Category Archives: Japan

by Joel | 4 March 2009 · 5:53 pm

How Doth Lotte Love Baseball?

In the Los Angeles Times, John M. Glionna profiles the unlikely manager of a once hapless Korean baseball team, the Lotte Giants of Busan: former LA Dodgers infielder Jerry Royster.

Reporting from Busan, South Korea — Jerry Royster isn’t sure whether to laugh or cry: The umps just don’t speak his language. Every time he races out of the dugout to argue a play, he has to bring along an interpreter.

Last year, the former Dodgers infielder took the helm of this city’s wildly popular Lotte Giants, becoming Korea’s first foreign manager….

In his first year, he took the cellar-dwelling Giants to the playoffs for the first time in nine years. Even with a shorter 126-game schedule, the Giants attracted more fans than many major league teams and doubled attendance from the year before.

Long-suffering loyalists dubbed their new manager “Hurricane Royster” and composed a rally song in his honor.

But Royster, now in his second season, said it’s not just fans who excite him: Koreans play good baseball.

Korean players’ ability is well-known — except in the U.S., where only a few, such as former Dodgers pitcher Chan Ho Park, are household names.

But that is changing. Korea won the gold medal in the 2008 Olympics without losing a game, and in the 2006 WBC lost only once — to archrival Japan in the final. Only Cuba was ranked ahead of Korea in the International Baseball Federation’s world rankings.

“We’re not a secret to most countries,” Royster said. “It’s only the Americans who are now starting to realize there’s good baseball being played here.” Royster didn’t know what to expect in late 2007 when old friend Bobby Valentine, manager of Japan’s Chiba Lotte Marines, called him.

Shin Dong-bin, owner of the Lotte teams in Japan and Korea, wanted to shake things up by putting a foreign manager in the southern city of Busan. Valentine recommended Royster, who’d just been fired as manager of the Las Vegas 51s, then the Dodgers’ triple-A team.

“I told him he was going to take over the Cubs of Asia,” said Valentine, a former Dodger who once managed the New York Mets. “They were a blue-collar team that never won but everybody loved anyway. The fans were dying for a competitive team and a leader.”

I doff my authentic Chiba Lotte Marines baseball cap to Mr. Shin—and also to Bobby Valentine, who showed the way. Now, if only Marty Brown can lead my old NPB Central League favorites, the Hiroshima Toyo (= Mazda) Carp, to win the Japan Series this year. And in Korea, Go Busan!

Leave a comment

Filed under baseball, Japan, Korea

by Joel | 1 March 2009 · 7:14 pm

Parallel Pejoration of Terms in Korean, Japanese, Chinese

The latest volume of the journal Korean Studies (available by subscription on Project MUSE) contains an article by Minju Kim, “On the Semantic Derogation of Terms for Women in Korean, with Parallel Developments in Chinese and Japanese” (vol. 32, pp. 148-176):

This study investigates two kinds of semantic change in terms for women in Korean, along with parallel developments in Chinese and Japanese, and examines the underlying mechanisms that cause these linguistic changes. In Korean and Chinese, polite terms for young women (akassi and xiăo jiĕ, respectively) have been taking on strong sexual connotations, due to the terms’ association with professions in the sex trade. In Korean and Japanese, terms for older sister (enni and oneesan/oneechan, respectively) have been adopted by more senior speakers to address young women, especially those in service interactions, including those in sex entertainment. This study demonstrates that besides sexist attitudes, other quite different motivations can be responsible for the semantic derogation of terms for women. In an effort to be polite, speakers have adopted positive female terms to address women of lower occupational status. Subsequently, the burden of the lower-status referents has caused the positive terms to undergo semantic derogation.

(Note that, like most linguists, Kim uses Yale romanization to represent Korean, since it most closely represents the phonemic system—and for that reason most closely transliterates hangul. The more common romanization for 아가씨 is agassi.)

Kim notes similar developments in European languages, as in the pejoration of hussy from ‘housewife’ to ‘loose woman’ in English. She also notes the pejoration of the terms for the female half in pairs of terms that used to be more equivalent, such as bachelor vs. spinster or master vs. mistress in English, or in the pairs of terms that used to distinguish ‘young man’ from ‘young woman’ in several Romance languages: Portuguese rapaz vs. rapariga, Spanish hombrezuelo vs. mujerzuela, French garçon vs. garce. (Kim spells rapariga as ramariga and mujerzuela as muerzuela.)

During China’s Cultural Revolution, according to Kim’s sources, the use of xiăo jiĕ was discouraged because of its long history of deferential use to address young ladies of the nobility. Now its use is being discouraged for its derogatory connotations by some sociologists who suggest addressing waitresses as ‘attendant, waiter’ (服务员 fúwùyuán) rather than ‘young lady’.

Leave a comment

Filed under China, democracy, economics, Japan, Korea, language

by Joel | 24 February 2009 · 9:41 pm

Wordcatcher Tales: Kanson Minpi

Kyushu-based blogger Ampontan, who reads a broader range of Japanese media much more carefully than do the habitués of the Foreign Correspondents’ Club of Japan in Tokyo, cites a useful Sino-Japanese four-character idiom (yojijukugo) in his lengthy analysis of former Prime Minister Koizumi’s exasperated lambasting of the backsliding by his successors on key aspects of his popular reform agenda.

The New Nelson ~~translates~~ glosses 官尊民卑 kanson minpi as ‘overemphasis on government at the expense of the people’, a phrase that applies all too well to the rest of the world, too.

官 kan (= tsukasa) means ‘government; officials’, as in 官僚 kanryou ‘bureaucracy, officialdom’ and 官話 kanwa ‘Mandarin language, officialese’.

尊 son (= tattoi, toutoi) means ‘respect, honor’, as in 尊敬 sonkei ‘respect, reverence’ and 尊厳死 songenshi ‘death with dignity’.

民 min (= tami) means ‘people’, as in 民衆主義 minshushugi ‘democracy’ and 民間活力 minkankatsuryoku ‘private sector vitality’.

卑 hi (= iyashii) means ‘humble, base, vulgar’, as in 卑見 hiken ‘my humble opinion (MHO)’ and 卑金属 hikinzoku ‘base metal’.

So a literal rendition of the compound might be ‘officials [get] respect, citizens [get] disdain’ or in Doc Rock‘s smoother formulation: ‘respecting officials [while] disrespecting citizens’.

3 Comments

Filed under democracy, Japan, language

by Joel | 15 February 2009 · 12:56 pm

Wordcatcher Tales: Fukko vs. Ishin

Careful readers of my last two blogposts from a book chapter, “Cultural Change in Nineteenth-Century Japan,” by the late Marius B. Jansen, will have noticed a theme that runs through both excerpts: that Japan’s ardent reformers were inspired as much by the need to return to an imagined past as by the need to adapt to the intrusions of the modern world. The section excerpted below focuses on two terms that highlight the nuances of these dual motivations. The book in which it appears is Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, ed. by Ellen P. Conant (U. Hawai‘i Press, 2006), pp. 32-35:

Some years ago Sakata Yoshio divided the Meiji Restoration epoch into periods characterized by themes of fukko [復古] or ishin [維新], “revival” or “renewal.” In modern parlance the terms are quite different in their connotations. Revival suggests nostalgia and conservatism. The 1974 Kenkyusha dictionary, for instance, gives the following examples: “ōsei fukko—the restoration of the monarchy; fukko ronsha—a reactionary.” By justifying sweeping change in the name of the past, Meiji statecraft might seem, to present-day commentators, to have injected a problematic retrogressiveness into values and culture.

In the Chinese Confucian context from which these terms derived, however, the idea of revival was entirely positive. F. W. Mote has asserted that in Chinese tradition, because neither individual nor state could claim any theoretical authority higher than men’s rational minds, there being no external creator or lawgiver, ultimate authority rested with historical experience….

In Meiji thinking, ishin and fukko could be linked. Tetsuo Najita points out that “I [維 ‘tie’] means to pull together the disparate strands in society, to regroup, as it were, and the second part of the compound, shin [新 ‘new’], means starting out in a totally new direction.” The appeal of return to an imagined moral past made it possible to utilize both “restoration” and “innovation” in government pronouncements. The official chronicle Fukkoki emphasized the theme of return, but contemporary assurances that everything would be changed (hyakuji goishin) had connotations of a “world renewal” (yonaoshi) of the sort that late Tokugawa insurrections had announced. In the event, however, the new government lost little time in suppressing advocates of such radical ideas.

Late Tokugawa nativism modified and added to the notion of the perfect past to which Japan might return. The kokugaku (National Studies) scholars argued the virtues of Japan before it had become tainted by imported values, words, and books. Their version of fukko gave rise to impressive efforts in historical philology…. Another respect in which the Japanese tradition provided helpful arguments for advocates of cultural and institutional change was to be found in tradition and historical memory that validated the practice of cultural borrowing without prescribing the category or the character of what was to be borrowed….

A final element conducive to cultural borrowing was the nature of Japanese cultural nationalism. Acutely aware of other civilizations, especially the Chinese colossus to the west, Japanese thought in comparative and competitive terms. The country and its deities were divine, and the question was how to serve them best….

In sum, revivalism differed in Japan from its counterpart in China, partly because of the shadowy nature of the Japanese past that the nativists exhumed, and partly because of the historical precedents for change and for borrowing. To paraphrase Maraini’s argument and apply it here, Europe might be constrained by absolutes of theology, and China by its commitment to a transmitted body of ancient learning that was relatively constant, but in Japan fukko permitted the greatest flexibility in appropriating or devising stratagems for protection of the cultural polity. It could blend with change and even slide into renewal.

Terms like “Meiji culture” and “Tokugawa tradition” suggest rapid change in a previously stable setting, but it is important to remember that late Tokugawa culture was profoundly eclectic and that the Meiji changes represented acceleration of many trends that were already in progress. What was new was the explicit acknowledgment and the clear assessment of problems and the unity of determination to remedy them.

Nowadays, 明治維新 (Meiji Ishin) is the usual Japanese term for what English speakers often call the “Meiji Restoration.” I was not familiar with the alternate term 復古 (fukko) (‘return-past’) but it seems to be a better translation for ‘restoration’. The core meaning of 復 fuku seems to be ‘return, revert’, as in the everyday term 往復 ōfuku (lit. ‘go-return’) ’round trip’ or in 復活 fukkatsu (lit. ‘return-life’) ‘rebirth, revival, resurrection’ (as in 復活祭 fukkatsusai [lit. ‘return-life-festival’] ‘Easter’).

Leave a comment

Filed under China, Japan, language, nationalism

by Joel | 14 February 2009 · 3:05 pm

Changing Court Costumes under Meiji

From “Cultural Change in Nineteenth-Century Japan,” by Marius B. Jansen, in Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, ed. by Ellen P. Conant (U. Hawai‘i Press, 2006), pp. 40-41:

The need for practicality and efficiency affected cultural policy in many ways. The early Meiji years saw the court trying to do business in the garments of antiquity. Albert Craig writes that “when the government structure was first promulgated, officials rushed out to secondhand bookstores to buy copies of the commentaries on the Taiho code (702) so they would know what the new office titles meant.” Many adopted Heian-period names, and “[e]ven the clothing worn by the councilors at certain court ceremonies was dictated by the new ethos. High-ranking samurai officials were required to dress as nobles; and all, including nobles, were required to wear swords. On one occasion the Saga samurai Eto Shinpei, late for a ceremony, dashed into the court uncapped by an eboshi—a small, black, silly-looking hat that perches forward on the head. A noble asked him, ‘Where is your hat?’ Eto retorted, ‘Where are your swords?’ Both hastened out for the proper accouterments.”

But the work of modernization could not be carried out at a costume party. In 1870 the Daigaku Nanko, ancestor of the Imperial University of Tokyo, still ruled out Western clothing, but that same year the imperial court appointed a Western-clothing specialist to its staff. By 1874 Kido Takayoshi, hero of the Restoration and powerfully influential government minister, was agonizing in his diary over the pain caused by “my shoes.” A year later Mori Arinori (1848-1888), natty in a Western suit, was bantering with the Qing statesman Li Hungzhang. Did he not find it unpleasant to wear such foreign clothes? Li asked solicitously. Had not Mori’s ancestors preferred Chinese costume? Yes, answered Mori, but he was doing as his ancestors had done by choosing the better garb. And, he went on, had Li’s ancestors worn Manchu robes like those his host had on? No, was the reluctant answer, they had not.

Before long the Meiji emperor’s Western military uniform was made court dress, and things moved so rapidly that at a birthday ball in 1885, itself remarkable, only two of the ladies did not appear in Western dress. Westerners usually thought this regrettable. In 1887 Herr von Mohl, a specialist in Western protocol hired for the court, suggested going back to Japanese dress for formal occasions but found that “Count Ito let me know that in Japan the costume question was a political issue in which the imperial household advisors had no voice; he requested that the matter should be viewed as settled and not to waste further time in discussing what is, in fact, a fait accompli.”

By the time the Meiji constitution was promulgated in 1889, Tokyo newspapers reported that Western-style tailors were being swamped with business by prefectural officials who had come crowding into the capital. Eboshi had given way to top hats, which alternated with bowlers in the uneasy combination of dress and footwear that is recorded in many Meiji photographs.

Leave a comment

Filed under China, Europe, Japan, nationalism

by Joel | 19 January 2009 · 5:06 pm

Japan’s Women vs. Children Left Behind in China

From Memory Maps: The State and Manchuria in Postwar Japan, Mariko Asanoi Tamanoi (U. Hawai‘i Press, 2009), pp. 91-92 (Japanese kanji added):

Today the Japanese state and media woman call [women abandoned in Manchuria at war’s end] chūgoku zanryū fujin [中国残留婦人](Japanese women left behind in China) and distinguish them from chūgoku zanryū koji [中国残留孤児] (Japanese orphans left behind in China) in terms of age and gender. The latter were born of Japanese parents, mostly agrarian colonists, in either Japan or Manchuria, and were younger than thirteen at the time of the Soviet invasion of Manchuria. In the wake of Japan’s capitulation, their parents entrusted them to Chinese families, either because they were too sick to take care of their children or because the latter had little hope of survival. Children who were orphaned or accidentally separated from their families were also adopted by Chinese families. Today, owing to the tender age of these children at the time they were separated from their relatives, they are unsure of their mimoto, their “roots” [身元]. Since the mid-1970s, such children have been urged by the Japanese state to prove their identities as Japanese in the system of nation-states. Only those who have successfully proved their Japanese nationality have been officially allowed to return to Japan permanently.

In contrast, chūgoku zanryū fujin is a gendered category, referring to women who were over the age of thirteen when separated from their families. By 1945, most Japanese men older than thirteen had already been mobilized into the Youth Brigade or military. Hence, whether they were married or not, the women in this category had been left to take care of themselves and all the children. In the turmoil after Japan’s capitulation, some of these women chose to marry Chinese citizens for their own survival, and they stayed in China. These women are different from the children who were left behind in one important way: because they were older, they firmly remember their roots as well as the Japanese language. Precisely for this reason, the Japanese state deemed these women old enough to make choices when they were left on their own. Thus until 1993, the state did not permit them to return permanently to Japan; they were regarded as belonging to China as the spouses of Chinese citizens.

The set of terminology is confusing largely because the difference between the women and the children was artificially created by the Japanese state and media. In addition, the categories excluded Japanese men older than thirteen who left in China as of 1945. In 1994, the Japanese state admitted this confusion. Through the Repatriation Support Law (Kikoku shienhō [帰国支援法]), the state eliminated the differences between the two categories and combined them under the umbrella term of chūgoku zanryū hōjin [中国残留邦人] (Japanese left behind in China). Nevertheless, this term too has generated confusion; as a result, the state and media continue to use the two earlier terms today.

Leave a comment

Filed under China, Japan, language, migration, nationalism

by Joel | 18 January 2009 · 8:09 am

Japan’s Minority Contender for P.M. in 2001

On the eve of inaugurating a new and different president of the U.S., the New York Times engages in a bit of national oneupmanship by way of dusting off a profile from eight years ago of a Japanese politician who never made it to the top post because of his status as a member of an outcast minority.

For Japan, the crowning of Hiromu Nonaka as its top leader would have been as significant as America’s election of its first black president.

Despite being the descendant of a feudal class of outcasts, who are known as buraku and still face social discrimination, Mr. Nonaka had dexterously occupied top posts in Japan’s governing party and served as the government’s No. 2 official. The next logical step, by 2001, was to become prime minister….

The topic of the buraku remains Japan’s biggest taboo, rarely entering private conversations and virtually ignored by the media.

The buraku — ethnically indistinguishable from other Japanese — are descendants of Japanese who, according to Buddhist beliefs, performed tasks considered unclean. Slaughterers, undertakers, executioners and town guards, they were called eta, which means defiled mass, or hinin, nonhuman. Forced to wear telltale clothing, they were segregated into their own neighborhoods.

The oldest buraku neighborhoods are believed to be here in Kyoto, the ancient capital, and date back a millennium. That those neighborhoods survive to this day and that the outcasts’ descendants are still subject to prejudice speak to Japan’s obsession with its past and its inability to overcome it.

Yet nearly identical groups of outcasts remain in a few other places in Asia, like Tibet and Nepal, with the same Buddhist background; they have disappeared only in South Korea, not because prejudice vanished, but because decades of colonialism, war and division made it impossible to identify the outcasts there.

In Japan, every person has a family register that is kept in local town halls and that, with some extrapolation, reveals ancestral birthplaces. Families and companies widely checked birthplaces to ferret out buraku among potential hires or marriage partners until a generation ago. The practice has greatly declined, though, especially among the young.

The buraku were officially liberated in 1871, just a few years after the 13th Amendment abolished slavery in the United States. But as the buraku’s living standards and education levels remained far below national averages, the Japanese government, under pressure from buraku liberation groups, passed a special law to improve conditions for the buraku in 1969. By the time the law expired in 2002, Japan had reportedly spent about $175 billion on affirmative action programs for the buraku.

via Japundit

My father’s first missionary posting after two years (1950-52) of language school in Tokyo was to serve as chaplain at Seinan Jo Gakuin, a Southern Baptist girl’s school in Kokura, Japan, a grimy industrial city that was the original target of the atomic bomb that was redirected to Nagasaki because of too much cloud cover over Kokura that fateful day. My brother and I attended the new kindergarten (founded in 1952) that served mostly school employees. It was not until decades later that my father happened to mention the second preschool, a bit closer to our home, that served children from the burakumin housing complex just up the road from our house on what was then a rather barren hillside. Kokura was one of Japan’s principal coal-mining regions and many of the mineworkers were burakumin and Koreans, along with POWs during the war years. The current Japanese premier is a direct descendant of the owners of the Aso Mining Co., which at one time controlled a large number of coal mines in Kyushu.

Our house was a metal prefab that wonderfully amplified the noise of rain, but was hard to heat during the winter. There was a coal bin underneath to feed the furnace, and at one point we discovered that a homeless urchin had been sleeping there. We two oldest boys spent a lot of time with our maid, a country girl who spoke no English and would threaten to give us to the rag picker (very likely burakumin) if we didn’t behave. Our mother bore two more sons while we were there, the first of them born at home with the help of a midwife. It was mom’s easiest delivery, she later told us.

When we began going to kindergarten, down one hill and up the next, mom would watch us from the sun porch, waiting for us to reappear on the far side of a hidden part of the road. My father tells me that at kindergarten I often served as translator for my more gregarious younger brother.

Leave a comment

Filed under democracy, Japan, U.S.

by Joel | 16 January 2009 · 4:18 pm

Manshū Jizō for Japanese Orphans & Their Chinese Parents

From Memory Maps: The State and Manchuria in Postwar Japan, Mariko Asanoi Tamanoi (U. Hawai‘i Press, 2009), pp. 113-114 (inline reference citations omitted):

In 1998, I was introduced to Kōji, a repatriate from Manchuria and a volunteer who assists [Japanese] orphans [left behind in 1945] and their [Chinese] families [who adopted them]. When I visited him at his home in downtown Tokyo, he showed me some fifty tiny figurines of Jizō, placed neatly in a box. Jizō, one of the most important Buddhist deities in Japan, is believed to comfort the souls of dead children while simultaneously comforting their mourning parents. Jizō statues are found throughout Japan, and the deity is “perhaps the most ubiquitous, popular, and widely loved in Japanese religion.” Kōji makes these little figurines. He starts by collecting tiny stones on the beach or by the roadside. Using his artistic skills, he smoothes the surface of each stone, paints a child’s face on it, and transforms the stone into Jizō. Each Jizō represents an immigrant child who died in Manchuria, as well as the sorrow of the child’s parents. According to Kōji, however, each Jizō also represents an immigrant child who has survived in China, as well as the devotion of the child’s Chinese adoptive parents. While the postwar Japanese state regarded orphans as “the dead” for quite some time, Kōji resurrected them in tiny stones and made the compassion of their adoptive parents known to the Japanese public. Kōji also took me to a gallery near his home. Located in the posh Roppongi district of Tokyo, the small gallery attracted many young women and men. There he displayed his figurines—called Manshū Jizō (Manchurian Jizō)—and sold them to gallery visitors. The money he made from the sale of these statues, Kōji said, would go into a fund to support another project: a stone monument to be built in China to express gratitude to the Chinese adoptive parents of the Japanese orphans. Indeed, by the time I met Kōji, the project was already well under way; a well-known artist, himself a repatriate from Manchuria, was already building a monument of a Chinese couple and their adopted son, a child of the Japanese agrarian colonists.

In 1999, Kōji and his group finally completed this grand project. When I read the newspaper report of this event, it surprised me greatly that they had built the monument in Liutiaogou, the very site of the Japanese invasion into Manchuria on September 18, 1931. In addition, they held the ceremony celebrating the completion of this monument inside the September-Eighteenth Museum, which is known for its displays condemning Japan’s imperialism. The monument, then, embodies more than the suffering of the orphans. It embodies the pain of their adoptive parents and, by extension, the pain of the people in China who suffered not only from the departure of their adopted children to Japan but also from the Japanese invasion in the age of empire. Representing the orphans, Fumio spoke at the ceremony to an audience of about two hundred, including his eighty-four-year-old adoptive father. He is reported to have said the following: “After the normalization of diplomatic relations between Japan and China, my adoptive father saw me off to Japan while crying. … My adoptive parents made me eat steamed rice every other day while they ate corn and kaoliang.” Fumio now lives in Japan as a Japanese citizen and yet has never forgotten the adoptive parents he left behind in China.

Kōji and his friends, who erected the monument and organized the ceremony in Liutiaogou, represent the parental generation of Japanese colonists. I later learned that Kōji, along with Satoshi, was one of the key figures who helped the orphans stage their protest march in downtown Tokyo. These volunteers, who themselves experienced tremendous hardships during the journeys of repatriation, are now keenly aware that the suffering of the orphans belongs not only to the past but to the present and the future as well. They are also aware that to understand their concerns and worries, they must go back to the past, and that is why they traveled to Liutiaogou. By so doing, they went far beyond Japan’s national space to understand not only the fates of the orphans and their adoptive parents but also their own involvement in Japanese imperialism. Are the children of orphans, being Japanese-Chinese, no longer Japanese? Is it necessary for the Japanese public to distinguish orphans and their families from Chinese “economic refugees”? I will leave these questions unanswered for now, but note that the wisdom of people such as Kōji gives us the hope that people, regardless of nationality, can learn the value of humanism from a past that they once shared in some ways.

Leave a comment

Filed under China, Japan, migration, nationalism

by Joel | 15 January 2009 · 4:36 am

Hatsu Basho, 2009

They’re off and shoving! Five days into the Starting Tournament of 2009 in Tokyo, four rikishi remain undefeated: the two Mongolian yokozuna, Asashoryu and Hakuho; the newly promoted sekiwake, Baruto from Estonia; and the rising maegashira Tochiozan from Kochi, Japan, home of the famous Tosa wrestling dogs (which are featured on his ceremonial apron).

Two ozeki, the Japanese veteran Chiyotaikai and the Bulgarian heartthrob Kotooshu, are only one loss behind. But the other two ozeki only have one win each so far: Japanese veteran Kotomitsuki and the lithe Mongolian crowd favorite Harumafuji, who changed his ring name (from Ama) after nearly winning the November tournament and earning promotion to the second highest rank. The latter two risk demotion if they don’t finish with more wins than losses.

UPDATE, Day 8: Tochiozan is still keeping pace with the two yokozuna at 8-0, with Baruto and Kotooshu right behind them at 7-1. Harumafuji has improved to 3-5, but still has to win 5 of his 7 remaining bouts to finish with a winning record.

UPDATE, Day 14: Harumafuji, now 8-6, has somehow managed to get the 8 wins he needs to keep his new rank of ozeki, but Kotomitsuki dropped out after falling to 2-10. Everyone except the two yokozuna have fallen off the pace. Unless Asashoryu (14-0) loses on the last day, he will coast to victory, with Hakuho (13-1) just one loss behind. Nice recovery by Asa, who hadn’t been wrestling very well before the tournament.

UPDATE, Day 15: Hakuho handed Asashoryu his first loss when they faced each other on the final day, leaving both tied at 14-1 and forcing a playoff, which Asashoryu then won, for his 23rd tournament title at the highest level.

Leave a comment

Filed under Japan, Mongolia, sumo

by Joel | 10 January 2009 · 8:29 am

Japan’s Genre of Uprooted Colonist Memoirs

From Memory Maps: The State and Manchuria in Postwar Japan, Mariko Asanoi Tamanoi (U. Hawai‘i Press, 2009), pp. 53, 59-60 (inline reference citations omitted):

In Japanese, the verb “to repatriate” (hikiage-ru) has multiple meanings; among these are to pull up, raise, refloat, pullout (of a place), and (close a business and) return home. [‘Pull up stakes’ seems the best English equivalent to me—J.] As a noun, “repatriate/s” (hikiage-sha) becomes not only historically but also morally charged in postwar Japan. Repatriates are those who emigrated to Japan’s overseas territories in the age of empire but were forced to (close their businesses and) return home after Japan’s capitulation in the Asia-Pacific War. Once in Japan, however, they were often seen as social misfits, largely because the dominant perception of them dramatically changed over the divide of August 15, 1945. Before then, they were imin (emigrants) who were hailed as the vanguards of imperialism in official discourses. After Japan’s defeat, they were hikiage-sha, who were greeted with pity, suspicion, and callousness by their compatriots who had never left Japan proper. Here, the oral narrative of Aki … is helpful: “When we returned home [to Fujimi in 1946], our neighbors were very cold to us Manchurian daughters. I truly worried that I might become an old mistress.” An arranged marriage for Aki would fail largely because she was “a returnee from Manchuria” who might carry “foreign sexual diseases.” In the end, she married a “Manchurian boy” whom I could not meet since he died a few years before the beginning of my fieldwork. After all, kaitaku imin (agrarian emigrants) were not supposed to return, for they had left Japan to rehabilitate the rural economy at home. With Japan’s capitulation, they lost land and houses in Manchuria that the state had taken away from Chinese farmers. Hence they had no recourse but to return to Japan, the only country on earth that was obliged to take them. Yet in the immediate postwar period, when resources were so meager, the people of their mother villages, who had sent them off enthusiastically, were reluctant to welcome the repatriates back to their home….

Although the first memoir written by a returnee from Manchuria appeared as early as 1949 (and was reprinted in 1976), the upsurge in this genre came decades later, from the late 1960s to the 1990s, with several published in the early years of the twenty-first century. This means that the majority of authors waited for more than two decades before publishing their memoirs—in order, possibly, to keep a certain distance from the past. What characterizes the memoirs is that most authors rely only on their personal memories, as well as the memories of their fellow settlers that they (over)heard while fleeing from Manchuria. In addition, they cite each other’s memoirs, rather than primary or secondary sources on Japanese imperial history. After all, hikiage-mono are the authors’ eyewitness reports and they force the reader to believe in the authenticity of their personal memories.

For all these reasons, the genre is called hikiage-mono rather than hikiage-bungaku, “repatriate literature.” Though a generic term for “genre,” mono is primarily used for classifying popular cultural productions such as movies, comedy shows, and songs. In other words, the term indicates the genre’s lower position in the hierarchy of cultural production: it is neither “literature” (bungaku) nor “history.” Indeed, most repatriate memoirs have small readerships, as the authors, being amateurs, submitted their works to small, local publishing houses. Many of the works are not even for sale. Others are not books at all but short essays printed in magazines published by organizations of former colonists and soldiers, as well as alumni organizations of the Japanese schools built in Manchuria. In fact, I bought most of the works that I examined in secondhand bookstores in Japan since the collections at university libraries are rather limited. It is for this reason, I believe, that Japanese as well as Anglophone scholars have hardly paid attention to them.