Category Archives: economics

Fate of Romania’s Cantacuzenes, 1965

From Patrick Leigh Fermor: An Adventure, by Artemis Cooper (New York Review Books, 2013), Kindle locs. 5580ff & 6120ff.

Rumania in 1965 was just beginning to open up to the non-Communist world, although a meeting with the Cantacuzene sisters would involve considerable risks. As Paddy put it, ‘Mixing with foreigners incurred severe punishment, but harbouring them indoors was much worse . . .’ But it was too good an opportunity to miss, and Balasha and her family felt it was a risk worth taking.

By early June he was in Bucharest, now stripped of its pre-war gaiety, and made contact with Pomme’s daughter Ina who was then working as a draughtswoman in an architect’s office. She met him after work on a borrowed motorbike, and with Paddy riding pillion, they began the eighty-mile journey to the town of Pucioasa in the foothills of the Carpathians. It was a long ride over rutted roads, and by the time Ina let him into the house it was well after dark. They climbed upstairs as quietly as possible so as not to disturb the neighbours, but it was hard to stifle the cries of welcome that greeted his arrival at the top of the house.

Pomme, Constantin and Balasha had been sharing an attic studio since their eviction from Băleni on the night of 2–3 March 1949. On that evening, a small posse of Communist apparatchiks and police had arrived in a truck. Pomme and Constantin were forced to sign a document surrendering ownership of the house, and the family was told to pack a small suitcase each. They were advised to take warm clothes, and told they would be leaving in fifteen minutes. They were taken to Bucharest, where they lived until orders came through that they were to be transferred to Pucioasa.

‘In spite of the interval,’ wrote Paddy, ‘the good looks of my friends, the thoughtful clear glance and the humour were all intact; it was as though we had parted a few months ago, not twenty-six years.’ Hidden behind that carefully worded sentence was the shock of finding Balasha ‘a broken ruin’ of her former self. Though only in her early sixties, she was shrunken by hardship and anxiety; her black hair was grey, her face lined, and she was very deaf. She and Pomme managed to survive by teaching English and French. Constantin, already ill with the heart disease that would kill him two years later, was too frail to work.

‘Their horrible vicissitudes were narrated with detachment and speed,’ he continued. ‘Time was short and there were only brief pauses for sleep on a couple of chairs. The rest of our forty-eight hours – we dared risk no more – were filled with pre-war memories, the lives of all our friends, and a great deal of laughter.’ He had brought new watches for Pomme and Balasha, and later he set up an account for her at the Heywood Hill bookshop so she would never be short of books. He also knew that Balasha had a present for him. On her last night at Băleni, in the fifteen minutes she had been given to pack, she had seized a battered green notebook. It was Paddy’s last journal, the one he had begun in Bratislava in 1934; she now put it into his hands.

He was back home in December, elated and relieved, having been given the all-clear – and then he heard that Balasha was dying of breast cancer. Had she had it treated earlier, she might well have survived; but she had kept the symptoms to herself, refusing to see a doctor until it was too late to operate. It was a decade since Paddy had been to see her in Pucioasa and now he wanted to rush to her bedside, but Balasha forbade him to come: ‘nothing would upset me more,’ she told Pomme to write on her behalf. Her letters to Paddy, and Joan to whom she wrote separately, reveal that she had made a decision to live in books and her memories and expected nothing more from life. She died in March 1976. Seven months later her niece, Ina Catargi, who had taken him to Pucioasa on the back of a motorcycle, was also dead – of lung cancer. Of that generous family which had been such a part of his life only Pomme Donici remained, now bereft of husband, sister and daughter. She arranged for Balasha and Constantin’s remains to be buried in the Cantacuzene family crypt in the cemetery at Băleni, where she eventually joined them in 1983.

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Brits in Athens, 1946

From Patrick Leigh Fermor: An Adventure, by Artemis Cooper (New York Review Books, 2013), Kindle loc. 3465ff.

Although the Germans had blown up the docks and harbours of Piraeus before their retreat, Athens had not been too badly damaged during the war. Far more severely affected were the Athenians, who had lived in a state of semi-starvation since 1941. One of the results was that almost everyone kept chickens, even those living in apartment blocks in the city centre. The crowing of cocks, added to the cries of street vendors, blaring radios and the metallic cacophony of antique trams, was enough to convince Osbert Lancaster that Athens was one of the noisiest capitals in Europe. In 1946 the Acropolis still dominated every prospect, for most people lived in modest two-storey houses. In the poorer parts of town, below Mount Hymettus, the walls were covered with Communist slogans in red.

Paddy’s immediate superior was the unfailingly affable Rex Warner, a Greek scholar who was considered one of the most promising novelists of his generation. Maurice Cardiff remembered them both. ‘At a midnight contest in a taverna, given quite difficult rhymes, he and Paddy produced passable sonnets in minutes, but Rex’s was the more perfect and metrically correct.’ As Director of the Institute Warner was answerable to Steven Runciman, whom Paddy had met in Sofia in 1934 and who was now the British Council’s Representative. Tall, fastidious and a brilliant linguist, Runciman was then working on the History of the Crusades which made his name; but his chief recreation was collecting scandals and stories. ‘Royal gossip is very good,’ he once said, ‘and political gossip is even better; but my dear, nothing beats Vatican gossip.’

They all worked in the same building in Ermou Street, and Runciman had vivid memories of Paddy. ‘He looked very good in an office,’ said Runciman, ‘but none of us could think of anything to do with him.’ Cardiff recalled that Paddy was not at work very often and when he was he seemed to be throwing a party, sitting with his feet on the desk and entertaining a stream of Cretan visitors. The Cretan economy had been almost destroyed by the occupation, and there was very little work. Paddy found menial jobs for both Manoli Paterakis and George Psychoundakis in the Institute; they and others often spent the night on the floor of his room at the Grande Bretagne, and later, in the flat he was lent in Kolonaki. His office was always blue with cigarette smoke, and the sound of loud talk, Cretan songs and rollicking laughter echoed down the passage.

This did not make him popular. ‘There was a very insensitive side to Paddy,’ said Cardiff. ‘He was very bumptious, a bit of a know-all, and his enthusiasm and noisiness could be rather wearing.’ Steven Runciman, too, had his reservations about Paddy. Cardiff said that this was because he resented the fact that Paddy knew more Greek royals than he did; but Runciman also saw how Paddy disturbed the peace of the office. ‘All the girls were in love with him,’ he said. ‘He used to borrow money from them – and I have to tell you, they weren’t always paid back. There were occasions when I had to sort out Paddy’s little irregularities myself . . .’

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Byzantine Proustians of Bucharest, 1934

From The Broken Road: From the Iron Gates to Mount Athos, by Patrick Leigh Fermor (Journey Across Europe Book 3, NYRB Classics, 2014), Kindle pp. 184-188:

Historians have been united in execrating the Phanariots. They have inherited the opprobrium that used to load the word ‘Byzantine’ with suggestions of flexibility, deviousness, lack of scruple, greed and tyranny. But there are signs that the Phanariots, too, are gradually being reassessed. It may be argued that their greed and corruption were laced by zeal for the Orthodox faith and that their share in the foreign affairs of the Ottomans, which the later sultans largely and most unwisely entrusted to them, was dictated as much, or almost as much, by anxiety for the Christian cause as it was by private ambition. It is possible that without their flexibility and genius for compromise, the principalities would have sunk into total subjection to the Ottoman yoke: that all the old national institutions, instead of degeneration, would have been obliterated completely, as they had been in the rest of south-eastern Europe. In nearly every family there was a prince with virtues to offset, in some measure, the vices of his kinsmen. Since the end of their long regime, many of their descendants have been prominent and devoted figures in Rumanian life, both in conservation and reform. But whatever their drawbacks may have been, in the period of their great ascendancy, the eighteenth century, in one thing they were pre-eminent: they were the only civilized people in south-eastern Europe. The Phanar itself was the last surviving fragment of lost Byzantium, and the courts of Bucharest and Jassy the last, faint, scarcely audible echo of the empire’s death rattle.

It was not only on their wealth but on their knowledge of languages and their wider European horizons, in a world of fanatic barbarism, that their oligarchy was based. From the first, when they became Grand Dragomans of the Porte, they were friends of literature and art; the first Rumanian bible was translated by the orders of Sherban Cantacuzene of Wallachia, and with all his faults, a figure as polished as Alexander Mavrocordato, Byron’s and Shelley’s friend and a leader in the Greek revolt, could have sprung from no other East European soil. They studied in Venice, Padua, Vienna, Paris and St Petersburg and it was mainly due to their civilized and cosmopolitan influence that Western ideas penetrated Rumania. The influence of French ideas, and the total linguistic hegemony of France among the elite, may have gone too far; there were certainly regrettable social side effects; but it did bring a vivifying blast of the Western world, a sort of belated renaissance, into the stifling isolation of the Middle Ages which Rumania was only just sloughing off.

All these different influences, it occurred to me later on (for I knew little or nothing of such matters then), had evolved into a society which was a mixture of late Byzantium and Proustian France. The architectural mood of Bucharest, after it had arisen from its oriental beginnings, was an amalgam of Second Empire and the fin-de-siècle, with a dash of early twentieth-century opulence. The modern buildings were irrelevant postscripts. A strong whiff of the earlier period hung unmistakeably in the social air: a climate which had also been subtly modified, during the last few generations, by a stern army of English nannies and governesses. But it left the bedrock of French influence among the boyars undisturbed, the result of a hundred years of study in the lycées of France and the Sorbonne, and of inhabiting Paris as an alternative capital.

The same life, in miniature, thrived in Bucharest; the most convincing relic of it was the plush, the brass and the chandeliers of Capșa’s restaurant. I could never tire of hearing tales of this not yet wholly evaporated epoch. Although it is the last period in history I would have liked to inhabit, there is an absorbing attraction about the robust, undoubting vulgarity and glitter which held Europe in its grip for these decades. The duels, too, which had played a large part in Rumanian, as well as the rest of European life, outside England – and, to a much lesser extent, still did – exercised a morbid, Dumas-bred fascination. Frequently fatal, they were fought with pistols or rapiers which made encounters with sabres in Austria and Hungary – where only slashing was allowed, but no lunging – sound much more innocuous. It was all frantically alien.

What distinguished these people then, and later, from the rest of pleasure-loving aristocratic Europe was their anti-philistinism: a fastidious passion for erudition for its own sake, for literature, painting, music, sculpture and the movement of ideas, that turned their houses into the haunts of Academicians. (Rather like France, again, Rumania has always been a country where a few women, through their brilliance, wit, beauty or hospitality, have played a more important role than in other countries.) The devotion to writing, in particular, went far beyond literary dilettantism and emerged, in many cases, in works of great distinction. Not alas, in Rumanian, a chauvinist might sigh. But at least these extra-territorial exploits released them from the wheel of patriotic nationalism, to which the poetic and literary genius of resurgent nations is indissolubly bound. Paris after all is no mean arena in which to shine. No wonder that Proust should have been so deeply intrigued by Rumanians in Paris and sought them out as friends.

I have gone on rather a long time about this because it was so different to anything I had come across in similar circumstances in the Danubian capitals further upstream. In Hungary the candlelit talk at the end of dinner would be more inclined to concern shooting or horses, a serious weighing of the comparative merits of bootmakers and saddlers in London or long discussions about mediatization, morganatic marriages, primogenitive quarterings, Hoffähigkeit, the exact degree of cousinage between the Festitich and Fürstenberg families and how many yokes of land the Esterházys owned. So it might, mutatis mutandis, in Bucharest, but not for long.

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Status of Jews in Moldavia, 1934

From The Broken Road: From the Iron Gates to Mount Athos, by Patrick Leigh Fermor (Journey Across Europe Book 3, NYRB Classics, 2014), Kindle pp. 149-151:

These hostile feelings were much more deeply rooted in the north, where the Jewish population had increased from about two thousand families to close on a million in a hundred and thirty years, most of them in flight from the appalling conditions in Poland and the Russian Pale, until in several large Moldavian towns, including Yassy, the Moldavian capital, they now outnumbered the Rumanian inhabitants and monopolized the commerce of the province. Small wonder that this indigestible explosion of people caused dismay, resentment and hostility among the inhabitants; there was nothing comparable here to the harmonious and long established position of the polished and much less numerous Sephardim of the Ottoman world; small wonder, too, that the Jews, denied full citizenship and with nearly every route to advancement or honour denied to them, should expand and excel in the only field that was not barred by prejudice. The remote principality in which they suddenly began to proliferate had no middle class; rural society knew nothing between the mediaeval feudalism of landowners – the great and the lesser boyars, many of whom seldom set foot on their accumulations of acres – and a vast and callously exploited peasantry. There was no urban middle class, and, in Moldavia especially, as the country expanded, the Jewish population became a semi-alien bourgeoisie of middlemen and retailers.

Everyone reluctantly admitted that the Jews were honest in their dealings, however ruthless, and faithful to their agreements. I also noticed that nearly everyone, however ill-disposed in general, had one Jewish friend who ‘was not like the others’, an array of exemptions that must have added up to an imposing total. It was only on later travels in Moldavia and Bukovina that I got to know, talk to and even make friends with Jews not isolated in a Gentile majority. Lack of any need to conform to alien ways had left their way of life absolutely intact: the long black kaftans, broad-brimmed black velvet hats, skullcaps, black, red and blond beards, corkscrew side-whiskers (like those of my host and his son in the woods of the Banat), and a Yiddish largely unalloyed by Rumanian, but embedded with Polish and Russian words as well as the Hebrew studied by the rabbis and divinity students.

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Bulgarian Monastery Hospitality, 1934

From The Broken Road: From the Iron Gates to Mount Athos, by Patrick Leigh Fermor (Journey Across Europe Book 3, NYRB Classics, 2014), Kindle pp. 12-15:

St John of Rila is only surpassed in venerability by SS Cyril and Methodius, the inventors of the Cyrillic script, and by St Simeon, in Bulgarian hagiography. The great monastery that he founded near his hermitage in these lonely mountains is, in a sense, the most important religious centre in the kingdom. The church, burnt down again and again in the disturbed past of Bulgaria, was rebuilt in the last century. The poor quality of the frescoes which smothered every inch of interior wall space and the brazen proliferation of the ikonostasis was mitigated by the candlelight. The Slav liturgy of vespers boomed out by a score of black-clad and long-haired and long-bearded monks, all leaning or standing in their miserere stalls, sounded marvellous. It continued for hours. Afterwards, charitably singled out as a foreigner, I was given a little cell to myself, although the monastery was so full that villagers were sleeping out with their bundles all over the yard and under the trees. Many more arrived next day and the inside of the church virtually seized up with the pious multitude. There were an archbishop and several bishops and archimandrites besides the abbot and his retinue. They officiated in copes as stiff and brilliant as beetles’ wings, and the higher clergy, coiffed with globular gold mitres the size of pumpkins and glistening with gems, leaned on croziers topped with twin coiling snakes. They evolved and chanted in aromatic clouds of smoke diagonally pierced by sun shafts. When all was over, a compact crocodile of votaries shuffled its way round the church to kiss St Ivan’s ikon and his thaumaturgic hand, black now as a briar root, inside its jewelled reliquary.

For the rest of the day, the glade outside the monastery was star-scattered with merrymaking pilgrims. At their heart an indefatigable ring of dancers rotated in the hora to the tune of a violin, a lute, a zither and a clarinet, ably played by Gypsies. Another Gypsy had brought his bear with him; it danced a joyless hornpipe and clapped its paws and played the tambourine to the beat of its master’s drum. A further castanet-like clashing came from an itinerant Albanian striking brass cups together, pouring out helpings of the sweetish, kvass-like boza from a spigot in a tasselled brass vessel four feet high, shaped like a mosque, its Taj Mahal dome topped by a little brass bird with wings splayed. Kebab and stuffed entrails were being grilled in culinary tabernacles as bristling with spitted and skewered meat as a shrike’s larder. Slivo and wine were reaching high tide. The lurching kalpacked villagers offered every newcomer their circular flasks of carved wood. (Elaborate woodwork plays a great part in the lives of Balkan mountaineers from the Carpathians to the Pindus in Greece, where it reaches its wildest pitch of elaboration. The same phenomenon applies to the Alps: the conjunction of harsh winters, long evenings, soft wood and sharp knives.) Under the leaves, a party of bright-aproned women sat round the feet of a shaggy bagpiper pumping out breathless pibrochs.

On the edge of this vast Balkan wassail I fell in with a party of students from Plovdiv. Like me they had come over the mountains, and were camping out. The most remarkable of these was an amusing, very pretty, fair-haired, frowning girl called Nadejda, who was studying French literature at Sofia University: a nimble hora dancer and endowed with unquenchable high spirits. She was staying on at the monastery three days to do some reading, which was exactly the length of my intended stay. We became friends at once. Apart from the stern rule of Mount Athos, women are just as welcome guests as men in most Orthodox monasteries. Bestowing hospitality seems almost the entire monastic function and the atmosphere of these cloisters is very different from the silence and recollection of abbeys in western Christendom. With its clattering hooves and constant arrivals and departures and the cheerful expansiveness of the monks, life was more like that of a castle in the Middle Ages. The planks in the tiers of galleries and catwalks were so worn and unsteady that too brisk a footfall would set the whole fabric shaking like a spider’s web. The courtyards are forever a-clatter with mules. The father Abbot, the Otetz Igoumen, a benign figure with an Olympian white beard and his locks tied in a bun like a lady out hunting, spent most of his day receiving ceremonial calls: occasions always ratified, as they are everywhere else south of the Danube, by offering a spoonful of sherbet or rose petal jam or a powdery cube of rahat loukoum, a gulp of slivo, a cup of Turkish coffee and a glass of water, to help along the formal affabilities of the visit.

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Transylvanian Harvest Season, 1934

From Between the Woods and the Water: On Foot to Constantinople: From the Middle Danube to the Iron Gates, by Patrick Leigh Fermor (Journey Across Europe Book 2, NYRB Classics, 2011), Kindle pp. 139-142:

The summer solstice was past, peonies and lilac had both vanished, cuckoos had changed their tune and were making ready to fly. Roast corn-cobs came and trout from the mountains; cherries, then strawberries, apricots and peaches, and, finally, wonderful melons and raspberries. The scarlet blaze of paprika—there were two kinds on the table, one of them fierce as gunpowder—was cooled by cucumber cut thin as muslin and by soda splashed into glasses of wine already afloat with ice; this had been fetched from an igloo-like undercroft among the trees where prudent hands had stacked it six months before, when—it was impossible to imagine it!—snow covered all. Waggons creaked under loads of apricots, yet the trees were still laden; they scattered the dust, wasps tunnelled them and wheels and foot-falls flattened them to a yellow pulp; tall wooden vats bubbled among the dusty sunflowers, filling the yards with the sweet and heady smell of their fermentation; and soon, even at midday, the newly distilled spirit began to bowl the peasants over like a sniper, flinging the harvesters prostrate and prone in every fragment of shadow. They snored among sheaves and hay-cocks and a mantle of flies covered them while the flocks crammed together under every spread of branches, and not a leaf moved.

Behind the thick walls and the closed afternoon shutters of the kastély [manor house], sleep reigned fitfully too, but resurrection came soon. The barley was already in and István was busy with his reapers and the last of the wheat. (In Hungary, the harvest began on the 29th of June, the feast of SS. Peter and Paul, but it was a bit earlier hereabouts.) … After the long weeks of sickles and scythes and whetstones, it was threshing time. Old machines were toiling away and filling the valleys with their throbbing, driven by engines with flapping belts and tall Puffing Billy chimneys expanding in a zigzag at the top. Up in the mountains, horses harnessed to wooden sledges and rollers for shelling the grain trotted round and round on circles of cobble. Winnowing followed, when clouds of skied grain sparkled and fell and then sparkled again as the next wooden shovelful transfigured the afternoon with chaff. The sacks, carried off in ox-carts, were safe in the barns at last. If the waggoners were Rumanians, instead of crying “stânga!” or “dreaptă!” in their native tongue when they wanted their oxen to turn left or right (or “jobb!” or “bal!” in Magyar if they were Hungarians) they would shout “heiss!” [hăis] and “tcha!” [cea].  I had first noticed these arcane cries when buffaloes were being coaxed or goaded along. István thought that the Turks had first brought these animals here, probably from Egypt, though they must originally have come from India. But the words are neither Turkish, Arabic, Romany, Hindi nor Urdu.

July brought a scattering of younger Transylvanians and their relations in search of refuge along the river valley from the heat of Budapest, which summer had turned into one of the great tropical cities of the world. There were parties and picnics and bathing, and tennis at István’s till it was too dark to see the ball, on a court sunk among thick trees like a shady well; and feasting and singing round pianos in those long disintegrating drawing-rooms, and sometimes dancing to a gramophone. A few of the records were only a year or two out of date, many much older: Night and Day, Stormy Weather, Blue Skies, Lazybones, Love for Sale, Saint Louis Blues, Every Little Breeze Seems to Whisper Louise. In case of need, István was revealed as a proficient pianist—“but only for this sort of stuff,” he said, vamping, syncopating, honky-tonking and glissandoing away like mad; then, spinning completely round on the piano-stool, he ended with a lightning thumbnail sweep of the whole keyboard from bass to treble.

The village calendar was starred with feasts and saints’ days and weddings. Gypsies throve, the sound of their instruments was always within earshot and the village squares were suddenly ringed with great circular wreaths of dancers in wonderful clothes with their hands on each others’ shoulders, a couple of hundred or more: and the triple punctuating stamp of the horă and the sârbă, falling all together, would veil all their bravery for a moment in dust-clouds. (I learnt all these dances later on.) It was at night that they impinged most insistently, especially on the eve of a wedding, when the groom and his paranymphs went through the slow stages of a mock abduction. If the rhythms of High Hat, The Continental or Get Along, Little Dogie flagged for a moment among the faded looking-glasses and sconces and portraits in the kastély, staccato cries, high-pitched and muted by distance, as the bride was hoisted aloft, would come sailing up from the village below and through the long windows. “Hai! Hai! Hai! Hai!” The dancing was spurred on late into the night by the new apricot brandy, and the fiddles and zithers and clarinets and double-basses were heckled by the distant yelping of wild rustic epithalamia; then strings, hammers and the shrill reeds would be drowned once more by Dinah, and our own hullabaloo under the chandeliers.

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Bratislava’s Babylon, 1934

From A Time of Gifts: On Foot to Constantinople: From the Hook of Holland to the Middle Danube, by Patrick Leigh Fermor (Journey Across Europe Book 1, NYRB Classics, 2011), Kindle pp. 247-248:

The Schlossberg, the rock which dominates the town with its colossal gutted castle, had a bad name, and I hadn’t climbed many of the steps of the lane before understanding why. One side of the path dropped among trees and rocks, but on the other, each of the hovels which clung to the mountain was a harlot’s nest. Dressed in their shifts with overcoats over their shoulders or glittering in brightly-coloured and threadbare satin, the inmates leaned conversationally akimbo against their door-jambs, or peered out with their elbows propped on the half-doors of their cells and asked passers-by for a light for their cigarettes. Most of them were handsome and seasoned viragos, often with peroxided hair as lifeless as straw and paint was laid on their cheeks with a doll-maker’s boldness. There were a few monsters and a number of beldames. Here and there a pretty newcomer resembled a dropped plant about to be trodden flat. Many sat indoors on their pallets, looking humble and forlorn, while Hungarian peasants and Czech and Slovak soldiers from the garrison clumped past in ascending and descending streams. During the day, except for the polyglot murmur of invitation, it was rather a silent place. But it grew noisier after dark when shadows brought confidence and the plum-brandy began to bite home. It was only lit by cigarette ends and by an indoor glow that silhouetted the girls on their thresholds. Pink lights revealed the detail of each small interior: a hastily tidied bed, a tin basin and a jug, some lustral gear and a shelf displaying a bottle of solution, pox-foiling and gentian-hued; a couple of dresses hung on a nail. There would be a crucifix, or an oleograph of the Immaculate Conception or the Assumption, and perhaps a print of St. Wenceslas, St. John Nepomuk or St. Martin of Tours. Postcards of male and female film stars were stuck in the frames of the looking-glasses, and scattered among them snapshots of Maszaryk, Admiral Horthy and Archduke Otto declared the allegiance of the inmates. A saucepan of water simmered over charcoal; there was little else. The continuity of these twinkling hollows was only broken when one of the incumbents charmed a stooping soldier under her lintel. Then a dowsed lamp and the closing of a flimsy door, or a curtain strung from nail to nail, masked their hasty embraces from the passers-by. This staircase of a hundred harlots was trodden hollow by decades of hobnails, and the lights, slanting across the night like a phosphorescent diagonal in a honeycomb, ended in the dark. One felt, but could not see, the huge battlemented ruin above. At the lower end, the diffused lights of the city cataracted downhill.

This was the first quarter of its kind I had seen. Without knowing quite how I had arrived, I found myself wandering there again and again, as an auditor more than an actor. The tacit principle to flinch at nothing on this journey quailed here. These girls, after all, were not their Viennese sisters, who could slow up a bishop with the lift of an eye lash. And even without this embargo, the retribution that I thought inevitable—no nose before the year was out—would have kept me safely out of doors. The lure was more complicated. Recoil, guilt, sympathy, attraction, romantisme du bordel and nostalgie de la boue wove a heady and sinister garland. It conjured up the abominations in the books of the Prophets and the stews of Babylon and Corinth and scenes from Lucian, Juvenal, Petronius and Villon. It was aesthetically astonishing too, a Jacob’s ladder tilted between the rooftops and the sky, crowded with shuffling ghosts and with angels long fallen and moulting. I could never tire of it.

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Heilsarmee Hospitality in Vienna, 1934

From A Time of Gifts: On Foot to Constantinople: From the Hook of Holland to the Middle Danube, by Patrick Leigh Fermor (Journey Across Europe Book 1, NYRB Classics, 2011), Kindle pp. 196-198:

We seemed to have been walking for miles in this dim wilderness. At last, not far, I think, from the Danube Canal, we reached a quarter full of sidings and warehouses, and tramlines running over cobblestones glimmered amid dirty snow, and broken crates were scattered about. Under the lee of a steep ramp, a lighted doorway opened at the foot of a large building whose windows were bright in the murk. The policeman left me and I went in.

A large antechamber was filled with a moving swarm of tramps. Each one had a bundle; their overcoats flapped like those of scarecrows and their rags and sometimes their footgear were held together by rusty safety-pins and string. There were Guy Fawkes beards and wild or wandering eyes under torn hat brims. Many of them seemed to have known each other for years. Social greetings and gossip combined in an affable manner and a vague impulse kept them on the move in a shuffling ebb and flow.

A door opened, and a voice shouted “Hemden!”—“Shirts!”—and everyone stampeded towards the door of the next room, elbowing and barging and peeling off their upper clothes as they went. I did the same. Soon we were all naked to the waist, while a piercing unwashed smell opened above each bare torso like an umbrella. Converging wooden rails herded us in a shuffling, insolvent swarm towards a circular lamp. As each newcomer came level with it, an official took his shirt and his under-linen, and, stretching them across the lamp, which was blindingly bright and a yard in diameter, gazed searchingly. All entrants harbouring vermin were led away to be fumigated, and the rest of us, after giving our names at a desk, proceeded into a vast dormitory with a row of lamps hung high under the lofty ceiling. As I wriggled back into my shirt, the man who had taken my name and details led me to an office, saying that a Landsmann of mine had arrived that evening, called Major Brock. This sounded strange. But when we entered the office, the mystery was solved and the meaning of the word Heilsarmee as well. For on the table lay a braided and shiny-peaked black forage-cap with a maroon strawberry growing from the centre of the crown. The words ‘Salvation Army’ gleamed in gold letters on a maroon band. The other side of the table, drinking cocoa, sat a tired, grey-haired figure in steel-rimmed glasses and a frogged uniform jacket unbuttoned at the neck. He was a friendly-looking man from Chesterfield—one could tell he was from The North—and his brow was furrowed by sober piety and fatigue. Breaking his journey on a European inspection tour of Salvation Army hostels, I think he had just arrived from Italy. He was leaving next day and knew as little about events as I. Too exhausted to do much more than smile in a friendly way, he gave me a mug of cocoa and a slice of bread. When he saw how quickly they went down, a second helping appeared. I told him what I was up to—Constantinople, etc.—and he said I could stay a day or two. Then he laughed and said that I must be daft. I untied Trudi’s eggs and arranged them on his desk in a neat clutch. He said “Thanks, lad,” but looked nonplussed about what to do with them.

I lay on my camp-bed fully dressed. A dream feeling pervaded this interior; and soon the approach of sleep began to confuse the outlines of my fellow-inmates. They flitted about, grouping and re-grouping in conversation, unwinding foot-cloths and picking over tins of fag ends. One old man kept putting his boot to his ear as though he were listening to sea-sounds in a shell and each time his face lit up. The noise of talk, bursting out in squabbles or giggles on a higher note and then subsiding again to a universal collusive whisper, rippled through the place with a curious watery resonance. The groups were reduced in scale by the size and the height of the enormous room. They seemed to cluster and dissolve like Doré figures swarming and dwindling all over the nave of some bare, bright cathedral—a cathedral, moreover, so remote that it might alternatively have been a submarine or the saloon of an airship. No extraneous sound could pierce those high bare walls. To those inside them, everyday life and the dark strife of the city outside seemed equally irrelevant and far away. We were in Limbo.

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Bürgermeister Hospitality, 1934

From A Time of Gifts: On Foot to Constantinople: From the Hook of Holland to the Middle Danube, by Patrick Leigh Fermor (Journey Across Europe Book 1, NYRB Classics, 2011), Kindle pp. 115-116:

Remembering the advice the mayor of Bruchsal had given me, the moment I had arrived in this little village, I had sought out the Bürgermeister. I found him in the Gemeindeamt, where he filled out a slip of paper. I presented it at the inn: it entitled me to supper and a mug of beer, a bed for the night and bread and a bowl of coffee in the morning; all on the parish. It seems amazing to me now, but so it was, and there was no kind of slur attached to it; nothing, ever, but a friendly welcome. I wonder how many times I took advantage of this generous and, apparently, very old custom? It prevailed all through Germany and Austria, a survival perhaps, of some ancient charity to wandering students and pilgrims, extended now to all poor travellers.

The Gastwirtschaft [restaurant] was a beetling chalet with cut logs piled to the eaves. An elaborate balcony ran all the way round it; carved and fretted woodwork frilled it at every point and a layer of snow two feet thick, like the cotton-wool packing for a fragile treasure, muffled the shallow tilt of the enormous wide-eaved roof.

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Civil War “West”: Rivers and Rails

From The Civil War at Sea, by Craig L. Symonds (Praeger, 2009), Kindle Locs. 1304-1325:

It is important to acknowledge that during Civil War, “the West” referred not to places like Arizona and New Mexico, or even Texas and Arkansas, which constituted the “trans-Mississippi West,” but instead to the expanse of territory between the Appalachian Mountains and the Mississippi River. The Ohio River marked its northern boundary, and the Gulf of Mexico its southern, and it encompassed all or part of six states: Louisiana, Mississippi, Alabama, Tennessee, Kentucky, and Georgia. It may seem odd to think of Georgia as part of the West since it borders the Atlantic Ocean, but strategically much of Georgia—especially Atlanta—was more closely tied to the West than the East. This vast western area got less public attention than the epic battles in Virginia both at the time and subsequently, and until recently Civil War literature tended to treat it as a secondary theater, though a good argument can be made that this expansive region was the decisive theater of the war.

Moreover, there were important differences in the way the war was fought in the West. First of all, the western theater was simply much larger. In the East, which contained both of the national capitals, most of the headline-grabbing battles took place in an area bounded by the Allegheny Mountains to the west and the Chesapeake Bay to the east. Gettysburg marked its northern limit and Petersburg its southern. Though it seemed enormous to the soldiers who had to march across it from place to place, it was a relatively small area, roughly the size of Massachusetts. By contrast, the war in the West ebbed and flowed in an area nearly 20 times as large. Given those dimensions, railroads were critical. Confederate General Braxton Bragg moved his army over 1,000 miles by rail to outflank a Union army in 1862; James Longstreet took two divisions across five states by rail to reinforce the Confederate army on the eve of Chickamauga in 1863; and Joseph E. Johnston and William T. Sherman fought an entire campaign over control of the Western & Atlantic Railroad in 1864 in what may have been the decisive campaign of the war.

Even more critical, however, were the rivers. The rivers in the West were essential not only to the movement of armies, but also to the transport of the supplies necessary to sustain those armies. Transport ships could carry more men and goods, and do so more quickly and efficiently than railroads. And while rampaging cavalry might be able to interrupt railroad traffic by tearing up rails and burning bridges, they could not stop the flow of the rivers. Of course, transports could be ambushed by parties on shore, such as the battery the rebels briefly established at Commerce, Missouri, and for that reason, gunboats were necessary to escort the transports and keep the rivers secure.

In addition, the rivers were geographical realities that affected the strategic planning of both sides. In the East, where the main field armies of both sides slugged it out between Richmond and Washington, the rivers ran mostly west to east—that is horizontally as they appear on a map—athwart any potential Union line of advance, making them defensive barriers that worked to the South’s advantage. Civil War scholar Daniel Sutherland has named the Rappahannock-Rapidan River line in Virginia the “dare mark” beyond which Union armies advanced only at their peril. But with the exception of the Ohio River, the principal rivers in the West ran either north-to-south, like the Mississippi, or south-to-north, like the Cumberland and Tennessee Rivers—that is, vertically as they appear on a map. Consequently they served not as barriers to a Union attack, but as avenues along which Union armies, supported by river gunboats, could advance. For these reasons, Union planners began to consider a river gunboat flotilla from almost the first days of the war.

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