From Hellhound On His Trail: The Electrifying Account of the Largest Manhunt In American History, by Hampton Sides (Knopf Doubleday, 2010), Kindle pp. 281-282, 293-294, 308-309:
Then Galt did something truly brazen, something that illustrated the extent of his desperation: he called Bridgman and Sneyd on the telephone, probably from the same phone booth Mrs. Szpakowski saw him talking on. One night, Paul Bridgman, who worked as the director of the Toronto Board of Education’s Language Study Centre, picked up his home telephone, shortly after finishing his supper.
“Yes, hello,” Bridgman later recalled hearing the caller say. “I’m a registrar with the Passport Office in Ottawa. We’re checking on some irregularities in our files here and we need to know if you’ve recently applied for a passport.”
Bridgman was naturally a little suspicious. He didn’t understand why some bureaucrat in Ottawa would call on official business during the evening. “Are you sure you have the right person?”
“Bridgman,” Galt assured him, spelling out the surname. “Paul Edward Bridgman. Born 10 November, 1932. Mother’s maiden name—Evelyn Godden.”
“Well yes, that’s correct,” Bridgman replied, deciding the caller must be on the level after all. Soon Bridgman freely told Galt the information he needed to know: Yes, he once had a passport, about ten years ago, but it had expired, and he had not bothered renewing it. “Thank you very much,” Galt said, and hung up.
Galt was concerned that Bridgman might pose a problem—his old passport might still be on file in Ottawa and might set off alarm bells if Galt applied for a new one. So he got back on the phone and reached Ramon Sneyd. Going through the same routine, Galt was relieved to learn from Sneyd that the man had never applied for a passport in his life.
That settled it in Galt’s mind: while he might develop the Bridgman alias for sideline purposes, he would become Ramon George Sneyd.
…
IN TORONTO THAT same morning, Eric Galt was walking down Yonge Street, intent on an errand of disguise. He turned in to Brown’s Theatrical Supply Company and bought a makeup kit. Playing with the cosmetics later that day, he applied a little foundation and powder and eyebrow liner. He parted his hair in a different way and was a bit more conservative with his hair cream. Then he donned a dark suit, a narrow tie with a discreet waffle weave, and his best white dress shirt. As a final touch, he put on a recently purchased pair of dark horn-rimmed glasses, which, sitting on his surgery-sharpened nose, gave him a vaguely professorial cast.
Looking in a mirror, Galt was happy with the transformation: Ramon Sneyd was now ready for his close-up.
Sometime in the afternoon of April 11, he walked into the Arcade Photo Studio, also on Yonge Street, and met the manager, Mrs. Mabel Agnew. He told her he needed some passport photos.
Mrs. Agnew was happy to oblige. She led him to the rear of the studio, which was decorated with a vanity mirror and travel poster of Holland, and sat him on a revolving piano stool before a gray-white screen. Galt doubtless hated the whole ritual, as always, but this time he peered just off camera and kept his eyes wide open, throwing everything he had into playacting his new role. Mrs. Agnew couldn’t get her subject to smile, but she finally managed to snap off a decent shot. He left while the pictures developed and returned a few hours later. For two dollars, he retrieved three passport-sized prints.
The image turned out well. His countenance bore a discerning quality, a certain cosmopolitan panache. He could pass for a lawyer, or an engineer, or an international businessman. He almost looked handsome.
…
Sneyd first inquired about tickets to Johannesburg, South Africa, but recoiled at the price—$820 Canadian round-trip. Instead, he asked Spencer to look into the cheapest available fares to London. She soon found a flight on British Overseas Airways that departed Toronto on May 6. It was a twenty-one-day economy excursion, the cheapest flight available, and came with a fare of only $345 Canadian. Sneyd liked the sound of it and asked her to go ahead and make a reservation.
Do you have your passport with you? she asked.
He didn’t have one yet, he said, but he was working on it. Here Spencer must have sensed his hesitation, his awkward uncertainty over how to proceed. Sneyd was under the mistaken impression that to secure a passport, he would have to provide a “guarantor”—a Canadian citizen in good standing who could vouchsafe that he’d known the applicant for more than two years. Meeting this requirement was the main reason he’d been developing two identities and two addresses; according to his rather convoluted and risky plan, the bespectacled Sneyd would be the traveler, and Bridgman (wearing an altogether different getup and possibly a toupee) would be the guarantor.
Sneyd wasn’t going to explain any of this to her, of course, but Spencer graciously intervened before he had to conjure up a story. “I can get you a passport,” she said. “Do you have a birth certificate?”
“Well, no,” he said. She told him that was okay, he didn’t need a birth certificate.
What about the guarantor? he asked. “I don’t know anyone who could serve as my guarantor.”
“Not necessary, either,” Spencer replied. There was a loophole in the passport rules, she said. From her files, she fished out a government form called “Statutory Declaration in Lieu of Guarantor.” Sneyd was simply required to sign the form in the presence of a notary. “As it happens,” she said sunnily, “we have a notary right here in the office.”
Sneyd couldn’t believe his good fortune. He’d had no idea how easy it was in wholesome, trusting Canada to acquire travel papers and inhabit another person’s identity: no birth certificate required, no proof of residence, no character witnesses. He’d wasted his time fabricating a web of interlocking aliases, disguises, and residences, when all he had to do was swear before a notary that he was who he said he was. Welcome to Canada, the expression went, we believe you.