From A Time of Gifts: On Foot to Constantinople: From the Hook of Holland to the Middle Danube, by Patrick Leigh Fermor (Journey Across Europe Book 1, NYRB Classics, 2011), Kindle pp. 247-248:
The Schlossberg, the rock which dominates the town with its colossal gutted castle, had a bad name, and I hadn’t climbed many of the steps of the lane before understanding why. One side of the path dropped among trees and rocks, but on the other, each of the hovels which clung to the mountain was a harlot’s nest. Dressed in their shifts with overcoats over their shoulders or glittering in brightly-coloured and threadbare satin, the inmates leaned conversationally akimbo against their door-jambs, or peered out with their elbows propped on the half-doors of their cells and asked passers-by for a light for their cigarettes. Most of them were handsome and seasoned viragos, often with peroxided hair as lifeless as straw and paint was laid on their cheeks with a doll-maker’s boldness. There were a few monsters and a number of beldames. Here and there a pretty newcomer resembled a dropped plant about to be trodden flat. Many sat indoors on their pallets, looking humble and forlorn, while Hungarian peasants and Czech and Slovak soldiers from the garrison clumped past in ascending and descending streams. During the day, except for the polyglot murmur of invitation, it was rather a silent place. But it grew noisier after dark when shadows brought confidence and the plum-brandy began to bite home. It was only lit by cigarette ends and by an indoor glow that silhouetted the girls on their thresholds. Pink lights revealed the detail of each small interior: a hastily tidied bed, a tin basin and a jug, some lustral gear and a shelf displaying a bottle of solution, pox-foiling and gentian-hued; a couple of dresses hung on a nail. There would be a crucifix, or an oleograph of the Immaculate Conception or the Assumption, and perhaps a print of St. Wenceslas, St. John Nepomuk or St. Martin of Tours. Postcards of male and female film stars were stuck in the frames of the looking-glasses, and scattered among them snapshots of Maszaryk, Admiral Horthy and Archduke Otto declared the allegiance of the inmates. A saucepan of water simmered over charcoal; there was little else. The continuity of these twinkling hollows was only broken when one of the incumbents charmed a stooping soldier under her lintel. Then a dowsed lamp and the closing of a flimsy door, or a curtain strung from nail to nail, masked their hasty embraces from the passers-by. This staircase of a hundred harlots was trodden hollow by decades of hobnails, and the lights, slanting across the night like a phosphorescent diagonal in a honeycomb, ended in the dark. One felt, but could not see, the huge battlemented ruin above. At the lower end, the diffused lights of the city cataracted downhill.
This was the first quarter of its kind I had seen. Without knowing quite how I had arrived, I found myself wandering there again and again, as an auditor more than an actor. The tacit principle to flinch at nothing on this journey quailed here. These girls, after all, were not their Viennese sisters, who could slow up a bishop with the lift of an eye lash. And even without this embargo, the retribution that I thought inevitable—no nose before the year was out—would have kept me safely out of doors. The lure was more complicated. Recoil, guilt, sympathy, attraction, romantisme du bordel and nostalgie de la boue wove a heady and sinister garland. It conjured up the abominations in the books of the Prophets and the stews of Babylon and Corinth and scenes from Lucian, Juvenal, Petronius and Villon. It was aesthetically astonishing too, a Jacob’s ladder tilted between the rooftops and the sky, crowded with shuffling ghosts and with angels long fallen and moulting. I could never tire of it.