Category Archives: religion

Identity as Religion, Religion as Identity

Naipaul interviews theology students in northern Georgia.

Identity as religion, religion as identity: it was the very theme of another theology student, a young man from a background quite different, a mountain community in northern Georgia.

He said, “When I think of growing up, the two things are very much the same thing–family and church. The church was a small church, with about forty-five members, all related. Seven or eight generations ago the first member of our family moved into that area and bought four hundred acres, and we still live on that. It isn’t a plantation. There might have been slaves early on, but that disappeared pretty soon. We were a family of small farmers. My grandfather had fifteen or sixteen brothers, and their descendants all live within three miles of one another. It is very rare that anybody moves away. When you go up there you know people, and you know them as relatives.

“At the same time it is very easy for your own identity to get lost. But I have since grown to appreciate how wonderful that is: a warm, loving, open kind of family, not just father and mother and brothers and sisters, but cousins, aunts, and uncles.

“The church is very much the same thing. Family members. The Holiness Church is a very emotional religion, and what struck me early on was how very different people were in church from what I knew of them at home. The emotion they expressed in church was different. There would be a lot of shouting. The preacher would try to work them up to the sinfulness of human nature. There would be moments during the service when people would get up and speak in tongues, and people would try to interpret what was being said. And there were times when people would get saved.”

“This religion was not a reaching out to the world?”

“This religion was a calling away from the world, an excluding of the world. I still struggle to find how I relate to all that now. The first year in college I spent alone in my room. I was scared to go out. Then I became angry with some aspects of the faith that had such a rigid view of the world.”

But now (like the Mississippi plantation, and for the same, economic reason) the mountain world was changing. “A lot of the people have to go away to get work.” They came back, it was true; they never lost touch. But: “The twentieth century is pouring over the mountain.”

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), pp. 48-49.

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Politics as Identity, Religion as Community

Mountain family, old planter family: old ideas of community no longer served, and the descendants of those families were finding a new community in the ministry. But it hadn’t been quite like this for Frank. He grew up in a blue-collar white urban neighborhood. It wasn’t “ethnic,” and it had no sense of community. It was Southern, but the Southern history and Southern past that were bred in the bones of the mountain boy and the plantation girl had had to be learned, studied, by the boy from the city. Because he had been born into a crowd, his early ambitions had been different.

“I wanted to be an individual, a nonconformist, a person with his own rights, opinions. But at the same time I did want an identity. And I found that in the Democratic Party. It started at high school. I got into the Democratic group and quickly became a leader of the teen Democrats. It became my religion, because I evaluated everything according to the party’s success or failure. When I left school I went straight into the party organization. The party became my community. But it wasn’t a real community. It didn’t have the caring that a Christian community should have. In the Navy I had the sense of meeting Christ in reading the Scriptures, and I was touched by that. But it was isolated until I came here, which makes real on earth this relationship with God. I have found the real community here, in theology school.”

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), pp. 49-50.

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Confederates and Shias

Naipaul interviews the scion of a former plantation owner in South Carolina.

The North was now very concerned with all its minorities. It might have been thought that they would have considered the South a minority area. But they didn’t. The official Northern view could be put like this: “The white Southerner is not a minority. He is a backward fellow American who oppresses a minority, the Negro.”

Had he looked at his father’s book about the plantations recently? No, not recently. But he knew the book well, and he had some of the feeling for the old plantation life.

I said, “But you can’t feel nostalgia for what you don’t know?”

“Although I didn’t grow up with any knowledge of the working life of the plantation, still, life on the plantations–when we went to visit them when I was a child–it was more like the old Southern countryside, even though we didn’t have slavery. It was the old easygoing rural life, and relations between the races were much more what they had been. So I can feel nostalgia for a past.”

He was as concerned, even obsessed, as his father had been by the superficial destruction of the South–the highways, the fast-food chains–and pained by the alienation of some of the plantations to people and firms from outside.

The past as a dream of purity, the past as cause for grief, the past as religion: it is the very prompting of the Shias of Islam to nobility and sacrifice, the dream of the good time of the Prophet and the first four caliphs, before greed and ambition destroyed the newly saved world. It was the very prompting of the Confederate Memorial in Columbia. And that very special Southern past, and cause, could be made pure only if it was removed from the squalor of the race issue.

When–again as in a stage set–we got up from our chairs and went inside, for a salad provided by our hostess, I said I felt he was dealing in emotion without a program. He agreed; but then he said the program was being created….

He told me because of the developments of the 1950s his father had ended as a Southern separatist; and that was where he himself was now. The defeat of the South, the surrender of Lee, was for him an unappeasable sorrow, I felt.

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), p. 106-107.

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"Everything happens in the church."

The church inside was as plain and neat as it was outside. It had newish blond hardwood pews and a fawn-colored carpet. At the end of the hall, on a dais, was the choir, with a pianist on either side. The men of the choir, in the back row, were in suits; the women and girls, in the three front rows, were in gold gowns. So that it was like a local and smaller version of what we had been seeing on the television in Hetty’s sitting room.

At the back of the choir, at the back of the girls in gold and the men in dark suits, was a large, oddly transparent-looking painting of the baptism of Christ: the water blue, the riverbanks green. The whiteness of Christ and the Baptist was a surprise. (As much a surprise as, the previous night, in the house of the old retired black teacher, the picture of Jesus Christ had been: a bearded figure, looking like General Custer in Little Big Man.) But perhaps the surprise or incongruity lay only in my eyes, the whiteness of Jesus being as much an iconographical element as the blueness of the gods in the Hindu pantheon, or the Indianness of the first Buddhist missionary, Daruma, in Japanese art.

The singing ended. It was time for “Reports, Announcements, and Recognition of Visitors.” The short black man in a dark suit who announced this–not the pastor–spoke the last word in an extraordinary way, breaking the word up into syllables and then, as though to extract the last bit of flavor from the word, giving a mighty stress to the final syllable, saying something like “vee-zee-TORRS.”

He spoke, and waited for declarations. One man got up and said he had come from Philadelphia; he had come back to see some of his family. Then Hetty stood up, in her flat blue hat and pink dress. She looked at us and then addressed the man in the dark suit. We were friends of her son, she said. He was outside somewhere. She explained Jimmy’s tieless and jacketless appearance, and asked forgiveness for it.

We got up then, I first, Jimmy after me, and announced ourselves as the man from Philadelphia had done. A pale woman in one of the front rows turned around and said to us that she too was from New York; she welcomed us as people from New York. It was like a binding together, I thought. And when, afterwards, the man in the dark suit spoke of brothers and sisters, the words seemed to have a more than formal meaning.

The brass basin for the collection was passed up and down the pews. (The figure for the previous week’s collection, a little over $350, was given in the order of service.) The pastor, a young man with a clear, educated voice, asked us to meditate on the miracle of Easter. To help us, he called on the choir.

The leader of the choir, a big woman, adjusted the microphone. And after this small, delicate gesture, there was passion. The hymn was “What About Me?” There was hand-clapping from the choir, and swaying. One man stood up in the congregation–he was in a brown suit–and he clapped and sang. A woman in white, with a white hat, got up and sang. So I began to feel the pleasures of the religious meeting: the pleasures of brotherhood, union, formality, ritual, clothes, music, all combining to create a possibility of ecstasy.

It was the formality–derived by these black people from so many sources–that was the surprise; and the idea of community.

Someone else in a suit got up and spoke to the congregation after the black man in the dark suit had spoken. “This is a great day,” the new speaker said. “This is the day the Lord rose. He rose for everybody.” There were constant subdued cries of “Amen!” from the congregation. The speaker said, “A lot of people better off than we are didn’t have this privilege.”

Finally the educated young pastor in his elegant gown with two red crosses spoke. “Jesus had to pray. We have to pray. Jesus had to cry. We have to cry…. God has been so good to us. He has given us a second chance.”

Torture and tears, luck and grief: these were the motifs of this religion, this binding, this consoling union–union the unexpected, moving idea to me. And, as in Muslim countries, I understood the power a preacher might have.

As Howard said afterwards, as he and Jimmy and I were walking back to the house, “Everything happens in the church.”

Amen.

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), pp. 14-15

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New Offensives in Mindanao?

Belmont Club reports on ominous new developments in the Philippines.

The scene is now set for a possible resurgence of fighting. A glance at the map dramatically illustrates the bind that Gloria Macapagal Arroyo and the Philippine Government have worked themselves into. For the first time in a century, Muslim rebels have established themselves in force on the Mindanao mainland, away from their traditional strongholds of Sulu, Basilan and Tawi-tawi, island groups in the southwest corner of the archipelago. They are positioned on the west side of Mindanao’s breadbasket, the Cotabato valley. The MILF [Mindanao Islamic Liberation Front] camps guard the approaches to mountain massifs to the west which then give on the sea, their line of supply. They isolate the predominantly Christian Zamboanga peninsula from Northern Mindanao and essentially cut the huge island in two. The Armed Forces of the Philippines, despite a nominal strength of ten divisions, has very little combat power. A lack of logistical support and ammunition stockpiles means that (Belmont Club estimate) it can sustain offensive operations with only two battalions for a period of 12 weeks after which it simply runs out of everything. Thus, Manila has long lacked an offensive option against the MILF and has tried to compensate by “peace talks”, which are another name for appeasement.

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Naipaul on Inadvertent Journalistic Heresy

Nusrat had lived through hard times before. I had first met him in 1979, at the time of the Islamizing terror of General Zia. Nusrat, a devout man, had tried to meet the fanatics halfway, but had had little stumbles. And one careless day he got into serious trouble. He was working for the Morning News. It was Mohurram, the Shia mouming month. He thought it was a good idea to run a feature piece from Arab News about the granddaughter of Ali, the Shia hero. The piece was flattering about the woman’s looks and artistic attainments. But the Shias were outraged; to them it was insulting and heretical even to say that Ali’s granddaughter was good-looking. There was talk of taking out a procession of forty thousand and burning down the Morning News. For three days the paper was closed down. Nusrat himself was in danger; he could have been set upon at any time. Some months after this incident I passed through Karachi again. Nusrat had turned gray

When we said good-bye he said, “Can you arrange for me to go to a place where I can read and write and study for five years? Because in five years, if you see me again, I may have become a cement-dealer or an exporter of ready-made garments.”

That, spoken at a bad time, showed his style. And, in fact, he had become a public relations man for an oil company, and done well. The oil-drilling business was not affected by the troubles. But life in the city had been a day-to-day anxiety and Nusrat had developed a heart condition. His gray hair had gone white and short and thin; he was still under fifty.

SOURCE: Beyond Belief: Islamic Excursions Among the Converted Peoples, by V.S. Naipaul (Vintage, 1998), p. 350

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Naipaul on Malay Chinese Muslims

On a hill overlooking the Perak River, and almost at the entrance to the royal enclave, was the house of Raja Shahriman, a sculptor and a prince, distantly related to the royal family. It was an airy house of the late 1940s, and it was furnished in the Malay style, with rattan chairs, brightly colored fabrics, and cloth flowers.

The sculptor was small, five feet six inches, and very thin, in the pared-down Malay way. There was little expression on his face; the nature of his work didn’t show there. He worked with found metal; there was a forge in the yard at the back of the house. He created martial figures of great ferocity, two to three feet high, in clean flowing lines; and the effect of the black-metal figures in that house, with the pacific, restful views, was unsettling.

The sculptor, in fact, lived in a world of spirits. He also made krises, Malay daggers; it was part of his fascination with metal. Krises found out their true possessors, the sculptor said; they rejected people who didn’t truly own them. He had a spiritual adviser, and would have liked me to meet him; but there wasn’t time. The world of Indonesian animism felt close again. In more ways than one we were close here to the beginning of things, before the crossover to the revealed religions.

The sculptor had a middle-aged Chinese housekeeper. She would have been given away by her family as a child, because at that time Chinese families got rid of girls whom they didn’t want. Malays usually adopted those girls. The sculptor’s housekeeper was the second Malay-adopted Chinese woman I had seen that day. It gave a new slant to the relationship between the two communities; and it made me think of the Chinese in a new way.

In 1979 I had been looking mainly for Islam, and I had seen the Chinese in Malaysia only from the outside, as the energetic immigrant people the Malays were reacting to. Now, considering these two gracious women, and their fairy-tale adoption into another culture, I began to have some idea how little the Chinese were protected in the last century and the early part of this, with a crumbling empire and civil wars at home and rejection outside: spilling out, trying to find a footing wherever they could, always foreign, insulated by language and culture, surviving only through blind energy. Once self-awareness had begun to come, once blindness had begun to go, they would have needed philosophical or religious certainties just as much as the Malays.

SOURCE: Beyond Belief: Islamic Excursions Among the Converted Peoples, by V.S. Naipaul (Vintage, 1998), pp. 369

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Naipaul on Revolutionary Fashion

Mehrdad’s sister was unmarried, and had little chance of getting married, since too many men of suitable age had been killed in the eight-year war [with Iraq]. She simply stayed at home when she came home from work: silent, full of inward rage, her unhappiness a shadow over the house and a source of worry for her parents, who couldn’t work out a future for her. It was too difficult for her to go out; and now she had lost the will. In this she was like the fifteen-year-old daughter of a teacher I had got to know. This girl had already learned that she could be stopped by the Guards and questioned if she was alone on the street. She hated the humiliation, and now she didn’t like to go out. The world had narrowed for her just when it should have opened out.

In February 1980 I had seen young women in guerrilla garb among the students camped outside the seized U.S. embassy: Che Guevara gear, the theater of revolution. I remembered one plump young woman, in her khakis, coming out of a low tent on this freezing afternoon with a mug of steaming tea for one of the men: her face bright with the idea of serving the revolution and the warriors of the revolution. Most of those young people, “Muslim Students Following the Line of Ayatollah Khomeini,” would now have been dead or neutered, like all the other communist or left-wing groups. I don’t think that young woman with the mug could have dreamed that the revolution to which she was contributing–posters on the embassy wall and on trees were comparing the Iranian revolution with the Nicaraguan, making both appear part of a universal movement forward–would have ended in this way, with an old-fashioned tormenting of women, and with the helicopters in the sky looking for satellite dishes.

The very gear and style of revolution now had another meaning. The beards were not Che Guevara beards, but good Islamic beards, not cut by razors; and the green guerrilla outfits were now the uniform of the enforcers of the religious law.

SOURCE: Beyond Belief: Islamic Excursions Among the Converted Peoples (Vintage, 1998), pp. 225-226

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Naipaul on Punishing the Bourgeoisie

Ali was arrested by the revolutionary court in Kerman. A number of charges were made against him: strengthening the royal régime, grabbing millions of square meters of people’s land, exporting billions of U.S. dollars, directing a failed coup d’état against the government, directing an antirevolutionary organization. The accusations were not specific; they were formal, standard accusations, and they were made against many people.

Ali said, “In the Kerman area, if you are a little active everybody knows you. I was very active before the revolution. I was known. I was a little Shah, the symbol of power there. When they set up a branch of the revolutionary court in that city they came after people like me. The Guards were all from rural backgrounds. They have their own special accent. They were very young, and happy with their trigger. Many of them later died in the war. I would say that there was a mixture of forty percent mujahidin, and sixty percent Muslim groups. The mujahidin, Marxists, had infiltrated the revolutionary courts from the very beginning. They didn’t identify themselves; they pretended to be Muslim.”

Ali could identify the mujahidin and the Muslims, because he, too, was pretending: he was pretending to be a Muslim revolutionary. “My life was in danger, and I had to make friendship with them regardless.” Very soon Ali discovered a third group who had infiltrated both the mujahidin and the Muslims. “They were people who simply wanted to grab some money for themselves. But they acted Islamic.” And they in their turn soon understood that Ali was also acting, and he was not a Muslim revolutionary. “These people became friends of mine because they knew I had money, and they told me gradually what is going on in the court, and who is who.”

Ali was arrested many times and held for four or five days. Once he was held for six months. The revolutionary prison was an old factory shed that had been divided up. There were a few cells for people being kept in solitary confinement; two big compounds for social prisoners, people like opium smugglers and thieves; and a big cell for political prisoners. Ali was put at first in a solitary cell, one yard wide by two and a half yards long, with only half an hour a day outside to go to the toilet and wash. The first day he read a sentence on the wall written by somebody before him: The prisoner will eventually be released, but the prison-keeper will be forever in the prison.

“And that was an encouraging sentence because it told me that the man before me had been released. Even now, after fifteen years, though I have been released for so many years, and have been so free to go on so many journeys anywhere in the world, and I have gone and enjoyed myself, even now, when I have certain things to do, and I go to the prison in that area, although the place has changed, and the prison is not the factory shed, I still see some of the prison-keepers there. So they are the prisoners. Not us. They were the prisoners.”

Some of the Revolutionary Guards in the factory-shed prison introduced themselves to Ali. He found out that they were the sons of laborers who had worked for him in his building projects.

They said to him, “In the past you wouldn’t look at us. You were so proud. Now you are behind bars here and we have to feed you. Allah ho akbar! God is so great!”

They went and told their fathers about Ali, and to their surprise their fathers said that they should do everything in their power to help Ali, because in the past Ali had helped them by giving them jobs.

“And those boys helped me a lot. They didn’t have a lot of power, but they could tell me things. They could post letters and bring letters from my wife. They would give me the best quarters in the prison and give me the best food.”

SOURCE: Beyond Belief: Islamic Excursions Among the Converted Peoples (Vintage, 1998), pp. 175-176

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Naipaul on Javanese Hindu-Buddhist Christians

Naipaul’s chapter profiling a Javanese Christian poet from Yogyakarta is entitled “Below the Lava”:

It was because of the Christian preaching against polygamy, and the suffering it had brought in their own lives, that Linus’s father and mother–as recently as 1938–had converted to Christianity. They had not been Muslims before, but Javanists, with a mixed local religion made up of survivals of Hinduism, Buddhism, and animism. They had both attended Christian schools; they had learned about Christianity there. The Christianity they had adopted had not meant a break with the past.

“Here even when we became Christians we continued with our old customs. Taking flowers to the cemetery, praying to the spirits of our ancestors. When someone dies even today in our Christian community we have mixed rituals. The ceremonies three days after the death, seven days, forty days, a hundred days, one year, two years, a thousand days.” Because of his father these death ceremonies would have been on Linus’s mind.

Linus said, “Christianity is important because it teaches you to love somebody as you love yourself. It means teaching us to become tender persons, not wild or aggressive persons. In Javanism also we have the concept of restraint. It is easy therefore for Javanese people to embrace Christ’s teaching.”

High up on the inner concrete wall, above the central doorway, out of which Linus’s mother and sister had come from the room at the back, there was a big brown cross. It was above a grotesque leather puppet. It was the standardized puppet figure of the clown, Semar, from the shadow play, a character, Linus said, from one or the other of the two Javanized Hindu epics, the Ramayana or the Mahabharata: “a god turned into a man, always supporting the good people.”

In 1979 there had been a leather puppet there, but I didn’t remember Semar. I remembered another figure. I couldn’t say what it was, and I didn’t ask Linus about it. It was only while working on this chapter that I checked, and found that in 1979 the mascot figure on that wall, the associate divinity of the house, above the horizontal ventilation slits and below the cross, was the Black Krishna. Not the playful Krishna of India, stealing the housewife’s freshly churned butter and hiding the clothes of the milkmaids while they swam in the river; but the Black Krishna of Java, a figure of wisdom. That Krishna would have been a sufficient protector of a man starting out as a poet. Now, in a time of deeper grief and need, Semar–the man-god who helped the good–was a more appropriate divinity….

[Linus] said, “Six or seven feet below us here are many Hindu temples or Buddha temples or Hindu-Buddha temples, buried by eruptions of Merapi a thousand years ago and also two thousand and fifty years ago.” Merapi, the active volcano of the region, creator of the lava that enriched the soil, and showed as black boulders in the beds of streams. “This creates a job for people who want to study about Java culture and religion, because behind these phenomena we can catch the spirit of Javanese people today.”

SOURCE: Beyond Belief: Islamic Excursions Among the Converted Peoples (Vintage, 1998), pp. 81, 85

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