Category Archives: publishing

Capt. Cook’s Family

From The Wide Wide Sea: Imperial Ambition, First Contact and the Fateful Final Voyage of Captain James Cook, by Hampton Sides (Knopf Doubleday, 2024), Kindle pp. 347-348:

ELIZABETH COOK NEVER remarried and remained a widow for fifty-six years. Sadly, she outlived all of her children, none of whom had children of their own. In October of 1780, the same month the Resolution and the Discovery returned to England, Nathaniel Cook, a midshipman serving on the HMS Thunderer, went down with more than six hundred other souls in a massive hurricane off Jamaica. He was only sixteen. Thirteen years later, in 1793, Hugh Cook perished from scarlet fever while at Cambridge, where he was studying to be an Anglican minister. Only a month after that, the eldest of the Cook boys, James, drowned near the Isle of Wight. The shock of losing her last two sons in such rapid succession proved too much for Elizabeth—it was said she spent almost three years confined to her bed.

At least, thanks to Lord Sandwich, she received a pension of £200 each year from the Admiralty, which, together with her husband’s share of the royalties from the publication of his voyage accounts, saw her into old age. “She kept her faculties to the end,” wrote Elizabeth’s cousin Canon Bennett, describing her as “a handsome and venerable lady, her white hair rolled back in ancient fashion, always dressed in black satin. She wore a ring with her husband’s hair in it, and she entertained the highest respect for his memory, measuring everything by his standard of honor and morality. Her keenest expression of disapprobation was that ‘Mr. Cook’—to her he was always Mr. Cook, not Captain—‘would never have done so.’ Like many widows of sailors, she could never sleep in high wind for thinking of the men at sea.”

Elizabeth Cook died in 1835, aged ninety-three.

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Reporting Corruption: All Sides Bad

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 196-198:

There are many different lessons to be learned from everything that happened in Chongqing. I learned mine. In reporting on what seemed like an isolated case of land auction manipulation, I’d failed to discover its deeper roots, which only became clear to me later.

I should have reached back all the way to the 1950s, when the planned economic system was established in China, purging capitalism and centering economic control with the state. Private property rights were soon abolished, all resources were nationalized, and the Chongqing Cosmetics Factory was founded under collective property rules rather than private ownership for the sake of idealistic utopian ideals.

The experiment failed; the factory encountered operational difficulties. After the reform of the market economy had begun, factory leadership established a new brand, Olive, in a joint venture with a Hong Kong company in 1991. Olive grew rapidly to become the only enterprise in China that could compete with Procter & Gamble, but collective property rights hobbled the company. External market competition was fierce, and everyone’s decision being counted at Olive equaled no one’s decision being enacted. It was yet another failure of the government-monopoly style of managing supply, as well as the marketing model on which it relied. Despite strong performance in the nineties, the company eventually ended up on the verge of bankruptcy due to internal leadership struggles. The government had no reform program for companies with this type of ownership.

The owners in Hong Kong finally left the enterprise. They wanted to sell the land they had bought for the factory, so as to recoup what was owed to them by the leadership in Chongqing, but because the land had been registered collectively in the factory’s name, there was a long dispute over whether they had the right to do this. The former manager from the Hong Kong company told Mr. Wu, one of their debtors, to find a buyer who would purchase the land cheaply, then resell it at market value, so as to generate proceeds that would be passed along to the Hong Kong leadership in the form of agency fees that would repay the outstanding debts.

Wu had to take this route, because he had already been borrowing money just to maintain Olive, and he couldn’t get another loan from the bank. Private companies, which contribute over 50 percent of Chongqing’s tax revenue and support over 80 percent of its employment, can use only one-third of the credit resources available to them. So Wu ended up borrowing money from Chen Kunzhi, whose loan shark resources exceeded four hundred million yuan. With an enormous amount of money coming to him from state-owned institutions as well as black market enterprises involving court presidents, police officers, and government officials, he could get loans at very low interest rates.

In short, unclear property rights and unfair financial policies gave Chen Kunzhi room to manipulate the eventual land auction through underground operations. With his connections to those in power, the big fish ate the small fish in a continuous cycle. In countries that have transitioned from a traditional planned economy to a market economy, there is often serious organized criminal activity. The absence of the rule of law stems from a government that is failing to fulfill its role as the guardian of a functional market economy.

But without sufficient analysis of these root causes, pathos and righteous indignation encourage people to pursue simple solutions with a black-or-white moralistic mentality: removing all the “bad guys” at the expense of the justice system and demonizing the privatization process in favor of a state-owned economy is a nostalgia for utopia, to narrow the gap between rich and poor.

In Chongqing, during the ten years between 1997 and 2007, the private economy rose from 22.64 percent of GDP to 45.5 percent, an average annual increase of over two percentage points; but in the four years between 2008 and 2011, when the “crackdown” was at its worst, the private economy grew by less than 1 percent per year. Many private enterprises began to flee Chongqing, taking capital along with them.

Bo [Xilai] and Wang [Lijun] were punished as “bad guys.” But it did not solve the problem. Among their successors, another Chongqing municipal party secretary and two police chiefs were jailed, all involved in corruption. If the world is divided into only two camps, black and white, moral and immoral, it becomes like a cube. Once you roll it over, it’s still the same, just with a different side facing up.

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The Gangster Boss of Chongqing

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 181-182:

“He had a gun,” said Mr. Wu, a key witness in the investigation of Chen Kunzhi. “He put it to my head and made me sign a contract.”

After Wu had borrowed ten million yuan from Chen and couldn’t repay it, Chen had locked Wu up in a hotel for twenty days, then seized the company’s official seal and used it to sign a collusive auction contract with COFCO, a large state-owned enterprise in China. Mr. Wu said he had been in hiding for the two years since the incident. He warned me that interviewing Chen would put everyone in danger. “He would have killed me. I don’t know if CCTV can handle this.”

The judge who’d overseen the land auction also refused to show his face on camera, fearing for his safety. When more companies had tried to bid, some men had stopped them from entering the auction site and dragged them away. The judge brought in six police officers, but Chen Kunzhi countered with six times as many, and each one had a knife. These gangsters called the judge’s superiors in front of him to put on the pressure. “You’re just a minor figure,” they told him. “Who do you think you are?”

In a last-ditch attempt to save his integrity, the judge called off the auction. But his superiors demanded that he start it again ten days later. When he acquiesced, it was the same situation as before: the other companies set to participate in the bidding didn’t show up, because they were afraid of the “complications.” The only two companies that took part in the auction were Chen’s company and COFCO. After four bids, the land was finally sold to COFCO for 37.1 million yuan. A year later COFCO announced it would offer the land up for 140 million.

I wanted to interview Chen myself. But my boss knew it would be dangerous. He asked me and each member of my team to use disposable phone cards to avoid being followed in retaliation. He said, “If you don’t interview Chen, will the story still stand?”

“The basic evidence is already there,” our producer, Jian Feng, said. “Then the interview might not be necessary. We have to think about security first,” the boss said.

I worried that security would be the least of our problems. If the interview went poorly, the whole show might be endangered. Chen Kunzhi was not a traditional street thug. He’d been a police officer for fifteen years, and after being removed from the force for assault, he’d started running a casino. After escaping a homicide charge, he went into the loan shark business. As China’s urbanization continued to speed up, Chongqing’s real estate industry was desperate for capital, financing some 90 percent of its expansion with funds borrowed from loan sharks. Chen Kunzhi had already made over a million yuan in profits, according to Mr. Wu.

Unlike any gangsters I had interviewed before, Chen was one of those men who controlled the economic lifeline of the city through the underground economy, armed with ties to the entire judicial system, which allowed him to escape justice despite obvious evidence of lawbreaking.

My fear was that once I interviewed Chen, the huge forces behind him would stop the episode from airing. It would be like a cigarette dropped into a toilet—a soft hiss and the flame would go out, only to be flushed away, worthless. So we decided to leave without the interview.

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Replanting Uprooted Memories

I’ve quoted many passages from Matthew Madden’s painstaking translation of Chan Samoeun’s uniquely detailed memoir of an especially horrible era in Cambodian history, for reasons that echo the translator’s poignant Afterword quoted below.

From Prisoners of Class: A Historical Memoir of the Khmer Rouge Revolution, by Chan Samoeun, tr. by Matthew Madden (Mekong River Press, 2023), Kindle pp. 637-640:

I still have a special affinity for the early chapters of Prisoners of Class, which capture so many details of 1975 Phnom Penh at the moment of Khmer Rouge victory. I feel almost greedy for those details; I collect any photograph, map, or description from the city’s past that I can find. I feel a deeply personal connection with and nostalgia for what I am now coming to think of as “Old Phnom Penh,” and very fortunate that I got to know it well in the last years before it began to change dramatically. With the breakneck pace of economic investment and development, seemingly devoid of coherent urban planning, increasingly little of Old Phnom Penh remains now, at least on the surface. I have been taken completely off guard by the speed and scope of the transformation in recent years, which is hard to overstate. (This has been a common topic of conversation with Samoeun, as he feels a similar disorientation.) The city had changed so little during my first several years there, and still looked so much like it had in pictures and film from before the revolution, like an insect trapped in amber, that I never imagined I wouldn’t be able to just continue revisiting old haunts or exploring landmarks whenever I liked, finding them much as they had always been, or that everything was about to become so different, so quickly.

It is truly the passing of an era.

Passing, too, is the generation of people who lived through the most turbulent, defining, and transformational eras of modern Cambodian history in the twentieth century—the post-colonial “golden age” of Sihanouk and the Sangkum (1954–70); the Khmer Republic and civil war (1970–75); and the Khmer Rouge regime (1975–79). It is a generation now grown unexpectedly gray-haired and frail. In my early years in Cambodia, including when I first discovered Prisoners of Class, this generation constituted the backbone of Cambodian society. They were the parents, the shopkeepers, the maids, the farmers, the doctors and nurses, the taxi and cyclo drivers, the policemen, the politicians—all of the aunties and uncles of Cambodia. At that time, only the youngest Cambodians, those about my age and younger (I was born in 1977), had no memories of Khmer Rouge rule. For everyone else, virtually the entire adult population of the country, the Khmer Rouge era was fairly recent memory, and the effects of it were pervasive. (And in rural areas, especially, a sizable percentage of that population had themselves once been Khmer Rouge in some form or other.) I somehow don’t know that I ever truly appreciated that this would change.

But now, the vast majority of people in Cambodia have no memory of those events. Nobody younger than about their late forties or so—and current demographics skew overwhelmingly young—has even so much as an early childhood memory of the realities of Democratic Kampuchea, and nobody under their late fifties or so has any memory of life in pre-war Cambodia. And those numbers keep going up every year from this writing. And now many of those who do remember, especially those who were grown when the Khmer Rouge captured power, are dying out slowly, soon to be quickly. Samoeun’s thick black mop of black hair has now turned silver. Before long there will be nobody at all left who remembers what happened, and the country that they knew will have finally passed, transformed, to an entirely different cohort of forward-looking Cambodians. It will all belong to the past, to the history books.

Thus Prisoners of Class is and will remain a precious link to history, a priceless document to remind later generations of the now almost unthinkable things that occurred, to memorialize the heroic travails and losses (and crimes, lest we forget) of the now-passing generation. In the preface to Prisoners of Class, the author laments that “in Cambodian society we have very few articles or books describing the real lives of people who lived in any era of our history.” How fortunate indeed that that young man felt compelled to write down everything that he and his family saw and experienced while the memories were so fresh. How fortunate that he thought to include so many details! And how fortunate that he had the heart of both a chronicler and a poet. Though he almost certainly did not appreciate it at the time, that labor of personal writing would become a historical treasure memorializing, for all time, not just him and his family, but his entire generation, a whole era, a whole country, for future generations of Cambodians—and now for the world outside of Cambodia as well.

So now, with this translation, it is my hope and aspiration to give this important historical document an even wider distribution, a stronger foothold, a larger audience, to preserve and propagate a witness of a not-so-distant but rapidly receding past, for many more people in many more generations to come. May it become an essential and immortal resource for all those who seek to understand Cambodia’s turbulent twentieth-century past.

Matthew Madden, 17 September 2023

Mekong River Press has also made several chapters freely available online, as well as photos and maps of people and places cited in the book.

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Domestic Abuse Law in China, 2011

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 88-90:

In 2011, Kim Lee, an American citizen, posted a picture on the Internet in China. In it, her ninety-kilogram husband rode on her back, pulling on her hair and smashing her head into the ground. After he’d struck her over ten times, she sustained injuries to her head, knees, ears, and more. Her husband was Li Yang, a Chinese celebrity who’d founded a famous English-language education brand. They used to work together.

The day the assault occurred, Kim needed her husband’s help with paperwork. She wanted to take their three children to the United States to visit her mother, but her driver’s license and teacher’s certificate were expired. Li Yang said he didn’t have time to provide the assistance she needed because he was only at home two days a month, otherwise occupied with touring the country. After arguing for several hours, he screamed, “Shut your mouth.”

Kim said, “Everything in my life is under your control, you can’t tell me to shut my mouth.”

When he held her hair and pinned her head to the ground, he shouted, “I will end this once and for all.”

Had it gotten any more serious, he later admitted, “I might have killed her.”

For the first time, it made the violence in elite urban families public and caused a strong social reaction. Kim refused to give any interviews, but when Old Fan sent her the footage we’d shot at the women’s prison, she agreed to talk to us. “I did not know that there were so many women living like this in China. If I stay silent, who will be there to protect my daughters?”

In the footage, I asked the female inmates, “When you testified in court, did you talk about the domestic abuse you suffered?”

They all said no.

No one bothered to ask them. The murder of a husband by an abused woman was considered ordinary murder, not “self-defense,” because it did not occur while the abuse was “ongoing” and the “abuse” was not considered a long-term process. During questioning, when an inmate wanted to talk about how her years of marriage had been, the prosecutor would interrupt her: “Are we here to listen to your life story? Get to the part where you murdered someone!”

After being assaulted, Kim Lee reported it to the police. A police officer tried to dissuade her: “You know, this isn’t America.” She said, “Of course, but there must be a law in China that says men can’t go around beating up women.” He said, “You’re right, men can’t beat up women, but husbands can beat up wives.”

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Pinpointing the SARS Outbreak, 2003

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 45-48, 50-51:

I wanted to go back to People’s Hospital [in Beijing], because I couldn’t stop thinking about the “courtyard problem.” By then, it’d become the site of one of the biggest and most difficult battles against SARS. Starting on April 5, about 222 people had been infected at the hospital, including ninety-three hospital staff across nearly half the departments. The emergency ward north of the outpatient wing was the most severely affected; that was where the courtyard was. On April 22, I had seen patients covered in white cloth being rolled out of there. Two days later, when our van passed by once more, the eighty-five-year-old hospital had just announced a full quarantine. Beyond the yellow quarantine tape, three nurses sat on the empty steps, holding their blue nurse’s caps. Their long wet hair was drying in the sun. As they sat in silence, one would occasionally comb her fingers through the hair hanging in front of her chest. Our van parked in front of the hospital for over ten minutes. Xiao Peng pointed his camcorder at them from a distance.

I felt that there must be a correlation between the twenty-nine patients I’d witnessed being transferred without proper protection and the high rate of infection now sweeping the hospital. I wanted to know more about what had happened. No one asked me to work on the story. I wasn’t even sure if I could make it at all, let alone get it on the air, but my team was willing to work with me….

I ended up getting an interview with Zhu Jihong, the director of the emergency ward. He confessed to me that, at the time of transfer, the twenty-nine patients I’d counted were all in fact infected with SARS. In fact, the emergency ward had already been battling known cases since April 5. But rather than report the cases, the real numbers were hidden from the World Health Organization when they came to inspect the hospital. The patients had been transferred to ambulances that drove around Beijing in circles until the inspectors left.

I’d spent a long time convincing Zhu Jihong to accept the interview. I said, “You don’t need to make any judgments or draw any conclusions, just describe what you saw, heard, and felt, that’s all.”

After a long pause on the phone, he said, “The memory is too painful.”

“Of course,” I said, “but pain can be cathartic, consolation for one’s sacrifices.”

Zhu Jihong led me through the emergency ward corridor. He leaned over, undid the heavy chain lock, and pushed the door open. He reached for the wall with his left hand and after some flickering the lights turned on. In the ashen light, the classroom-sized space was filled with blue IV chairs tagged with white labels that read: April 17, Thursday; April 17, Thursday …

The beds were littered with rumpled blankets, some of which had fallen to the ground. Chairs were upturned, four feet in the air, left there by people fleeing for their lives.

This was the courtyard I had been hearing so much about. It was a space wedged between four buildings. With the addition of a roof, it had become an indoor space, sealed off from traffic in the rest of the hospital. They’d used it as the IV room, where all the patients with fevers came to receive their drips. Twenty-seven beds sat shoulder to shoulder with only the space of a fist between them. Every day, almost sixty people had sat tightly together on the beds and among a few chairs. Even during the daytime, the room completely depended on artificial lighting. There was no airflow, no windows, only a ventilation panel connected to the central air conditioning system, which spread the germs across the whole hospital.

The patient files that piled up in a mound on a desk were yellowing with age. I hesitated for a second. Zhu Xuhong said with a dismal smile, “Allow me.” He opened the files, which said pneumonia. He pointed toward a blackboard. Next to the twenty-two names written in white chalk, nineteen read: pneumonia, pneumonia, pneumonia …

“In fact, it was SARS,” he said.

Even the patients had not known. It was like a taboo. No one in the hospital had even called SARS by its name. They’d called it “that thing.” The first patient had come in on April 5. The doctors suspected she was a SARS patient after seeing her chest radiograph. But the government announced that all cases were from outside Beijing. All public hospitals are managed by the government. And according to the standards for diagnosis and treatment in Beijing, the doctors could only diagnose someone who had a history of direct contact with a confirmed infected person.

…

On April 22, Zeng Guang, the chief scientist at the Chinese Center for Disease Control and Prevention examined this hospital. He said, “When buildings are about to collapse, escaping is the only choice.” Two days later, People’s Hospital quarantined. Zhang Wenkang, the minister of health, was fired, and within one week, the army built the biggest field medical hospital in Beijing. There were 686 SARS cases there, almost one-tenth of all global cases.

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Journalism: Telling Whose Story?

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 4-5:

I never wanted to be a news reporter. Journalism remained a monopoly when I began building my career. For a long time all Chinese people watched the same program, Joint News, on CCTV, which contained countless political meetings and aired every night at seven P.M. For me, all it meant was the start of dinnertime. The only CCTV program I watched was Oriental Horizon. What impressed me was the candid state of people’s lives on screen, full of struggles in a rapidly changing society, conflicting desires that led to inevitable consequences. I watched it as a work of art, not just as news. The slogan of these stories was “Telling the ordinary people’s own story.” After being ignored for a long time, ordinary people in a fast-rising society became protagonists on a national television station.

Chen Meng, a man who had never been trained by any official news school, created a slogan in 1993 to express the goal of China’s journalism reform at the time: “Turning propaganda into communication.” In the beginning, CCTV asked the program to “serve people” by teaching them how to cook. But when Chen Meng became a producer, he said, “If we serve people, we serve their spiritual life.” He put life in a shell. Chen Meng invited me to join CCTV in 2000. Since I was a young girl who hadn’t studied any news textbooks, he asked me to learn the principles of journalism from life: from the pain, joy, struggle, and bloody lessons of people in general and myself in particular.

Fourteen years later, I quit my job, went back to freelancing. I used what I had learned, and used some royalties from the book I’d published (which you’re now holding in your hands) to make a nonprofit documentary about air pollution in China. On February 28, 2015, I put it online. It got over three hundred million views before being removed seven days later. I left China then, and have been living in Europe ever since.

For those fourteen years, working at CCTV gave me the opportunity to travel to different places over a hundred and fifty days a year, to see my country, which was changing dramatically, and understand the trajectory of that change. What I saw showed me that China’s development depends on its ability to free people’s creativity from unnecessary shackles. It can explain the country’s stagnation, and it can also explain the country’s success; it can explain the past, and it will explain the future.

Chen Meng never told me why he chose me until he became seriously ill. The last time we talked in the hospital, he told me that eight years prior he had seen a young girl talking on TV. He didn’t remember what she had said and didn’t check her background, but he thought, “This girl has many flaws, but there is one thing about her I value—she doesn’t follow blindly.”

That was when he called me.

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Journalism in China & Taiwan, 1990s

From Seeing: A Memoir of Truth and Courage from China’s Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 1-4:

My mom bought a radio for me when I was sixteen. I found out I could hear broadcasts from Taiwan. Listening to “enemy radio” had been illegal for a long time. One of my father’s colleagues had been tortured as a spy in the 1960s, when there was hostility between Taiwan and mainland China, for breaking this law. He ended up cutting his own throat with a razor.

The way the hosts spoke surprised me. They didn’t read from a script or talk like official spokespeople. They shared literature, music, plays, and jokes. One time one of them even went out to her balcony and described how beautiful the sunset was. I’d never experienced such a thing in any media before. I learned to make my own tape, telling stories to myself, in my lonely girlhood.

In 1994, while studying at a railway college in Hunan Province, I took one of those tapes to Hunan People’s Broadcasting Station to look for a summer job. I was too naïve to know that there was no possibility for a student like me to work at a state-controlled media network. The state allocated jobs to everyone. My role was decided already, as an accountant working at the 17th Railway Bureau. The head of the station told me to leave. However, after listening to my tape, the radio host Shang Neng offered me a half hour in his program. He was famous enough to be able to fight against his boss’s disapproval. All state-controlled stations needed money to survive after the 1992 economic reforms—when China set the goal of establishing a socialist market system, opening the gate to the outside world—and Shang Neng attracted a lot of commercials for them.

One year later, in 1995, I signed a contract with the radio station by winning an open competition. It was the first time the station had selected staff through an open market and fair competition. Thinking that a contract meant a job that was only temporary, my mother wrote a harsh letter to warn me of what I might lose if I gave up my state-allocated railway job: my house, hukou, social benefits, safety. In short, all she had had to struggle for her entire life. I didn’t write back to her. Living in a society with a long history of collectivism, we rarely talk about our personal feelings at home, and this was especially true after a period of excessive politicization where the idea of individual humanity was seen as “spiritual pollution.” It was hard to tell my mom that, for me, a job was a spiritual human bond. People wrote to me and I read their letters on the radio; it was a human bond. There were long-suppressed voices that wanted to be heard, and I was there. I did nothing but listen, yet the hole in my life was filled by strangers. More than making a living, I was alive.

In 1999, in order to survive, all the stations—radio and television alike—had to produce programs that spoke to people’s needs. New Youth, a program on Hunan TV, invited me to be their host, and my job was to interview young people who brought sharp ideas to different fields. This was during China’s explosive economic growth, and I realized these people had one thing in common: instead of destroying the old, they built the new where creativity was most unfettered. Life itself has to grow, and where there is a gap, there is a way out. I ended up writing their story as well, including the parts that the station cut, to provide a fuller picture for the magazines. The media market was expanding quickly and competitively around 2000, so it had been to my advantage to work freely, and not sign a contract with the TV station. As one of the first generation media freelancers, I got a taste of what it was like to be independent. Like the rock-and-roll star Cui Jian sang, “As long as I have a pen, no one can stop me.”

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Australia’s “Foundational Orgy” Myth

From In For The Long Haul: First Fleet Voyage & Colonial Australia: The Convicts’ Perspective, by Annegret Hall (ESH Publication, 2018), Kindle pp. 155-157:

Paradoxically that first stormy night ashore for the females, February 6th, has been depicted in some early historical narratives as a drunken orgy. There is little evidence to support this description. There is no doubt that some males welcomed the females ashore, presumably, while the marine guards were sheltering in their tents from the storm. Whether these were convicts, marines or seamen, or some of each, is not known. A gathering took place and little else is reliably recorded.

A gathering took place and little else is reliably recorded. Surgeon Smyth, safe aboard the Lady Penrhyn in the harbour, later wrote about the female convicts on their first stormy night ashore.

…

Since Smyth was on his ship in the harbour, his account must have been second-hand scuttlebutt and is likely to be highly exaggerated. Nevertheless, some modern-day descriptions of this party, based on his diary entry, refer to it as a drunken orgy with convict couples rolling around in Sydney Cove’s red mud. Such accounts are bogus as there is no evidence of such behaviour, and no red mud exists anywhere near the cove. Moreover, the convict men had no access to alcohol. There were drunken sailors aboard Surgeon Smyth’s ship because they had been given extra grog to celebrate the offloading of the convicts. Significantly, no other diarist, except the remotely located Smyth, mentions bad behaviour that night. If anything as licentious as this had happened in the settlement, Ralph Clark would have recorded it. Clark’s diary entry on February 7th, details the storm and the farm animals ‘Kild six Sheep 2 Labms and one Pigg belonging to Major Ross’ but there is no mention of female misdemeanours on that day, or for several days thereafter.

Historian Grace Karskens, writing about the night of February 6th, claims ‘the orgy never happened’ and debunks the orgy myth:

… it turns out that the orgy story dates, not from 1788, but from 1963, when the historian Manning Clark included it as ‘a drunken spree’ fuelled by ‘extra rations of rum’ in his Short History of Australia. After he re-read the sources properly, he quickly recanted. But it was too late, the story was out. …… And with every retelling it just got raunchier. Robert Hughes was the originator of the modern version of the legend, for in The Fatal Shore (1987) he sites the action in the Rocks, with the lightning of a ferocious Sydney storm revealing couples bestially ‘rutting’ in the ‘red clay’ (there is no red clay in Sydney Cove). And in Hughes’s version the sex wasn’t consensual: ‘the women floundered to and fro, draggled as muddy chickens under a pump, pursued by male convicts intent on raping them’.

Karskens points out that the Zoologist Tim Flannery retells the orgy myth in his book The Birth of Sydney and Peter FitzSimons gives it another spin in the Sydney Magazine in 2005. Many histories of Sydney and early colonial Australia routinely include the orgy story. It has even been re-enacted for television as the documentary drama The Floating Brothel, and as a collection of comically shaking tents at the Botanic Gardens in Tony Robertson Explores Australia.

The “foundational orgy” claim has no credibility, and it is absurdly unjust to label women as promiscuous sluts and men as rapists, when there is no written evidence of non-consensual sex. Only one aspect of that stormy night is certain: those who met up were celebrating their first taste of freedom in months and had probably sought out each other’s company. This would have been a natural thing to do. It is demeaning and absurdly high-handed to assume that the convicts were disrespectful of each other, or that they were unaware of social norms.

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World’s Oldest Bookbinding

From “World’s Oldest Book,” by Ilana Herzig, in Archaeology, Jan/Feb 2024:

A 10-by-6-inch piece of papyrus is, researchers now believe, part of the world’s first book. And, like many of the volumes that fill offices, libraries, and homes, it has had many lives. The papyrus fragment, which was unearthed along with hundreds of other pieces of papyrus at the site of El Hibeh in 1902, began as a bound document dating to 260 B.C. that recorded taxation rates for beer and oil scrawled in Greek letters using black ink.

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The discovery pushes the origins of bookbinding back by centuries. “The oldest book previously known was from the first or second century A.D., so this predates anything by up to 400 years,” Zammit Lupi says. “The book could be indicative of how transactions happened, of how people lived, wrote, and passed information to each other. Most importantly, we learned that the structure of the book, as opposed to a scroll, existed well before we thought.”

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