Category Archives: Eastern Europe

by Joel | 15 September 2026 · 3:08 am

Sitzkrieg Begins in Berlin, 1939

From Stay Alive! Berlin 1939-1945, by Ian Buruma (Penguin, 2026), pp. 50-51:

The next air raid, on September 9, was as harmless as the first. The alarm lasted for forty-five minutes, but nothing happened at all. This, too, helped to further calm the nerves of Berliners. Helmuth von Moltke wrote to his wife from Berlin that “an infectious optimism has spread in the well-known way of mass psychology; the optimistic assumption is that the people of France won’t fight; it is claimed that French soldiers put big placards on their bunkers, in German: ‘If you don’t shoot, we won’t start.’ The story seems too fantastic. Still, it is true that nearly a week after the outbreak of the war the French and British have not yet done anything to come to the aid of their ally [Poland].”

Moltke had been drafted into the Abwehr, the military intelligence service, run by Wilhelm Canaris, a Nazi supporter who began to turn against Hitler after the invasion of Poland. As an intelligence insider, Moltke knew more than most people, but even he was puzzled by the lack of action from the Allied powers. Many Berliners hoped this meant that the war would be over soon. Surely, the occupation of Poland would be accepted as a fait accompli, just as the invasion of Czechoslovakia and the annexation of Austria had been in 1938. Rumors of imminent peace started spreading around town. As Christabel Bielenberg, the Anglo-German living in Dahlem, had already observed before the invasion of Poland: “With all normal channels of information successfully under control, rumor and hearsay took over and ran riot.”

This is exactly what happened on October 10. Quite how the rumor of imminent peace negotiations began is unclear: A misinformed telegram sent by a clerk at the Berlin central post office was the explanation of the SD, short for Sicherheitsdienst, the fearsome Nazi security service. Ruth Andreas-Friedrich: “A rumor is running through town this morning, like wildfire: the English government has fallen; a ten days’ truce is proposed…. All Berlin is on the telephone. ‘Had you heard…. Is it really true?’ ”

People stopped working in offices. Students at the Friedrich Wilhelm University were celebrating. There was a rush on government bonds at the stock exchange. Christabel Bielenberg went shopping at her local market, passing the church of Martin Niemöller, who had been arrested in 1938 for resisting Nazi persecution of Jewish converts to Christianity. Groups of people gathering around stores and street corners discussed the sensational news. The French had given up all resistance. The abdicated King Edward VIII, who held rather warm feelings toward the Führer, was about to reoccupy the British throne. Hands were stretched to Christabel in congratulation. Frau Schmitz, who ruled the food market behind her vegetable stall, “all overcoat and apron, a bulging monument to the peculiar ribald stoicism which characterizes the true Berliner,” knew exactly what was up: The gentlemen at the top had changed their minds, they were coming to an agreement! A plane all the way from Britain was about to land that afternoon at Tempelhof airfield. Extra rations of tomatoes, bread, and cabbage were slipped into the shopping bags of grateful customers. Rationing would soon be history anyway.

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Filed under Britain, France, Germany, military, nationalism, Poland, war

by Joel | 13 September 2026 · 4:35 am

German Border, 31 August 1939

From Stay Alive! Berlin 1939-1945, by Ian Buruma (Penguin, 2026), pp. 3-4:

The beginning of World War II began as a deadly theatrical performance staged by the SS. Hitler wanted to invade Poland, so an excuse had to be invented. Poles were cast as the aggressors. On the night of August 31, in an operation named “Grandmother Died,” the Gleiwitz radio station on the German side of the Polish border was “attacked” by German agents disguised in Polish uniforms. A brief anti-German message was broadcast in Polish. To make the imaginary act of Polish aggression seem more plausible, the corpses of a few “Polish” attackers were left on the site. They were in fact murdered concentration camp prisoners dressed up as Poles.

Similar deceptions were staged at other places along the Polish-German border, an area where Polish- and German-speaking populations had been at home for centuries, not always amicably. In a place named Hochlinden, not far from Gleiwitz, a German customs post was attacked on the same night by a number of men in Polish army uniforms. (They also sported heavy beards and sideburns, to make them look more “Polish”—in German eyes, that is.) A show was made of repulsing the attack by men dressed up as German border guards. All of them were Nazi commandos. Again, a few unfortunate concentration camp prisoners were forced to play their roles as Polish soldiers killed in the make-believe skirmish. Photographs of the murdered men were sent to Berlin as evidence of Polish belligerence.

At ten o’clock, on the following night, Hitler, dressed in the grayish-green uniform of the German army, the Wehrmacht, made a speech to members of the Reichstag, a rubber-stamp parliament now hastily assembled in the Kroll Opera House in Berlin’s Tiergarten district. Since the Reichstag building itself had been heavily damaged in 1933 by an arson attack that the Nazis might have staged themselves as an excuse to crack down on political opponents, the opera house now had to do. Many seats were empty, since their occupants were away on military duty. The stage, upon which great new music by Hindemith and Schoenberg had once been performed, now had a gaudy backdrop of a giant eagle with a swastika in its claws, flanked by massive red, white, and black Nazi flags. When Hitler’s speech reached its sweaty, fist-shaking climax of screaming bombast, the uniformed delegates stomped and cheered like brawlers in a beer hall. Hitler claimed that Germany had had no choice but to respond to Polish hostility with maximum force. “This night,” he barked, “for the first time, Polish regular soldiers fired on our territory. Since 5:45 a.m. we have been returning the fire, and from now on bombs will be met by bombs.”

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Filed under Germany, nationalism, Poland, publishing, war

by Joel | 12 September 2026 · 6:39 am

Silesian: Pō Naszymu

This week’s edition of Culture.pl contains an article by Agnieszka Warnke titled Pō Naszymu: A Linguistic Portrait of Silesian. Here are some excerpts.

The complexities of Silesia begin with the very origin of its name. Its turbulent history, marked by shifting borders and Polish, Czech and German influences, is reflected in the region’s distinctive speech – but is Silesian a language, a dialect of Polish, or something in between?

Difficulties already begin with the etymology of the word ‘Silesia’ itself. The popular theory in the interwar period about the word’s link to the Old Germanic tribe of Silings was rejected by Polish researchers. They almost unanimously opt for the Old Slavonic etymology: the name of the Silesians tribe and the entire region originates from the name of the Ślęza River or Mount Ślęża. Additionally, the morpheme *slęg– (meaning ‘damp’) was retained in the cant word ślęgnąć (‘to get wet’).

With time, history divided the region into two parts: Lower Silesia and Upper Silesia (with the latter appearing in the 15^thcentury). While we rarely hear the Silesian vernacular in and around Wrocław, the Silesian language has survived in Opole, Rybnik, Katowice and Cieszyn, where the inhabitants use the language they grew up speaking. Officially, Silesian has the status of a dialect comprising a group of Silesian dialects, but there’s an ongoing fight – currently unsuccessful – for it to be recognised as a regional language. It’s currently used by nearly half a million people. One needs only to glance at the past to understand the important role of a common language with regard to integrating Silesians with each other but also with the Polish state.

…

Silesian Rej

The linguistic rift is fully reflective of the geopolitical situation of medieval Silesia, which then constituted an object of a feud between Poland and Czechia. As early as in the 16^th century, when the Silesian land was already under Habsburg rule, Łukasz Górnicki asserted in Dworzanin Polski (Polish Courtier) that the region was dominated by Czech. One should not forget, however, the prominent Silesian pressmen (such as Hieronim Wietor and Jan Haller), working in early Renaissance Kraków. They modernised medieval spelling, laying the foundations for contemporary Polish orthography.

While one can talk about the visible weakening of cultural ties between Silesia and Polish lands at the brink of the 15^thcentury – especially when compared with previous centuries – they weren’t broken completely. The Renaissance Polish language of Mikołaj Rej and Jan Kochanowski is full of turns of phrase now present in different dialects. Those who then worked to preserve the Silesian vernacular were evangelicals, notably Adam Gdacjusz of Kluczbork (also known as the ‘Silesian Rej’). The charismatic preacher was a fervent opponent of Germanisation, who introduced Silesian into literature, and his sermons, collected in a volume titled Postilla Popularis, presented the difficult life of the Silesians and the deterioration of morality after the Thirty Years’ War. In 2019, the Academic Publishing House ‘Śląsk’ (Silesia) reprinted his most popular work.

Another, earlier noteworthy text, one that remained forgotten for years, is Walenty Roździeński’s poem Officina Ferraria (1612). The simple smelter manager and forge owner described the state of his industry, listing practical information while following the conventions of poetics and versification. It was the first ever text concerning the work of a miner and steelworker written in the Polish language. It was found in Gniezno 300 years later and translated into English in 1976.

Idiotisms & beauty

The 19^th century was not only a time of progressing Germanisation but also a time of uprooting dialects at schools and a ban on cultivating Slavic customs. Polish-language newspapers were released alongside German-language press, and mid-19^th century was a time when Polish-language Silesian literature started to develop (by authors such as Józef Lompa, Karol Miarka, Konstanty Damrot).

At the beginning of the 1930s, after the 1921 Upper Silesia plebiscite mandated by the Versailles Treaty to determine ownership of Upper Silesia between Weimar Germany and the Second Polish Republic and the Silesian Uprisings, Zofia Kosak-Szczucka wrote in Nieznany Kraj (The Unknown Country): ’It’s a large area inhabited by around million people, speaking not another language like Polish but rather a beautiful Silesian dialect, dignified with its archaic, preserved forms.’

The reality, however, wasn’t quite as colourful. As early as 1849, Dziennik Górno-Szlązki (The Upper-Silesian Daily) included a column titled Idiotyzmy i Germianizmy szląskie (Silesian Idiotisms and Germanisms), aimed at polonising the language of the Silesians. They admonished the readers for saying siadłocha instead of kwaśne mleko (sour milk) and jata instead of szopa.. What was lacking, however, were tips on which regionalisms should be preserved. In 1880, in Gazeta Górnoszląska (Upper-Silesian Gazette), one would read:‘we don’t say kopidoł but grabarz (undertaker)’, even though it’s the allegedly Polish version grabarz that has German origins.

In Głosy znad Odry (Voices of the Odra River), released between 1918 and 1924, a the ‘Kącik Językowy’ (Language Corner) column appeared several times, contrasting the ‘weed-grown speech’ of the Upper Silesians with ‘pure language’. However, on top of German and other borrowed words and -isms, they also noticed ‘relics of Old Polish’ – words no longer present in the common literary language but preserved in that region. In issue 3/4 of Głosy from 1922, P. Piast insisted:

An Upper Silesian doesn’t use the German ‘lichtarz’ because they have the native ‘świecznik’ (candlestick), they don’t need the Greek ‘inkaust’ or the Latin ‘atrament’, already having the Polish ‘czernidło’ (ink). […] They don’t look into a ‘zwierciadło’ but rather a ‘zdrzadło’ (mirror). When they accept an invitation, it’s not for a ‘kolacja’, as ‘wieczerza’ (supper) is better. […] For a fair, a holiday or a ‘radośnik’ (‘chrzciny’; christening) they will bake a ‘kołacz’ (kolach) rather than ‘placek’ (cake), cook a tasty bite of ‘owięzie’ meat (‘wołowe’; beef) with ‘moczka’ (capitalists only know the French ‘sauce’) and a calf ‘pieczonka’ (‘pieczeń’; roast).

The post-war changing of borders and forced resettlement resulted in the Silesians having to reassess their identity. Before that, they had strongly identified with a particular town or region, but all of a sudden were required to declare their nationality. The communist regime emphasised the development of official culture, excluding regional varieties. It was only after 1989 that democracy and freedom of speech allowed us to rediscover local histories and accept language variety.

…

After the political transformation, the disputes concerning the status of Silesian were rekindled in Poland. Many would consider Silesian a regional language, confirming the linguistic (rather than national) separateness of the area. The proponents of this idea emphasise that without appropriate education, the possibility of obtaining national and EU funds for the development of Silesian press, literature or theatre, the Silesian language won’t survive. Such an opportunity was granted to Kashubian – so far Poland’s only regional language, officially acknowledged as such in 2005. Since then, it’s been taught at schools and one can even take the matura (matriculation) exam in Kashubian. There are radio and TV shows in this language (not to mention press) and there’s Kashubian literature of all genres. Why not create similar development opportunities for Silesian? In June 2019, the Sejm decided against discussing a legislation project – the fifth one since 2007 – regulating this issue.

Among linguists, opinions differ. Professor Jolanta Tambor, leading the works of the Silesian language codification group, believes that, considering the benefits of ‘a minority group having their own language, there’s no reason not to consider the speech of the Silesians a regional language’. At the same time, one ought to remember all its types: Upper Silesian, Cieszyn and Opole. Meanwhile, Professor Jan Miodek, born in Tarnowskie Góry, sees no need for a top-down codification and highlights that ‘the literary variety of Silesian is Polish’. Professor Bogusław Wyderka, who has edited the multiple-volume Słownik Gwar Śląskich (Dictionary of Silesian Dialects) since 2000, proves in his research papers that historically, the Silesian dialect was a variety of Polish, although nowadays it’s impossible to stop the Silesian language movement.

The arguments related to different linguistic traits of Silesian are either non-existent or successfully challenged. The vocabulary and phonetic features characteristic for the region are to a large extent shared by other varieties of Polish. What mostly distinguishes the inhabitants of Silesia who use their native vernacular is the strong sense of Silesian identity, the willingness to preserve and develop their own tradition and culture. Professor Tambor emphasises that today, recognising Silesian as a regional language is an exclusively legal-political issue.

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Filed under Czechia, education, Germany, language, Poland

by Joel | 11 September 2026 · 5:27 am

Last week’s compilation from Culture.pl includes an article about Polish naming conventions by Aleksandra Jagielska. (Public transport vehicles in Poland that show the current date and time to their passengers also typically show the Christian saint names for those days, one male and one female.) Here are excerpts from the article.

There are 1,063,756 women called Anna in Poland, more people than live in Kraków. Last year, eight boys were named Dobromir. Somewhere between those two numbers sits the story of how Poland has named its children – Slavic wishes, Christian saints, Enlightenment novels, and a 2014 law that finally let you call your daughter Jessica.

Traditional, international or original? After your ancestors, literary heroes or maybe after a patron saint to put your child under their protection? One name, two or more? Let’s check what sort of changes have been happening in the fashions for names in the Polish language.

Even though we don’t choose our own names, they stay with us from birth for our whole lives as an important part of our identity. That right is guaranteed by the UN Convention on the Rights of the Child, under which ‘a child from the moment it is born will have the right to a name’. Because although its basic function is identification for formal and social reasons, having a name says something about our dignity.

Names are given to children the moment their birth certificate is drawn up in the Civil Registry Office. According to the Civil Status Records Act from November 2014, you can pick one or two names, but no more. This is mostly to ensure the need for clarity in identity documents (i.e. to simplify them for processing by Poland’s bureaucratic apparatus) and ignores the wishes of any parents hoping to name their son after all four Beatles or anything else equally creative.

Names also have to be separate and cannot be hyphenated – no Mary-Sues allowed in Poland. They cannot be diminutives (so William would be fine, but not Bill), ‘ridiculous’ or inappropriate (Lucifer, VAT or Courtesan would all be disallowed). The Polish Language Council also recommends avoiding country names and geographical terms (no Monaco or Pacific, thank you).

Before 2014, the rules were even stricter. If both parents were Poles, they had to choose names rooted in Polish linguistic tradition. You’d have to call your son Jan instead of John, and your daughter Zdzisława instead of Jessica. You also had to choose names that clearly indicated the sex of the child, i.e. all girls’ names had to end in ‘a’. But once the law changed in 2014, you were finally allowed to name your child something foreign regardless of the parents’ citizenship, and able to pick a name that didn’t grammatically indicate the sex but was generally understood as assigned to one, eg. Nikol.

Sometimes, in a hasty rush to fill in all the paperwork, parents don’t always like the name they so quickly put to paper and start to regret their choice. Luckily, there is a six-month window in which a newborn’s name can be changed to something else. This late administrative change needs to be accompanied by serious justification though, like proving it’s a ‘ridiculous’ name or that the baby has continually been called something else. Should we really take our time and want to change the name of a child who’s already past its 13th birthday, then the child themselves also has to agree.

Despite all the laws listed above, there is no official list of banned names – the Polish Language Council and other linguistic advisors can offer their opinion, but the final decision, like so many in Poland, belongs to the civil servants processing the application. If the name does not fulfil the requirements (say it’s diminutive, ridiculous or inappropriate), then the civil servant has the right – nay, the duty – to throw it out. They even get to pick a new name themselves, a commonly-used one, and the parents have just two weeks to appeal the decision.

If you’re wondering how many people in Poland have the same name as you, or are wondering if rarer names really are that rare, you can check the freely available database provided by the Ministry of Digitisation at dane.gov.pl. There you’ll find information about given names across different years, according to all the names accumulated in Poland’s PESEL registry (the country’s centralised identity database).

The latest figures posted in January 2026 say the most common boys’ names are Piotr (682,516 people), Krzysztof (631,898) and Tomasz (533,217), while for girls the clear leader is Anna (1,063,756) followed by Katarzyna (602,474) and Małgorzata (572,067). The top tens also include Andrzej, Paweł, Michał, Jan, Marcin, Jakub, Adam, and Maria, Agnieszka, Ewa, Barbara, Magdalena, Elżbieta and Joanna.

But when it comes to newborns, the lists are completely different. In 2025, the most popular names given to baby boys were Nikodem, Antoni, Leon, Jan and Aleksander, and for girls it was Zofia, Zuzanna, Maja, Laura and Hanna.

Trends take time to change. The most popular names in 2024 were Nikodem and Maja. And in 2023 it was back to Nikodem and Zofia again. In 2022, it was Antoni and Zofia, and before that, for 2021, 2020 and 2019, it was Antoni and Zuzanna.

So yes, with one stubborn exception in 2024, a girl born in Poland since 2019 has stood a very good chance of being landed with a name starting with Z.

But let’s go back to the statistics from the start of the century. In the years 2001 to 2012, the top names were Jakub and Julia – yes, for over a decade, it was the same names over and over again. It was only in 2013 that the name Lena dethroned Julia. Jakub was dethroned as late as 2016 by a name you’ve already seen: Antoni.

So those are the most popular names, but what about the rarest? In 2025, among the rarest names given to a boy in Poland were Zbyszko, Teodozjusz, Światosław, Gromisław and Gaweł. There were also a few non-typical Polish names like Riczard and Rajan. When it comes to girls, names that were given to only a handful of children included Wincentyna, Leonora, Laurencja, Henryka, Delfina and Afrodyta.

…

Slavic names carried a wish inside their etymology: Bronisław means ‘to defend fame’ – ‘(may he) defend fame’; Kochan, ‘may he be loved’; Świętopełk, ‘holy regiment’ or ‘strong band’ – ‘(may he have) a strong band behind him’. A name that stays with a person for life was meant to work like a shield, a declaration of good fortune for whoever carried it. Bequeathing a name, writes the onomastician Maria Malec, was an anthropological act of a sacral character, by which the child acquired the status of a human being.

Protective names existed across the Slavic world too – decoys used in place of the ‘real’ name to hide it from evil forces when a child’s life seemed at risk. You can spot them by the negation built in: Niedan, Niemir, Niemój (‘Not-given’, ‘Not-peace’, ‘Not-mine’). A child saddled with one of these was supposed to slip past the attention of demons.

When Poland accepted Christianity in 966 CE, it entered the orbit of Christian culture. Much like in the rest of Christian Europe, the cults celebrating individual saints became popular in Poland, and with them the custom of naming children after martyrs and other saints, as well as Biblical names from the Old and New Testaments. The act of giving a name was associated with organising a christening and, much like how the native names contained wishes, the names from Christian culture were linked to patrons who were to protect their namesakes.

For several centuries, Slavic and Christian names appeared in fairly even numbers. In the 15th century however, the latter became significantly more popular, and in the century after that they had all but driven the native ones out entirely. This followed the recommendations of the Council of Trent (1545–1563), which held that names given at baptism should belong to Christian saints. The exceptions were Old Polish names that had acquired patron saints of their own – Kazimierz, Wojciech, Stanisław, Władysław. To this day, Christian names remain the backbone of the Polish go-to stock of names.

Among the names that never really took off in Polish culture were those drawn from ancient and medieval literature – Achilles, Paris, Hector, Roland, Tristan, Isolde – which may well have gone the way of several native Old Polish names after the Council of Trent. A run of Old Testament names failed to catch on too: Abraham, Ezekiel and Isaac were rejected in the 16th century by Protestants.

Meanwhile the Polish name vault gained newly minted saints such as Ignatius Loyola, Francis Xavier and Teresa of Ávila. Protestants were also the first to start calling their daughters Maria – for centuries considered an affront to the reverence owed to the Mother of God, with Marianna used as the respectful workaround. This may explain the lopsided statistics mentioned earlier. Centuries of treating Maria as too holy for daily use pushed it into the middle slot, where it could sit quietly doing its devotional work without anyone having to shout it across a courtyard. The taboo may have dissolved a long time ago, but the custom didn’t.

…

Old Polish names started to return to fashion after Poland lost its independence in the late 1700s. The revival in patriotism and efforts to maintain a national identity led to people reaching for forgotten Slavic names. In 1827, an entire calendar of Slavic names appeared in a supplement to the Przewodnik Warszawski newspaper, prepared by Tadeusz Wojewódzki.

…

Although Old Polish names linked to the centuries-old veneration of saints are not that popular today, they still pop up now and then. In 2025, 376 baby boys were named Mieszko, 49 Zbigniew and 8 Dobromir, while 27 girls were called Dobrawa, 18 Mirosława and 17 Bogumiła.

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Filed under language, Poland, religion

by Joel | 8 August 2026 · 5:21 am

Małgorzata Rejmer’s Book Bukareszt

This week’s newsletter from Culture.pl contains some articles about Polish connections with Romania. Here are some excerpts from an article by Mikołaj Gliński titled “Everyone Remembers Their Own Past Differently: Małgorzata Rejmer on Romania & Albania“:

The author Małgorzata Rejmer talks about similarities between Romania and Poland, and reveals the way Poland is perceived from a Romanian perspective. She shares details of the first reactions to her book ‘Bukareszt’, which is due to be released in Romanian. The writer also reveals the beginnings of her latest project, a book about Albania.

Mikołaj Gliński: When and how did you first find yourself in Romania?

Małgorzata Rejmer: I think it all began with the documentary Dzieci z Dekretu (The Decree Children), which I saw in 2007. It tells the story of a Romania in which Ceaușescu banned access to contraception, and it conveys how the absurd becomes normal, and how the everyday becomes hell, with a constant string of humiliation. It’s [shot in] the late 1980s, and factories run gynaecological check-ups of women, with testing material made of frog skin which changes colour in contact with the urine of a pregnant woman. I read all of Herta Muller’s books at the time, but it was only after my trip to Bucharest in 2009 that my curiosity was truly aroused. It was the longing for a city which I associated on the one hand with chaos and crumminess, and on the other hand, with beauty and pathos. For me, in a way it was a ‘crooked Paris’, an absolute mishmash, the glamorous and the plebeian all in one.

MG: When did you first have the idea of writing about Romania?

MR: In 2010, I began to write my doctoral thesis about Romanian cinema, and I read many books about Romania in a short period of time. And I just couldn’t believe it all. I knew that Romania was a fascinating country for a writer and anthropologist. On the one hand, it’s European and looks up to France and Germany, and on the other hand, it also looks back onto the Balkans and Turkey, it’s a mix of the culturally unique, of the provincial and the peripheral.

MG: Why did you choose reportage as a form of description? Your previous book, Toksymia, was a novel…

MR: I am not too attached to the idea that Bukareszt is a reportage piece. I don’t really consider myself a writer, and even less so a reporter. I am just a person who writes. I don’t have the workshop of a journalist, it’s difficult for me to write about a given subject. Either a subject flows out of me and writes itself, or no one could drag me with horses to sit down by my laptop. My writing is very capricious, and it costs me a lot of energy.

MG: The style in Bukareszt is very rich and diverse. You used different conventions (for example, the chapter about the revolution is written as a play, or even a parody, with acts, etc). You also draw on different cultural texts, (The Ballad of Master Manole, the epic of a lamb) as well as styles. I suppose those are not the typical elements of a reporter’s workshop?

MR: Bukareszt is literary and varied in style, because I had the feeling that this city is eclectic, and and that all of Romania is one big patchwork, and this was something that I wanted to render in the book’s language. When I write about a famous Romanian ballad, the language imitates the ballad, and when I write about the chaos of the revolution, I choose the form of a drama. I wanted to adapt the style to the theme, for the polyphony of the book to match the diversity of Bucharest. In the end, if I tried to write all the texts in one style, I would die of boredom. I have to have some fun in my life, to play around with form, and to try out different things. I adore Herta Muller’s reportage from Hunger and Silk, although nobody calls Muller a reporter. Using short sentences, she sketches out touching human portraits and universal stories about humanity. Muller is relentless, she writes with images, doesn’t back away from symbols, and she is at the very centre of the texts herself. I prefer this kind of writing to the most meticulous kind of reportage about some incredibly important and pertinent issue of our times.

MG: How did your Romanian friends react to your book? You do write about rather terrifying and shameful things from the country’s history: the terror of the security services, people spying on each other, prisons, the completely inhuman stories of women which resulted from the 1966 anti-abortion decree, and the taboo of a revolution – which perhaps never even took place?

MR: The book was read by a couple of Polish friends who live in Romania, and they were quite enthusiastic. Some time ago, a Romanian woman wrote to me saying that after reading Bukareszt, she felt proud of her country again, and wanted to get to know its history. This was moving for me. Only the chapter on abortion has been released in Romania so far, and it was well received. I read comments by young people for whom the text was a discovery, because they had become accustomed to an idealised vision of the Ceausescu era.

Bukareszt is my way of seeing Romania, and a certain selection of facts. You can polemicize about this selection, but it would be harder to argue with the facts. The question of memory is a separate issue – everyone remembers their own past differently, and everyone has their own vision of it. Bukareszt would be a collection of these crumbs, but they are all fragments of a shattered mirror, and they don’t reflect a reality but rather convey a mosaic.

Bukareszt will probably get released in Romania this year, and, possibly, there will then be a discussion around it. It’s possible, but not certain. Romanians are not interested in working through the collective memory. Even at book readings in Cluj and Bucharest, the question hanging over me was “Why do you write about such difficult things from the past? If the present is terrible, why would we need to dig into the past, on top of that?”

MG: Was the work on Bukareszt a difficult experience for you, personally? I am addressing the talks that you had to conduct with people who have had some terrible experiences. Almost all of the topics from the first part touch upon some kind of trauma…

MR: I always approached my protagonists with the conviction that I really want to talk to them, and not that I want to do an interview. These talks went on for hours. I had to recover after many of these stories, and I repeatedly returned to some of them. At times, I would cry together with the people who told me those stories. Suffering is inscribed into life, but I am most interested in the way that these people were able to cope with it. We all strive for normality even in the most abnormal of times.

MG: What was the most difficult thing for you get used to when you lived in Romania?

MR: I didn’t have any problems with getting used to Romania, but for a long time, I live there in house which very much resembled a squat, with parties running on until 5 in the morning. Recently I went to Bucharest once again, and I decided to stay in the old place out of nostalgia. There was a party once again, and this is something that is hard to get used to.

But apart from that, I didn’t have any problems getting acquainted with Bucharest. I spent some time growing up in a small town, and some time in the northern Praga district [in Warsaw], so Bucharest is close to my heart both in terms of the aesthetics and the atmosphere. And when a Romanian friend came to visit me, he even began to mark out [the district of] Grochów in his own way. For him, the Wiatraczna roundabout was evocative of the Fifth Iancului, the Astoria restaurant reminded him of Intermacedonia, and he would call the local kebab place the same way he would in Bucharest: ‘Ali Baba’.

MG: While reading your book, one can have the impression that many of these historical experiences and situations are, to a certain degree, similar to Polish history, except for over there, things were somehow… a lot worse, a bit like a nightmare. Is it possible to compare these histories? Where do the parallels end?

MR: I cannot answer your question, because I am not able to define where the limits of these similarities lie. I am not the one to trace them out, let the Polish and Romanian readership do it themselves, in accordance with their own subjective feelings.

But looking at this issue from an objective side, looking at the facts, we could say that after 1965, the Romanian version of communism was completely different to the Polish one. It had the face of one man, Nicolae Ceaușescu. He was the one responsible for the situation in the country, he bestowed all of the important posts upon members of his family, and prepared his son to become his successor. Historians call this ‘dynastic communism’. Ceaușescu was Romania. But let’s not forget that in the 1960s and 1970s Romanians led rather good lives, and in many ways, their situation was much better than the one in Poland. It was only the 1980s that brought about a sudden collapse and the fall of the state, as well as a suffering of the people with the complete indifference of the authorities.

The chapters on Romanian communism stir a lot of emotion, but it’s enough to read Kolymskoye Stories to see a completely different scale of human suffering. No matter what atrocity we would think of, man is capable of inventing a greater and more effective one. In this place, the book should have some kind of quotation about man being the most cruel of all animals. I agree.

MG: What is the stereotypical idea that Polish people have about Romania?

MR: To put it bluntly, Poles associate Romania with poverty, Gypsies and Dracula. It’s all stems from ignorance. Just go there, visit Transylvania, Bukovina and Maramuresz and your whole stance towards Romania changes. Poles have no idea about the scale of Romanian influence on European heritage. They don’t know what extraordinary intellectuals surfaced in Romania in the interwar period. A majority of the most acclaimed ones emigrated. And very few Poles know that Romanian cinema has been storming European film festivals for more than a decade, it’s the country’s best export commodities.

MG: Was your perspective as a person coming from Poland at all helpful in understanding Romania? Poland is unarguably also a country from the East of Europe, and a member of the former communist bloc. It possibly has a similar cultural and historical background, being a quite big but peripheral country, under foreign rule for a period of time, and one looking up to the West with both admiration and fascination…

MR: Yes, I think that this kind of stance that we are saturated with as Poles – the sense that we have been wronged by history, that we are underappreciated and marginalised in Europe – helped me understand Romanians. I often explained to them that Poles have a very similar inferiority complex, a problem of peasant roots, and that they are terribly sensitive to any outside criticism. But for Romanians, Poland is Europe, and it’s almost Germany. When I told them about the 123 years of history under partitions, about the sense of inferiority, Romanians would cry out: ‘But in the Middle Ages you were a superpower! And we never had a period of imperial Romania.’ They would also often say: ‘we have a common enemy, Russia!’ In the area I lived in in Bucharest, I once saw a huge, dirty garbage container with the phrase ‘Russia e gunoi’, meaning ‘Russia is garbage’.

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by Joel | 27 July 2026 · 6:09 am

European Nationalist Revolts in 1905

This week’s edition of Culture.pl contains an article by Zachary Mazur written in 2022 that heralds his new book entitled To Kill a Spy: Everyday Nationalism and Political Violence in Fin-de-Siecle Europe from Amsterdam University Press’s CEU Press imprint later in 2026. Here are excerpts from most of the text of the article, without illustrations.

For decades, the Revolution of 1905 has been tucked away in history books as a mere ‘dress rehearsal’ for the Soviet rise in 1917. But for the Poles, Jews, Lithuanians and Ukrainians living under the Tsarist yoke, 1905 wasn’t a rehearsal for someone else’s drama – it was their own leading role. It was the moment the modern mass nation was born, an epoch-making explosion of culture and defiance that shattered imperial censorship and provided a blueprint for the independent states that would follow.

The catalyst: a war of hubris & machine guns

On the eve of the revolution, the Russian Empire was engaged in an embarrassing war with Imperial Japan. The two powers fought over control of northeast China (Manchuria) and the Korean peninsula. The Japanese, from the European perspective, were an upstart Asiatic power that had only recently emerged from isolation and the variable dark ages of feudalism. Fuelled by an unapologetic anti-Asian racism, most people expected that the tsar’s Russia would destroy the Japanese army in a matter of weeks when the war began.

Instead, Russian troops faced continuous setbacks. Japanese commanders used trenches and machine guns – new technologies of the day – to break the will of their opponents. On the seas, Japan’s gunships destroyed the Russian Pacific fleet, leading to an epic journey for the Baltic fleet around the horn of Africa, 18,000 nautical miles.

After the nearly 8-month ocean voyage, Russia’s sailors again faced a thrashing in May 1905. With two fleets destroyed and numerous losses on land, Russia admitted defeat in the summer. US President Theodore Roosevelt invited the sides to negotiate peace in New Hampshire at an American naval base and the Treaty of Portsmouth ended the Russo-Japanese War in September 1905.

On the home front, the people of the Russian Empire took the brunt of the war effort. Among the newly formed urban working classes, a concomitant economic slowdown put severe pressure on the people as they faced unemployment and hunger. Already in 1904, there were anti-war protests in Warsaw and in a few other cities around the Russian-controlled partition of the Polish lands.

The true beginning of the revolution, however, came when Russian subjects led by a charismatic young Orthodox priest tried to petition the tsar in January 1905. A crowd of calm marchers solemnly moved toward the Winter Palace in St. Petersburg, and despite the fact that the tsar was not even there, the guards panicked and opened fire on the people. The resulting mayhem and death became the rallying cry for radicals all over the empire. The tsar had tried to cultivate an image of a benevolent father figure, but after ‘Bloody Sunday’, even his most fervent supporters were disillusioned.

A hotbed of revolt: strikes & the October Manifesto

For the next two years following the events of January 1905, protests and strikes broke out all over the Russian Empire. The Polish part of the empire, that included the large cities Warsaw, Łódź, Radom, Kielce, Piotrków and Białystok, was the most industrialised region. As a result, it was poised to be a hotbed for revolutionary activity. Organisers went to work gathering support for strikes, and confrontations with police often turned violent. In Łódź, a huge centre for textile manufacturing, workers fought pitched battles on the streets with barricades and makeshift weapons.

General strikes, where whole industries stopped work, and especially striking railroad workers, forced the hand of the tsar. Finally, he had to give up some concessions to the protestors. In October, the tsar issued a decree that allowed for limited democratic freedoms of press and assembly and the formation of a parliamentary assembly, called the Duma. Though many of the protestors felt that this did not go far enough and continued their fight for further privileges, the so-called October Manifesto created an outpouring of publications, theatre and cultural life that the Russian Empire had never seen before.

Prior to this moment, censorship had been stifling, strictly regulating the languages in which books could be published or theatre performed. Lithuanian, Yiddish and Ukrainian had been banned for decades. While the suppression of the Ukrainian language continued – seen as a threat to the Russian ‘heartland’ in a policy of identity erasure that remains tragically relevant today – Lithuanian, Yiddish and other suppressed languages finally began to gain legal recognition within the empire.

The linguistic renaissance: breaking the imperial silence

Lithuanians gained the right to publish newspapers in the Latin alphabet as early as the spring of 1904, but the popular press exploded thanks to the Revolution of 1905. The proliferation of daily newspapers, such as the Vilniaus žinios (Vilnius News) signalled the beginning of a mass Lithuanian culture. The first great national assembly of Lithuanians took place in Vilnius, with 200 delegates, between 4 to 5 December 1905. All sections of society – from Belarus, East Prussia (where many Lithuania speakers lived as well) – took part.

They ended by demanding political autonomy for Lithuania, and to have their own provincial parliament with boundaries defined on ethnographic terms. Lithuanian scientific and artistic associations grew at the time, establishing the cultural arms of the Lithuanian national movement. These became vital just a few years later for the establishment of the independent Lithuanian state after World War I.

Yiddish too experienced a renaissance (or naissance) based on new-found freedoms in cities with large Jewish populations, such as Warsaw, Łódź and Vilnius. The tsarist authorities lifted bans on Yiddish printing and theatre in 1905, allowing for the creation of art and literature in a vernacular that practically all Jews used on a daily basis. Finally distinctly Jewish art could move to the public stage and reach audiences that had never experienced such forms of culture. The demand was clearly there, since four new theatres popped up in Warsaw almost immediately after the ban was lifted. In Mokotów, there was Bagatela, Elizeum on Karowa Street, Jardin d’Hiver on Chmielna and Muranower on Bonifraterska, all performing exclusively in Yiddish. Sholem Aleichem’s play Scattered and Dispersed saw its debut at this time (directed by Mark Arnshteyn). Yiddish dailies also appeared, and their content shows the popularity of theatre at the time. Jardin d’Hiver was playing two shows per day, with the exception of Shabbat. In 1908, the dedicated journal Teater Velt (Theatre World) appeared. All this newfound energy for Yiddish culture caused a modernisation of the language and uniformity that did not exist before among the Jews of the Russian Empire. This emergence also allowed for literary theatre to grow. On top of that, American actors with new plays written in New York came over and were the most commercially successful pieces.

Shadows of the revolution: the Pimps’ Pogrom

In the midst of the social upheaval and suffering, people looked for scapegoats to blame leading to one of the most bizarre episodes of the revolution: the Pimps’ Pogrom. In the working class Warsaw neighbourhood of Wola (today the site of skyscrapers, giving it the nickname ‘Hong Kong’), a seedy underworld of pimps, prostitutes and the men who frequented these establishments operated with the approbation of the local police.

In the Russian Empire, the sex trade was officially regulated, requiring both brothels and individual prostitutes to register with the police. Pimps supported the Tsarist status quo rather than the revolutionaries, as they could turn a profit under the state’s protection. Consequently, the sex trade was seen as an extension of the Russian regime and its police – the same officers who beat protesters and fired into crowds. The violence, however chaotic, was a strike against the very infrastructure of Russian control.

A song from that time:

Oj, lumpy to szpiedzy, [Oh the pimps are spies]
Prowokatorzy; [Provocateurs]
Chodzą na ‘giełde’, podsłuchują [They go to the market, eavesdropping]
potem donoszą na policje [then they tell the police]

It’s unclear what exactly sparked the riots against the brothels, but at the end of May 1905, a series of events led workers to destroy dozens of brothels, leaving at least 15 people dead. They moved from one house to the next, destroying furniture, smashing mirrors, tearing up clothes and bedding.

In one bordello, the sex workers put up a fight. A prostitute grabbed a copper pipe and hit a rioter over the head with it. In response, someone stabbed her with a knife and she died on the spot. In another brothel, the pimps fled, leaving the girls alone. Frightened for their safety, they hid under beds and in closets. The rioters pulled them out and beat them. The women yelled hysterically, called them names and cried: ‘What do you want from us? What did we ever do to you?’

Although a majority of the pimps and prostitutes were Jewish, both Polish and Jewish workers gathered on the streets to exact vengeance. In this way, it was very different from anti-Jewish pogroms, many of which took place in the context of the revolution. Some historians see this event as a moral crusade, while others claim that the association of the pimps with the Russian police was the strongest motivator. There were also witnesses who claimed that competing pimps were the most virulent rioters, so some plain old business competition was at play too.

These events brought attention to problems with prostitution in the Polish lands, sparking some difficult public discussions about issues that were normally left undisturbed. It also inspired several poems, such as Leo Belmont’s Po Pogromie (After the Pogrom) and novels, mostly published in Yiddish.

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by Joel | 18 July 2026 · 8:15 pm

George Forster’s Early Youth

From The Traveler: One Man’s Quest for Humanity from the South Seas to Revolutionary Paris, by Andrea Wulf (Knopf, 2026), Kindle pp. 27-28:

George Forster was ten when he went on his first expedition.

He was a slender boy, small for his age, but what he lacked in physical strength he made up for in tenacity during the five months that he and his father travelled through Russia. In charge of collecting and identifying plants, the ten-year-old would wander off alone, eyes wide open, searching for new discoveries—sometimes climbing trees, at others keeping his head near the ground to study the vegetation with a magnifying glass. When he returned to the tent with full bags, he would press the samples he had found between paper, carefully arranging blossoms and leaves so that he could classify them later. Soon his collection had risen to 700 specimens.

While other children sat on hard benches in orderly rows at school, learning by rod and rote, George found himself galloping on small Kalmyk horses across the Russian steppes and wading through marshes on the banks of the Volga river. He watched a violent wildfire race across the vast grasslands to the east, its ravenous flames consuming everything in its path. He remembered the terror he felt that day for the rest of his life. Instead of studying arithmetic or conjugating Latin verbs, he observed flocks of black herons, wild boars and wolves, and huge Bactrian camels used by the nomadic Kalmyks as pack animals, which evoked the stories of the Arabian Nights and Ali Baba. He met Muslim Tatar traders along the Volga, fierce Cossack warriors from the open steppes to the east who wore sheepskin hats, baggy trousers and colourful caftans, and German settlers so destitute that they lived in earth dugouts in the ground. Near today’s Russian border with Kazakhstan, he marvelled at Lake Elton, a huge shallow salt lake with a shoreline encrusted in a thick white layer like snow, against water which algae had turned blood red. And in the Ryn Desert just north of the Caspian Sea, he felt piercing winds whip across the dunes, as wild as the land itself.

Russia was on a different scale from the flat gentle countryside where George had been raised near Gdansk, in today’s Poland. Everything here was vaster and emptier. The skies, lakes and land were bigger, the distances immense, and the weather extreme. He feasted his eyes and tasted new foods. He ate wild asparagus, drank fermented mare’s milk—‘of a nauseous or disagreeable Taste’—and enjoyed the refreshing juice of bog cranberries mixed with water and honey after the long dusty days on horseback.

This was not like learning from the books he loved. He could see, smell and feel that he had entered another world. The food had a different flavour, the languages were unfamiliar, and the people looked nothing like those at home. In Russia, he absorbed a new and very foreign country for the first time. At the age of ten, he became a traveller.

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by Joel | 17 July 2026 · 3:02 pm

How Much Polish in Esperanto?

This week’s newsletter from Culture.pl contains several articles on language, one of which, by Mikołaj Gliński, answers How much Polish is there in Esperanto? Here are some excerpts:

The Slavic Esperanto lexicon is generally considered to derive from two Slavic languages, both of which Zamenhof knew very well – Russian and Polish. While Russian, as he later recalled, was his favourite during his early days, as well as the language of the larger part of his linguistic output, Polish was the language spoken in Warsaw, where Zamenhof would eventually spend most of his life. And it’s actually these two languages that make up the 1% of Slavic in Esperanto vocabulary. The problem is that sometimes identifying the original language is very hard if not simply impossible.

While Esperanto words like barakti (to flounder, from барахтаться barahtat’sja), gladi (to iron, from гладить gladit’), krom (except, from кроме krome), or vosto (a tail, from хвост) are easy to identify as of Russian origin (they simply don’t appear in Polish), and others like kolbaso can be considered as coming from Russian based on their phonetic build-up (Rus. kolbasa, compare Pol. kiełbasa), there are also some that can be really problematic. This goes for words like celo (aim), bulko (bun), klopodo (effort), kaĉo (porridge, from kasza / каша kaša), prava (right [in opinion], from prawy / правый pravyj), or svati (to matchmake, from swat / сват svat). Due to their almost identical forms in both languages, it seems hardly possible to tell from which language Zamenhof took the original root.

…

And yet the group of Esperanto words which are usually identified as Polish loan words is significant. It includes such words as:

barĉo – borscht (from barszcz),

ĉu – whether (from czy),

krado – a grating (from krata),

luti – to solder (from lutować)

pilko – a ball (Polish piłka)

ŝelko – suspenders (from szelki)

[via] moŝto – [your] highness (from Polish mość),

While this is a rather diverse bunch, comprising elements of clothing, sport items, local food, and a grammatical particle, some of these words can be more interesting than others, and actually instructive in telling us something about how Zamenhof saw the component languages of Esperanto, in this case Polish.

…

One of these words is moŝto. It certainly isn’t a word of particular prominence or frequency in contemporary Esperanto. In fact, it’s a word you’re not likely to use at all, unless you’re addressing high authority, or… a king. The latter was Zamenhof’s case – he used the word (precisely: Lia reĝa moŝto) when addressing the king of Spain Alfonso XIII speaking at the Esperanto Congress in Barcelona in 1909. Yet it is this word that also happens to offer interesting insights into the role of Polish in the Esperanto system.

The word goes back to the Polish word mość, one of many honorific lexemes used (historically) in Polish. In early modern Poland, the phrase was required as an obligatory form of address between and to members of the Polish nobility (szlachta). Used and abused, this linguistic habit was part of the more widespread social and cultural phenomenon known as szlachtomania (nobility-mania), a real scourge of early-modern Polish society.

…

While Zamenhof on the one hand made sure that addressing people in Esperanto would be as democratic as possible (Esperantists address each other by a simple vi (you), much like in contemporary English, and unlike in Polish), he also reserved a mode of speaking when addressing the highest royal authority. In finding the right word he somewhat naturally turned to Polish. A choice well justified, as Polish is perhaps the only Slavic language (along with Czech) to have developed an elaborate honorific system that distinguishes between who you’re talking to, based on your age and social status (historically, class of society).

That Polish is at the core of Esperanto honorific usage is best exemplified in the phrase via reĝa moŝto, which translates as Your Majesty, and can be seen as quite a direct calque from the Polish: wasza królewska mość…

Is Ĉu Polish?

But perhaps the most interesting and telling case of a Polish Slavic influence on Esperanto is the particle ĉu (whether, if). This little but important word goes most likely back to the Polish czy, otherwise it comes up only in Belarusian (ці/tsi) and is not used in other Slavic languages. Interestingly the same particle (צי, tsi) surfaces also in Yiddish, a language Zamenhof was surely familiar with.

Much the same as in Polish, ĉu in Esperanto is used primarily to introduce a question. Like in this example:

Imagine you find yourself somewhere in Eastern Europe. But is it Russia or Belarus, Poland or Croatia, Slovenia or Slovakia? Find out how much you know about Slavic languages and we’ll see if you’re able to make your way through Slavic Europe.

Ĉu li aŭ ŝi amas min? [Does he or she love me?]

Whereas in French or English, asking a question involves inverting the word order and/or inserting an auxiliary particle, which as many struggling language learners surely know, can be quite complicated, Esperanto simply puts ĉu in front of the phrase or subordinate clause, the sentence basically stays the same. This is exactly how ‘czy’ operates in Polish and Yiddish.

But ĉu is also interesting because it opens us on the issues of syntax – as most structuralists would tell you, language is not really about vocabulary. This helps to pinpoint the more thorough impact of Slavic, and Polish in particular, on the fundamental grammatical structures in Esperanto. Like say, the accusative…

Is Esperanto’s accusative Slavic?

Esperanto is somewhat notorious for its rather free word order. This goes for noun + adjective order (adjective noun) but also, and more importantly, the structural order of subject, object and verb in a sentence. The latter in Esperanto is very flexible, even if the word order which is usually recommended is SVO. This flexibility, which allows for great liberty in constructing Esperanto sentence, is actually facilitated through the presence of the accusative. Compare these examples:

The boy bit the dog

La knabo mordis la hundon

La knabo la hundon mordis

La hundon la knabo mordis

La hundon mordis la knabo

Mordis la hundon la knabo

Mordis la knabo la hundon

The presence of the accusative case (marked by the -n ending) was a bone of contention in early discussions among Esperantists (and partially led to a schism in the early Esperanto movement, see Ido). But Zamenhof always remained a strong advocate of the accusative. As Professor Żelazny explains, he thought it was a key tool in allowing bigger flexibility for Esperanto sentences, which was particularly important in poetry, which Zamenhof admired so much. The accusative affix allowed for greater flexibility in the Esperanto word order and thus multiplied the rhyming potential of it, which otherwise would be very limited.

As a result, Esperanto’s word order is very fluid (although naturally some positions are preferred by users) just like it is in Slavic languages. And while it’s obviously impossible to trace back the invention to Polish or Russian (German also has the accusative,) the Esperanto sentence shares a general similarity with the rather free syntax of Slavic sentence.

This is showcased in the early translation of The Pharaoh by Bolesław Prus. As Walter Żelazny notes, it was La Faraono, translated by Kazimierz Bein, that became a kind of model for much of the literature later written in Esperanto.

…

Semantic calques

A more subtle influence of Slavic languages on the structure of Esperanto, and more precisely its morphology, can be traced in the semantic build-up of Esperanto word formations, like senanima, senforta, or senfunda. While all these words are built from Esperanto (sen-) and Romance elements, they are actually semantic calques from Slavic languages, but again telling whether it’s Polish or Russian may be next to impossible.

senanima – heartless, callous [calque of Rus. бeздyшный or Pol. bezduszny]

senfunda– bottomless [calque of Rus. бeздoнный, Pol. bezdenny]

senforta – powerless [calque of Rus. бессильный / Pol. bezsilny]

A similar ‘subliminal’ influence of Slavic semantics can be seen in the meaning and functioning of some words. One oft-cited example is the Esperanto word plena ‘full, complete’, which looks Latinate in form (French plein(e), Latin plen- ‘full’), but has the semantic range of Russian полный polnyi ‘full, complete’, as can be seen in the phrase plena vortaro ‘a complete dictionary’, a usage not possible with the French or Latin words. And one could add that it’s also how the word pełny is also used in Polish.

Phonetics

Another area of a possible Slavic influence is phonology. As Walter Żelazny explains: “The Esperanto phonological system is almost entirely Polish.” That’s why, as Żelazny claims, the majority of Poles, as the majority of Slavs, should not have to learn any vowels. In fact, all the sounds which you can find in Esperanto are also in Polish, including diacriticical signs: ĉ (Polish cz), ĝ (dż), Ĵ (ż), Ŝ (sz), ŭ (ł).

Alphabet

A bit surprisingly, Polish influence is also traceable in the Esperanto alphabet and orthography. The Esperanto alphabet consists of 28 letters, with each letter standing for one sound. Apart from diacritical letters, its peculiarities include the letters C and J. Pronounced as ‘ts’ and ‘y’, respectively, they may at first seem a bit counter-intuitive for many Esperanto learners, but they are best explained on the grounds of the Polish alphabet. It is a common experience of many Polish learners that these letters to the English eye are false friends. (As to further Slavic influence in the Esperanto alphabet, compare the letter ŭ in Esperanto and Belarusian).

…

Accent

But perhaps the best and most convincing example of the overall influence of Polish – and not Slavic languages – on the shape of Esperanto is its accent. The accent rule was included already in the first edition of Unua Libro, the first Esperanto handbook, published by Zamenhof in Warsaw in 1887. Among the 16 cardinal principles of Esperanto the one No. 10 reads:

The accent falls on the last syllable but one (penultimate).

The penultimate accent just happens to be one of the characteristic features of Polish, differentiating it sharply from other local Slavic languages, like Russian (which has unpredictable stress) or Czech (initial accent) as well as from French, which accents the last syllable pronounced. That’s why some practitioners of Esperanto claim that Polish pronunciation of Esperanto is the most natural and closest to the Esperanto standard. But this is of course rather a matter of individual taste.

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by Joel | 16 July 2026 · 3:49 pm

Ukraine Invasion Begins, Feb. 2022

From The Russo-Ukraine War: The Return of History, by Serhii Plokhy (W. W. Norton, 2023), Kindle pp. 152-154:

Putin’s address was aired on Russian television in the early hours of February 24, on the eighth anniversary of Putin’s decision to start the Crimean annexation in 2014. He expected the results to be as quick, decisive, and positive as they had been then.

Putin concluded the speech with an appeal to Russian citizens: “I believe in your support and the invincible force rooted in love for our Fatherland.” The key motifs of his address, including the denazification of Ukraine, would be picked up and popularized by the Russian media in the days and weeks to come, although it was difficult to change the propaganda line right away. Leonid Slutsky, the head of the Russian State Duma Committee on Foreign Affairs, denied the invasion even on the very day it began. “We do not intend to unleash any war. We are not going to invade Ukraine as we are being accused of in Ukraine itself, and not only there,” he told journalists. As he spoke those words, Russian columns were moving toward the Ukrainian capital.

The Russian assault on Ukraine began shortly before 4:00 a.m. Kyiv time on February 24, 2022, on multiple fronts. The citizens of Kyiv, Kharkiv, Odesa, Zaporizhia, Zhytomyr, Mykolaiv, and Kherson, to list only the main regional centers, woke up to the sound of explosions—Russian aviation and missiles were attacking airfields and military installations all over the country. Radio and television covered the news on the basis of posts in social media from around Ukraine. There were also reports of Russian amphibious landings in Odesa on the Black Sea and Mariupol on the Sea of Azov. Those later turned out to be false.

The Russian armed forces bombarded Ukrainian command and control centers, air defenses, and critical infrastructure with more than 100 short-range ballistic missiles launched from the air and from the sea. Columns of Russian tanks and personnel carriers began to cross the Ukrainian borders from Belarus toward Kyiv, from Russia toward Kharkiv, and from the occupied Crimea toward Kherson and Nova Kakhovka in the south. Tens of thousands of troops were suddenly on the move. Ukraine, where neither the government nor the general population believed in the possibility of large-scale Russian aggression, was in for a rude awakening.

The entire military operation, underpinned by Putin’s belief in the nonexistence of the Ukrainian nation and the desire of Ukrainians to live under Russian rule, was modeled on the Russian takeover of the Crimea. In the first echelon of ground troops advancing on Kyiv immediately after the paratroopers were units of riot police, and in burned-out tanks and vehicles Ukrainians would find parade uniforms of Russian soldiers prepared for a victory march down Kyiv’s main avenue, Khreshchatyk. The soldiers had rations for only two or three days, as they were promised that the operation in Ukraine would take no longer. Since the invasion was billed as a mission of liberation, the officers and soldiers were ordered not to show any hostility whatever to the local population. They were told that the military operation was ordered to prevent the installation of NATO bases in Ukraine.

“Orders have been given to the Russian army not to assault cities or their inhabitants. The leadership of the Russian Defense Ministry emphasizes that the population of a fraternal country has nothing to fear from the Russian army,” confided the political consultant Sergei Markov to a reporter on the second day of the invasion, February 25, 2022. Regarding the further plan of the action, Markov suggested: “All groupings of the Ukrainian Armed Forces will be surrounded (mainly from the air) and given an ultimatum. They will have to surrender their arms. If everything proceeds normally, a process of disarmament will begin. Wherever normality does not prevail, those groupings will be destroyed. I think that most subunits of the Ukrainian Armed Forces will surrender their weapons. Part of them will continue to offer resistance. Those are the neo-Nazi military subunits.”

That was not just Markov’s plan but Putin’s as well. In his address at the start of the war, Putin had appealed to the Ukrainian military to lay down their arms. But the Ukrainian army continued to fight. Not a single unit would surrender, to say nothing of switching sides. Putin and his propagandists like Markov were in for a rude awakening.

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by Joel | 14 July 2026 · 8:23 pm

Russia Boosts Ukrainian Nationalism

From The Russo-Ukraine War: The Return of History, by Serhii Plokhy (W. W. Norton, 2023), Kindle pp. 131-134:

The eight years of hybrid warfare that Russia had waged against Ukraine in the Donbas, divided by the Minsk agreements, turned Ukraine into a different country and society from those of 2014. A country divided by issues of history, culture, and identity when the Crimea was annexed was now united by the desire to defend its sovereignty, democratic order, and way of life at almost any price.

The war had changed the electoral map of Ukraine. The first wartime presidential elections, held in May 2014, yielded unprecedented results: Petro Poroshenko won in the first round with 55 percent of the vote—the first time this had happened since 1991. Even more important, Poroshenko carried 187 precincts out of 188 remaining under Ukrainian control. The dividing line of the previous presidential elections, which had split Ukraine in half between pro-European and pro-Russian candidates, was now gone. The war had produced a much more homogenous country.

Russia’s annexation of the Crimea and takeover of significant portions of Ukraine’s Donbas removed the traditionally most pro-Russian areas, with the greatest number of ethnic Russians and Russian speakers in Ukraine, from Ukrainian political and cultural space. Those areas had also served as bases for Russia-friendly political parties. Russia did its utmost to support former allies of the ousted president, Viktor Yanukovych, but they were divided and weak after losing a significant part of their electoral base. The forces led by the Ukrainian businessman and politician Viktor Medvedchuk, who was close to Putin, also remained weak despite the support of television channels and newspapers funded with Russian assistance.

The growth of Ukrainian political identity began with the rejection of symbols of the Soviet past. The Maidan protests of 2014 unleashed a wave of demolition of monuments to Vladimir Lenin, the main symbol of communist and, in the eyes of many, Russian domination of Ukraine. More than 500 such monuments were toppled by anti-communist activists in the first half of 2014, mostly in the center of the country. The rest, more than 1,500 that remained in the regions of southeastern Ukraine controlled by Kyiv, were removed in the course of the next few years by decision of parliament, which adopted the so-called “decommunization laws” prohibiting the public display of communist symbols.

Ukrainians survived the Russian onslaught during the first stage of the war, in 2014–15, by uniting across ethnic, linguistic, religious, and cultural lines. The war itself also promoted popular identification with the Ukrainian language and culture. Since Putin’s official rationale for invading Ukraine was the defense of Russian speakers, many Ukrainians and Russians who knew Ukrainian but used Russian as their language of preference began to switch to Ukrainian as an act of defiance. The number of those self-reporting their use of Ukrainian at home and at work spiked in 2014–15. That number returned to the previous norm once the immediate danger of all-out invasion passed, but readiness to adopt Ukrainian as the dominant language of government and education remained. In 2019, parliament adopted a new law making the Ukrainian language mandatory for government officials and public-sector employees. The Russian Foreign Ministry protested, claiming that the law would deepen divisions in Ukrainian society. That did not prove to be the case.

City and village bookstores were flooded with Ukrainian-language books, reducing Russian-language publications to secondary status. Works on Ukrainian history and culture began to top bestseller lists. Before the war, the government had spent little or no money on the promotion of Ukrainian culture abroad; now it created a special Ukrainian Institute under the auspices of the Ministry of Foreign Affairs. Its task was to emulate Germany’s Goethe Institute and similar agencies in other countries, familiarizing foreign countries with the Ukrainian language and culture. At home, the Ukrainian Cultural Fund and the Ukrainian Book Institute were charged with supporting cultural events and promoting Ukrainian publications.

In 2018 the government provided strong support for the unification of the two branches of the Ukrainian Orthodox Church that were independent of the Moscow Patriarchate, which still dominated Orthodoxy in Ukraine, while striving to restrain competition between them. President Poroshenko attended the unification council of the two churches, which were placed under the jurisdiction of the Patriarch of Constantinople—a major blow to the prospect of continuing Russian Orthodox hegemony. Moscow protested and severed ties with the Patriarch of Constantinople but could do little more to maintain its position. The newly united Orthodox Church of Ukraine (OCU) had mass popular support, and, given the ongoing if undeclared war with Russia, many Orthodox Ukrainians preferred a church independent of Moscow. The transfer of parishes from the Moscow Patriarchate to the OCU began in the first months of 2019.

Active government involvement in matters of language, memory politics, and religion met with substantial criticism not only from traditionally pro-Russian political forces but also from part of the country’s liberal establishment. Nevertheless, it was either supported or accepted by the population at large. After Russia’s aggressive weaponization of issues of culture and history in 2014–15, much of the population agreed that the new laws and policies were necessary elements of nation-building, designed to prevent further Russian aggression.

The new Ukrainian government fulfilled the promise of the Revolution of Dignity by moving closer to the European Union and Euro-Atlantic institutions, including NATO. The association agreement that had triggered the Maidan protests in 2017 was signed in June 2014. In March 2017 the European Union Council granted Ukrainians visa-free travel to the EU. The EU member nations provided badly needed financial assistance, altogether up to $14 billion, to help Ukraine deal with its losses of territory, population, and economic assets. An additional $2.2 billion came from the United States. Washington became the main sponsor of reform in the Ukrainian security sector, providing $1.6 billion for that purpose alone. Ukraine was rapidly acquiring a new professional army, and the government placed NATO membership back on its agenda by including it in the Ukrainian constitution.