This mimicry is striking. The memory of the war of independence operates as a factor in the assignment of the roles to be played. The contemporary actors dress in theoretical garments borrowed from the past. But, if they do not realize the novelty of the present, and if they subjectively replay the old situation, it is because they remain under the automatist influence of a memory fabricated forty years ago.

SOURCE: Algeria, 1830-2000: A Short History, by Benjamin Stora (Cornell U. Press, 2001), pp. 232-233

For a more hopeful follow-up, see this OxDem Report from April 2004.

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Across the Bay on the Head Heeb on Lebanon

Lebanon-focused blogger Across the Bay offers a stirring endorsement and exegesis of a five-part analysis of the prospects in Lebanon by Jonathan Edelstein at the Head Heeb. I’ll just reproduce the combined conclusions here.

Jonathan’s conclusion is equally sober:

But all that will be decided in the future. In the coming months, Lebanon will begin to make the transition to its third republic. It will have to find a method of mediating inter-confessional relations that avoids the rigidity of the first republic and doesn’t depend on the artificial stasis of the second. The method it will choose is beyond prediction, and will be the product not only of the current crisis and the past five years’ political evolution but other factors that will emerge only as the post-Syrian order takes shape. This time, it seems that the Lebanese factions have both the experience and the will to find such a method. The path will be long and difficult, and there will be setbacks, but I’m optimistic about Lebanon’s new dawn.

Very well said. Finally, a level-headed article about Lebanon without the ideological bias, the venom, the contempt, the apologetics for Syria, and the thinly-veiled defense of authoritarianism. An excellent post all around.

And one that reflects the Head Heeb‘s wide coverage of the globe, with comparisons to Belgium, Canada, Fiji, Finland, and New Caledonia’s Nouméa Accord. Be sure to read the comments, as well.

via Belmont Club

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Doris Duke’s Islamic Art Shangri-La

Here‘s an interesting perspective on Doris Duke and her Shangri-La residential tribute to Islamic art, which I recently had the chance to visit. It’s by Sharon Littlefield, the Consulting Curator of Islamic Art for the Doris Duke Charitable Foundation/Honolulu Academy of Arts.

While the American heiress Doris Duke (1912-93) succumbed to an elite desire to collect, display, and donate, her chosen field of Islamic art and architecture was at odds with the legitimacy her social circle sought in their collecting. Moreover, relocating such art to her private home in Hawaii effectively estranged her from all established patterns of art collecting. Likely, her motivation to both acquire Islamic art and create an Islamicate estate for its display was driven, in part, by the very need to dissociate herself from her peers and her inherited lifestyle. But, profoundly drawn to Islamic aesthetics, she continued to collect right up to her death. She did not simply reject her own culture, but actively embraced Islamic ones. Despite being intensely private, Duke decreed that her estate, baptized Shangri-La, should be opened to the public following her death. Scheduled to open in October 2002, Shangri-La stands as a significant Islamicate monument, a fact which has, and will likely continue, to perplex those who cross its threshold.

I managed to check my cynicism and class resentment at the door and came away thoroughly fascinated. It’s well worth a visit. The virtual tour is also first-rate.

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Arab Influence on the Italian Renaissance

I don’t recall ever learning that the name [Betelgeuse] came from the Arabic bayt al jauza, meaning “in the house of the twins,” referring to the Heavenly Twins, Castor and Pollux, hanging out right above Orion.

One nice thing about keeping in touch with farflung friends at least once a year is that you get to find out what they have to show for all the time they wasted over the past year. Un amico vecchio (e antico!) della famiglia who lives and teaches in Naples started a peripatetic web log Around Naples that is morphing step-by-step into an online encyclopedia of local history and color. The quote above is from an entry about the considerable Arab influence on the Italian Renaissance, thanks in no small measure the efforts of Frederick II of Hohenstaufen, who ruled the domain later known as the Kingdom of the Two Sicilies. (There can never be a second Naples!)

Among my favorite features are the etymological droppings one steps in now and then, such as how bologna came to mean ‘baloney’, and what that has to do with mortadella; as well as the judicious name droppings, as in the piece about a famous cowboy’s visit to Naples in 1890. There’s also an interesting post about how Southern Italians identify with the losers in the American Civil War. Will the Mezzogiorno rise again?

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Filed under Italy, Mediterranean, Middle East