Category Archives: travel

Night Sounds on the River of Doubt

COMPOUNDING THE misery wrought by the rain was an overarching sense of isolation and uncertainty, a feeling that was magnified by strange noises that shattered the forest’s silence and set the men’s nerves on edge. That afternoon, as Roosevelt and the men in his dugout paddled quietly down the river, a long, deep shriek suddenly ripped through the jungle. It was the roar of a howler monkey, one of the loudest cries of any animal on earth. The sound, which can be heard from three miles away, is formed when the monkey forces air through its large, hollow hyoid bone, which sits between its lower jaw and voice box and anchors its tongue. The result is a deep, resonating howl that vibrates through the forest with strange, inhuman intensity, and echoes so pervasively that its location can be nearly impossible to identify.

Worse even than the noises they could recognize were those that none of them could explain. These strange sounds, which disappeared as quickly as they came and were a mystery even to those who knew the rain forest best, had made a strong impression on the British naturalist Henry Walter Bates fifty years earlier. “Often, even in the still hours of midday, a sudden crash will be heard resounding afar through the wilderness, as some great bough or entire tree falls to the ground,” the naturalist wrote. “There are, besides, many sounds which it is impossible to account for. I found the natives generally as much at a loss in this respect as myself. Sometimes a sound is heard like the clang of an iron bar against a hard, hollow tree, or a piercing cry rends the air; these are not repeated, and the succeeding silence tends to heighten the unpleasant impression which they make on the mind.”…

The Amazon’s sudden, inexplicable sounds were especially terrifying at night, when they were all in the pitch-black forest, with no way to see a potential attacker and no sure means of escape. While the jungle in daylight could sometimes appear completely devoid of inhabitants, the nightly cacophony left no doubt that the men of the expedition were not alone. Even for veteran outdoorsmen like George Cherrie, the setting of the sun came to mark an unnerving threshold between the relative familiarity of a long day on the river, and sleepless nights in the jungle, spent trying to imagine the source of the spine-chilling noises that echoed in the darkness around him. “Frequently at night, with my camp at the edge of the jungle,” he wrote, “I have lain in my hammock listening, my ears yearning for some familiar sound—every sense alert, nerves taut. Strange things have happened in the night.”

The screams, crashes, clangs, and cries of the long Amazon night were all the more disturbing because they often provoked apparent terror among the unseen inhabitants of the jungle themselves. In the fathomless canyons of tree trunks and the shrouds of black vines that surrounded the men at night, the hum and chatter of thousands of nocturnal creatures would snap into instant silence in response to a strange noise, leaving the men to wait in breathless apprehension of what might come next.

“Let there be the least break in the harmony of sound,” Cherrie observed, “and instantly there succeeds a deathlike silence, while all living things wait in dread for the inevitable shriek that follows the night prowler’s stealthy spring.”

SOURCE: The River of Doubt: Theodore Roosevelt’s Darkest Journey, by Candice Millard (Doubleday, 2005), pp. 156-158

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Water Colors in the Amazon Basin

Each of the Amazon’s thousands of tributaries starts at a high point—either in the Andes, the Brazilian Highlands, or the Guiana Highlands—and then steadily loses elevation and picks up speed until it begins to approach the Amazon Basin. Scientists have divided these tributaries into three broad categories—milky, black, and clear—in reference to the color that they take on while carving their way through three different types of terrain. Alfred Russel Wallace, British naturalist and friend of Henry Walter Bates and Charles Darwin, made the distinction widely known in the mid-nineteenth century when he published his Narrative of Travels on the Amazon and Rio Negro. Wallace noted the striking difference between the milky Amazon and the black waters of the Negro where they collide on the northern bank of the Amazon. Seen from above, the meeting of these two colossal rivers looks like black ink spilling over parchment paper. The visual effect is heightened because the Negro, which is warmer and thus lighter in weight, rides on top of the Amazon, and the rivers do not fully blend until they have traveled dozens of miles together downstream.

Milky rivers, such as the Amazon and the Madeira, generally have their origins in the west and are clouded by the heavy sediment load that they carry down from the youthful Andes. Blackwater rivers, on the other hand, usually come from the ancient Guiana Highlands in the north and so wash over nutrient-poor, sandy soils. Scoured by millions of years of hard rains, these soils cannot retain decomposing organic matter—mostly leaves—which, when swept into a river, literally stains the water black like tea.

Although during the rainy season the River of Doubt is nearly as black as the Negro and as murky as the Amazon, it is technically a clearwater river. Like the Amazon’s largest clearwater rivers, the Tapajos and the Xingu, it has its source in the Brazilian Highlands, and so it picks up very little sediment as it flows over ancient and highly eroded soil. Clearwater rivers are also less acidic than blackwater rivers. Some, most notably the Tapajos, are so clear that they look blue, perfectly mirroring the sky above them. But most, like the River of Doubt, mix with either blackwater or milky tributaries as they snake through the rain forest, and so look neither blue nor clear by the time they reach their mouth.

SOURCE: The River of Doubt: Theodore Roosevelt’s Darkest Journey, by Candice Millard (Doubleday, 2005), pp. 171-173

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Naipaul on Writing Fiction and Nonfiction

In the Guardian V. S. Naipaul looks back on his evolution as a writer.

I had no great love for [Trinidad], no love for its colonial smallness. I saw myself as a castaway from the world’s old civilisations, and I wished to be part of that bigger world as soon as possible. An academic scholarship in 1950, when I was 18, enabled me to leave. I went to England to do a university course with the ambition afterwards of being a writer. I never in any real sense went back.

So my world as a writer was full of flight and unfinished experience, full of the odds and ends of cultures and migrations, from India to the New World in 1880-1900, from the New World to Europe in 1950, things that didn’t make a whole. There was nothing like the stability of the rooted societies that had produced the great fictions of the 19th century, in which, for example, even a paragraph of a fairytale or parable by Tolstoy could suggest a whole real world. And soon I saw myself at the end of the scattered island material I carried with me.

But writing was my vocation; I had never wished to be anything but a writer. My practice as a writer had deepened the fascination with people and narrative that I had always had, and increasingly now, in the larger world I had wanted to join, that fascination was turning into a wish to understand the currents of history that had created the fluidity of which I found myself a part. It was necessary for me as a writer to engage with the larger world. I didn’t know how to set about it; there was no example I could follow.

The practice of fiction couldn’t help me. Fiction is best done from within and out of great knowledge. In the larger world I was an outsider; I didn’t know enough and would never know enough. After much hesitation and uncertainty I saw that I had to deal with this world in the most direct way. I had to go against my practice as a fiction writer. To record my experience as truthfully as possible I had to use the tools I had developed. So there came this divide in my writing: free-ranging fiction and scrupulous non-fiction, one supporting and feeding the other, complementary aspects of my wish to get to grips with my world. And though I had started with the idea of the nobility of the writer of the imagination, I do not now rate one way above the other.

via Arts & Letters Daily

When I finished high school I wanted to be a writer, and I studied journalism when I first started college (before dropping out). But I had already discovered that I couldn’t write very convincing dialogue, and my journalism professor told me I wrote in a very “scientific” style. So I ended up writing analytical essays, academic arguments, and—much later—travelogues. My youngest brother is the fiction-writer in the family, as was our maternal grandmother, who alternated between school-teaching and (mostly religious) writing.

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Filed under India, literature, travel, Trinidad

The End of the Golden Age of Exploration

[Theodore] Roosevelt lived during the last days of the golden age of exploration, a time when men and women of science roamed the world, uncovering its geographical secrets at a breathtaking pace and giving rise to bitter international competitions. The year he was born, the earnest young explorer John Hanning Speke, traveling with the famed Orientalist Richard Burton, discovered the source of the White Nile. In 1909, the year that Roosevelt left the White House, Americans Robert Peary and Matthew Henson won the race to reach the North Pole … Just two years later, in late December 1911, Norwegian explorer Roald Amundsen became the first man to reach the South Pole. Robert Scott, a renowned explorer and British hero, made it to the pole a month later, only to find the Norwegian colors flapping in the polar wind where he had planned to plant the British flag. Shocked and dispirited, Scott and his men froze to death on their long, bitter journey back to their ship. Sir Ernest Shackleton and his men, in a legendary attempt to cross Antarctica, narrowly escaped the same fate two years later, the same year that Roosevelt would set off down the River of Doubt.

To [Henry Fairfield] Osborn, Roosevelt’s decision to descend this river seemed insane if not suicidal, and he ordered [Frank] Chapman to tell the former president that the American Museum of Natural History expected him to adhere to his original plan. However, when Chapman’s letter, with all the weight of the museum behind it, reached Brazil, it had less effect than a leaf falling in the rain forest. Having found the challenge he had been yearning for, Roosevelt was beyond the reach of Osborn’s persuasion. In a letter to Chapman, Roosevelt wrote, “Tell Osborn I have already lived and enjoyed as much of life as any nine other men I know; I have had my full share, and if it is necessary for me to leave my bones in South America, I am quite ready to do so.”

SOURCE: The River of Doubt: Theodore Roosevelt’s Darkest Journey, by Candice Millard (Doubleday, 2005), pp. 61-62

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China Train Trips: Back Home in the Cold South

In addition to the Far Outliers, there was one other foreign English teacher family in Zhongshan City, Guangdong Province, China, in 1987–88. They averred that the winter we shared with them in “subtropical” south China was the coldest they had ever experienced—and they were from Winnipeg, Canada! The difference was that people in Canada heated their houses and transport and workplaces during the winter, while people in south China did not. So, below China’s Mason-Dixon line—the Yangtze River—there was nowhere you could go to get out of the cold. That was the strongest memory of our trip back home to Guangdong after our vacation trip for Chinese New Year that February.

We started south from Jingdezhen, this time traveling soft class. Our hosts in Jiangxi Province and fellow teachers in Guangdong Province boarded the same train but traveled hard class. (They didn’t have a child at that time.) We had to change trains in Yingtan, a cold and drab railway junction city on the Shanghai–Guangzhou line. We had a long layover, with not much to see, no nice places to eat, and nowhere to take an afternoon nap. Fortunately, our friends found a small, cheap restaurant with hot food, but with a dirt floor and a doorway open to the cold; then they took us to a railway workers’ dormitory and talked the supervisors into letting us all spend a little siesta time under warm blankets on dormitory beds.

The rest of our train trip south was uneventful, but we arrived at Guangzhou after midnight, too late to find a room in the fairly reasonable Liuhua Hotel near the station. So we tramped over to a much more expensive hotel where we spent the remaining few hours of the night in warmth before catching a bus back over the long, muddy, congested road to Zhongshan City the next morning. Our big concrete and tile apartment offered no respite from the cold. It had no heating, and the damp north wind off the rice paddies leaked through every door and window. It was cold, sweet home.

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China Train Trips: Via Nanjing to Jingdezhen

After an idyllic few days in Hangzhou during our Chinese New Year getaway vacation in 1988, the Far Outliers boarded a train for Nanjing, sitting on hard-class seats. We had decided to bypass Shanghai, which was dealing with a cholera outbreak. But throngs of people were heading in that direction anyway. The crowd on the way to the wickets and platform was so closely packed that we were afraid our two-year-old daughter might fall and get trampled.

We arrived in Nanjing that evening and found rooms at a somewhat dilapidated grand hotel a short taxi ride from the train station. The weather was foggy and rainy and the streets were snowy and wet, so instead of walking the city the next morning, we killed time in the warmth and luxury of the Jinling Hotel, trying not to spend any dollars. For lunch, we walked down the street to a place specializing in Mongolian hotpot (lit. ‘firepot’, 火鍋 or 火锅 huoguo), where we could spend renminbi.

Although the hotel complex overlooked the Yangtze River, thick fog prevented us from ever seeing either the river or the bridge. However, we did spend a lot of time listening to languages from all over the world in the sprawling lobby. One lady we chatted with challenged us to identify the language she was speaking with her friends. Her intonation sounded Scandinavian, but I couldn’t recognize any Germanic cognates, so I correctly guessed Finnish. She was sure I had relied on nonlinguistic clues.

As soon as we had arrived in Nanjing, we had booked soft-class sleeper tickets to
Jingdezhen for the following day, then sent a telegram to our friends awaiting us there. They were fellow teachers at Sunwen College in Zhongshan City in Guangdong Province, who had provided me with a Chinese-character telegram template into which I was to write the day and time of our arrival. The telegram worked fine. I felt sorry for the clerk who had to translate each character into a 4-digit Chinese telegraph code for transmission, but she had probably memorized most of the codes for times and well-used place names.

Jingdezhen in 1988 (pictured above) was a muddy, gray, dilapidated industrial city without any tourist hotels that we noticed, despite its long-standing fame for producing some of the finest porcelain in China. It gave us a feel for what life was like away from the coastal cities and a bit off the beaten track. Our friends had arranged for us to stay at a guesthouse for visiting delegations and they gave us a walking tour of their hometown. Among the things that struck me as we walked past storefronts were tinsmiths that repaired pots and pans, and television vendors offering video games on black-and-white sets. But there were also a large number of porcelain shops as well as street vendors selling “factory seconds,” from whom we bought several small vases and tea sets with hand-painted designs.

Among the highlights of our visit was the chance to share lunch and xiuxi (‘rest time’) in the home of one set of parents near the city hospital where they worked, and dinner in the home of the other set at the edge of town across the river. The father, who had only seen Americans on Korean battlefields, was overcome with emotion when recounting his experiences. Only my youngest uncle served in the Korean War—as a sailor aboard a submarine tender. (All my older uncles, except the eldest, served in World War II, but only one served in the Pacific.)

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China Train Trips: Hard-class to Hangzhou

Nineteen years ago this month, the Far Outliers were very much looking forward to some Chinese New Year vacation travel after a semester teaching English at newly established Sunwen College in Zhongshan City, China. The school was very much worried about the prospect of our traveling alone and wanted to get two students to accompany us. But we felt that would be a terrible imposition on both the students and ourselves, and we felt confident that we could negotiate the Chinese train system. After all, I had spent a lot of my childhood traveling on Japanese trains. How much harder could it be in China?

Somebody may have helped us buy the train tickets from Guangzhou to Hangzhou. We booked hard-class sleeper berths because we were being paid exclusively—and not very lavishly—in renminbi (‘people’s currency’), which was not yet convertible in those days. We hoarded our dwindling supply of dollar savings acessible via credit card, but nevertheless came back to the U.S. flat broke, despite getting substantially more renminbi during our second semester teaching there. The latter at least enabled us to afford a trip to Beijing and Xian before leaving China that summer.

Hard-class sleeping compartments had four berths facing each other across a narrow walkway. I was on a top berth and my wife shared a lower berth with our two-year-old daughter. There was another young child in our compartment who spent a lot of time playing with a pear, alternately holding it with his unwashed hands, dropping it on the grime-caked floor, and taking bites out of it. By Chinese standards, our daughter’s habit of thumb-sucking was just as unsanitary, but we always made sure to travel with a clean washcloth, rinsed in boiled water, and she soon learned to ask “Suck this thumb?” and get a thumb-wipe before indulging in one of her favorite contemplative activities at the time: sucking her thumb and twiddling her belly button. (As a babe in arms, she used to like to reach in and twiddle her mom’s nipple while sucking her thumb.)

By dinner time, the train was winding its way through mountain valleys beside terraced rice paddies. Vendors came down the aisles selling meals in styrofoam boxes, and about the same time we began to notice a lot of styrofoam scattered along the fields beside the tracks. After we had all eaten, we found out where it came from, as janitors worked their way down the aisles sweeping all before them with pairs of handheld brooms. At the end of each railcar, they would open a window and chuck all the rubbish out, then move on to the next car. They also seemed entirely to ignore the toilets, whose floors were awash in urine-tainted water.

We arrived in Hangzhou—so serene compared to bustling Guangzhou—early the next morning, a bit too early to check into the exquisite, Austrian-run Shangri-la Hotel Hangzhou on the north shore of West Lake. So we dawdled over bowls of hot jook (congee, 粥) in the warm hotel restaurant before checking into our rooms, where we found chocolates on the pillow and were offered complimentary glasses of warm glühwein. That stay was worth the precious dollars we spent on it. Over the next few days, we visited some of the scenic spots, bicycled around the lake, and sampled the famous Longjing (龍井 or 龙井 Dragon Well) tea grown in the nearby hills. What a welcome respite those days were.

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Naipaul on Intuition vs. Ideology

Both fiction and the travel-book form have given me my way of looking; and you will understand why for me all literary forms are equally valuable. It came to me, for instance, when I set out to write my third book about India–twenty-six years after the first–that what was most important about a travel book were the people the writer travelled among. The people had to define themselves. A simple enough idea, but it required a new kind of book; it called for a new way of travelling. And it was the very method I used later when I went, for the second time, into the Muslim world.

I have always moved by intuition alone. I have no system, literary or political. I have no guiding political idea. I think that probably lies with my ancestry. The Indian writer R. K. Narayan, who died this year, had no political idea. My father, who wrote his stories in a very dark time, and for no reward, had no political idea. Perhaps it is because we have been far from authority for many centuries. It gives us a special point of view. I feel we are more inclined to see the humour and pity of things.

Nearly thirty years ago I went to Argentina. It was at the time of the guerrilla crisis. People were waiting for the old dictator Peron to come back from exile. The country was full of hate. Peronists were waiting to settle old scores. One such man said to me, “There is good torture and bad torture.” Good torture was what you did to the enemies of the people. Bad torture was what the enemies of the people did to you. People on the other side were saying the same thing. There was no true debate about anything. There was only passion and the borrowed political jargon of Europe. I wrote, “Where jargon turns living issues into abstractions, and where jargon ends by competing with jargon, people don’t have causes. They only have enemies.”

SOURCE: “Postscript: Two Worlds (The Nobel Lecture [2001])” in Literary Occasions: Essays, by V. S. Naipaul (Vintage, 2003), p. 194

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The Mississippi Frontier

Naipaul’s chapter on Mississippi is entitled “The Frontier, The Heartland.” Until reading him, I had never considered Mississippi to be a frontier state. But it is, at least in part. And I should have remembered from reading Frederick Law Olmstead‘s The Cotton Kingdom many years ago.

“My mother and father used to tell me about when they would hang people in the courthouse square. Legal hangings, not lynchings. That was when my father and mother were children. And my daddy was born in 1897. And that was just abhorrent to me–and it was to them. These were stories that people would tell you as you were growing up. I think we’ve come a long way. It seems like people are becoming more civilized, I hope.”

The stories told to Ellen as she was growing up were frontier stories; that was how I regarded them. They had echoes of any number of Western films; and it was remarkable to hear them from someone who had just turned sixty. In one lifetime, then, it seemed that she had moved from frontier culture, or the relics of a frontier culture, to late twentieth-century Jackson and the United States. It gave a new cast to my thoughts, and a new cast to my conversation with people….

Ellen’s thoughts, just before we separated, were of her father, who had died when she was thirteen. “My father told me you never got ahead by stepping on somebody’s back. We all need to come up together.”

That had been the great discovery of my travels so far in the South. In no other part of the world had I found people so driven by the idea of good behavior and the good religious life. And that was true for black and white.

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), p. 164.

I must confess a family scandal. One of my great great uncles was hanged as a horse thief in Wyoming (via Texas) in 1878, a fact which so scandalized my maternal grandfather as to cause him to scratch his middle name (which he shared with that uncle) out of the family Bible.

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Protest: "It’s what we know how to do."

V.S. Naipaul interviews a white liberal activist southern woman in Atlanta in 1987.

“Do you think protest is being so formalized that even black people are beginning to lose contact with what they feel, and often say what they think is expected of them?”

“I think that rote and rhetoric have replaced outrage. The first thing that happened after the very real shock about the business in Forsyth County–the shock that it, the Southern violence, wasn’t dead–what swung into action then was the perfect march. And we knew just exactly how to do it. As though some cosmic march chairman pulled all the switches–and, goodness, in a week we had the perfect march.

“We had the right component of public-safety awareness, the right component of media awareness. The right crowd makeup, a nice balance of young blacks and old battle-scarred lions; and we had the right component of white liberals. You wouldn’t have found an ex-president marching in that first civil-rights march. You know, the organization! The buses appeared, just like that. That’s Hosea [Williams]. Boy, can he stage a civil disobedience now!”

Wasn’t it good, though, that protest in the United States could be ritualized like this?

“I don’t want to sound pejorative. How else would I have it? I am so thankful no lives were lost in Forsyth County, no harm was done. What I miss are the howls of pure outrage that greeted the murder of the three civil-rights workers in Mississippi. In the 1960s. But it was the spilled blood that called out the outrage. And we must not have the blood.”

But there was this to the formalization of protest: there was an orthodoxy of thought about race and rights. Perhaps people would be censoring themselves sometimes, to appear to be saying the right thing.

Anne Siddons said, “I guess that happens in all revolutions. They don’t end. They just pass into caricature over the years. And therefore they lose their credibility. The civil-rights movement will lose its energy and peter out into a series of sporadic brush fires, as other things come up. The civil-rights movement began to die as the peace movement and the women’s movement came to life in the sixties. As I said, Americans protest anything. We are protesters. But protest made the country. It’s what we know how to do.”

SOURCE: A Turn in the South, by V.S. Naipaul (Vintage, 1989), pp. 44-45.

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